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Shaun of the Dead: in-Depth Code Analysis

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Shaun of the Dead: in-Depth Code Analysis
Shaun of Dead

An In-Depth Code Analysis

With the large variety of interests that flourish within the society, it is no shock that genres exist, especially in film, as the definition of entertainment differs from person to person. A genre is a category of films that are characterised by similarities in the narrative elements and conventions found within the films. Genres are extremely useful to both film producers and audiences as it helps them narrow down the target audience and search for films that are in their range of interests. No one wants to watch a political drama overrun with teenagers or go into a cinema with the intentions of watching a romantic comedy, only to receive blood and gore instead.

However, because of the originality and innovativeness found in the film industry, films tend to belong to more than one genre, spawning hybrids such as ‘romantic comedy’ or ‘science fantasy’. One particular film that represents multiple genres flawlessly is Shaun of the Dead, which is directed by Edgar Wright and stars actors like Simon Pegg and Nick Frost. The film is about a man named Shaun who has to juggle personal, relationship and family issues – all the while coping with an apocalyptic zombie uprising. Shaun of the Dead interweaves the conventions of three distinct genres – horror, comedy and romance – through its use of narrative, character and SWAT codes.

The fact that Shaun of the Dead is a hybrid film is quite obvious, seen through the multiple genre conventions that are found in the movie. Under horror, the film uses one of the many monsters of horror: zombies. Because of the level of violence these zombie exert, the film contains lots of blood and gore, which can generally either scare or disgust some people. For comedy, the producers followed the act of repetition and made repeating jokes. In some ways, they serve as a foreshadowing for an event that would use the same joke again, but in a different context. As for romance, the major

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