Preview

Scorsese's Narrative Analysis

Satisfactory Essays
Open Document
Open Document
170 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Scorsese's Narrative Analysis
The use of voice over narration as pointed out earlier is a strong element of storytelling.
This impersonal 'you' that Henry uses in his narration plays with the idea of who Henry is actually reciting these events to. It could be us, the audience or narrating to someone inside the film itself.
Scorsese allows us to think all the way through that the audience is the narratee, only to float for a second the idea that it is the courtroom who is the narratee and then just as quickly to erase that idea and return to the original assumption, only this time to clarify it. This clarification
Scorsese is cancelling out any possible attempt to read the film as a simple confession; a court room document adapted for film. The subjectivity of narration

You May Also Find These Documents Helpful

  • Good Essays

    Narration is what allows us to grasp every action and detail in a story. Although authors are usually expected to guide readers through a book, Ernest Hemingway in Hills Like White Elephants decided to narrate his story in journalistic fashion. The story being told in an objective narrative format allowed for imagination and assumptions. The story being told in third person point of view which is objective, never allows us into the minds of the characters. We are only given minimal background and specifics. Though not much is offered, we can analyze various moments in the narration that contributes and shapes to the meaning of the story.…

    • 823 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Ben Hall and Maguire may have divided the property and operated independently of each other, as in John McGuire's narrative, 'The Biography of a Reliable Old Native', Maguire states that Ben Hall reputedly named his portion 'Cubbine Bin', running his own cattle and horses, and when required the two men worked together in clearing and forming stockyards close to their water supply, this would have been a prudent way to operate a new farming enterprise in the 1860’s, and thus the two squatters shared the yearly rent to the government, as for the acquiring of stock for this new enterprise, John Maguire states that Ben Hall and himself had done a bit of duffing, Maguire…

    • 116 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    significant part to the message that is being conveyed. First, we are introduced to the narrator…

    • 1130 Words
    • 6 Pages
    Good Essays
  • Better Essays

    Looking back at Méliès, multiple views crop up depending on the viewer. My peers have naught a clue as to who he is, or if they have heard of him they never heard of Méliès. Fewer know about Trip to the Moon; usually through of Martin Scorsese’s Hugo. When I first saw his films, they enchanted me with their fantasy worlds and unique look. However, I did not see the multitude of techniques he used to create his visuals. Critics of early cinema certainly recognize him, but his “place in film history is problematic. Although he is universally acknowledged to be an early film pioneer, his work has often been dismissed as simplistic, both narratively and technically” (Ezra, 2). Films of Méliès’ era were, and in some cases still are, considered to…

    • 1286 Words
    • 6 Pages
    Better Essays
  • Better Essays

    Themes of manipulation and deception can be considered one of Billy Wilder’s trademarks because they appear in many of his films. Whether the story involves men dressing up as women in Some Like It Hot, a struggling musician hiring a loose woman to act as his wife to impress a celebrity in Kiss Me Stupid, or a man deceiving a courtroom to be acquitted of murder in Witness for the Prosecution, Wilder utilizes themes of deception and manipulation to keep the stories interesting. Although many of Wilder’s films contain elements of manipulation and deception, Witness for the Prosecution best illustrates these themes because the film has been immersed, from beginning to end, with all sorts of deceiving elements ranging from props to masquerades and to false confessions.…

    • 1757 Words
    • 8 Pages
    Better Essays
  • Good Essays

    consider the fact that he is also the narrator through whose limited point of view the story is told. Thus, he reveals…

    • 807 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Harry Lavender Essay

    • 683 Words
    • 3 Pages

    As you all know, even a visual tells a story. However, characters in a text through distinctive voices demonstrate their personalities which contribute to an insightful understanding of the text.…

    • 683 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Blood Brother

    • 1849 Words
    • 8 Pages

    The narrator’s role was tremendously significant, he was an interventionist narrator, his role was to be the voice of superstition, the force who injected the sense of superstition into the characters spirits; he was responsible for the sense of superstition-which was perceptible throughout the play, and for it being so significant and strong. The narrator did not have a set location on the set-like most narrators would, he always-surprisingly appeared in random spaces on the set, at the beginning of the play he stood in the centre of the stage, and at other points he appeared in other spaces. He often appeared on the centre balcony, above all the other characters and at several different spaces on the stage. This was highly effective as it caused the narrator to be perceived as a higher force-a force with an upper hand, someone spiritual-like a voice of conscience. It also made him seem tremendously powerful. He was invisible to all the characters, yet…

    • 1849 Words
    • 8 Pages
    Powerful Essays
  • Powerful Essays

    Kate Chopin's story, "The Story of an Hour" is an ironic short story of a wife in the late 1800's. The story is only a few pages long and in doing so Chopin writes a story filled with kernel's (events that have important causal chronological coherence) with very few satellite's (events not logically essential to the narrative action). There were no satellites that I could find while reading the text; I found every word written essential to the narrative, the progression and the conclusion of the story.…

    • 1300 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Kate Chopin 's The Story of An Hour is an intriguing work that leaves the reader wondering whether Louis Mallard 's awakening was spiritual or physical. Many critics like to pick one side of the argument and stick to it, however the reader must realize that it is a combination of the two. In his essay Chopin 's The Story of an Hour, Daniel P. Deneau, a decorated literary critic, suggests some possible interpretations of the story. Deneau points out many different examples through out the story to show how Louis Mallard 's awakening is both spiritual and physical.…

    • 525 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    There is a driven theme of storytelling that connects the readers to the characters. The characters' lives are told in great detail which leads to the…

    • 150 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    The narration keeps the viewers informed on the events. The introduction of the characters gives a background of their stories. For example, when he narrates, “…and then there was a hungry little girl who…

    • 390 Words
    • 2 Pages
    Good Essays
  • Better Essays

    In 1994 Tim Robbins and Morgan Freeman teamed together in Frank Darabont 's The Shawshank Redemption making one of the best duos since Robert Redford and Paul Newman in Butch Cassidy and the Sundance Kid. Based on Stephen King 's short story Rita Hayworth and the Shawshank Redemption the film, although not popular in the box office, made its profits when released on VHS and DVD (Haviland). It is now listed as second in the top 250 films according to the Internet Movie Database. In this paper, I am going to examine The Shawshank Redemption to see if its rhetorical significance rests in its genre. The film falls into four major genres: escape film, prison film, social-drama film, and period piece. I will give a definition for each genre and examples showing that it does fit into each category.…

    • 1181 Words
    • 5 Pages
    Better Essays
  • Satisfactory Essays

    To be at a social event, one must be willing to talk to people and make friends with people for that night. However, Holden Caulfield would not fit this criteria. It is clear when reading Catcher in the Rye, that Holden is depressed teenager, struggling with his apprehension and anxiety. Additionally, he not a people person and he calls most people “phonies.” Due to this, Holden thinks about talking to someone, but ends up not doing it with the fear of interact with someone he does not like. On the other hand, when Holden does communicate with others they never go as planned. Therefore, at a social event, if he does start talking to people, it is most likely not going to be a nice conversation. Usually, if Holden does strike up a conversation…

    • 300 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Point of View: Through whose eyes is the story being told? Celie speaks in the first person through a series of private letters she writes to God and her sister Nettie. We see and hear the story through Celie's eyes.…

    • 1141 Words
    • 5 Pages
    Good Essays