Ros and Guild Character and Quotes

Topics: Rosencrantz and Guildenstern Are Dead, Rosencrantz and Guildenstern, Meaning of life Pages: 7 (2502 words) Published: June 22, 2010
Analysis of Major Characters
Stoppard deliberately refrains from giving much description of either of his main characters. Both Rosencrantz and Guildenstern are meant to be “everyman” figures, more or less average men who represent humanity in general. Nevertheless, both men have specific character traits. Rosencrantz is decidedly the more easygoing of the two, happy to continue flipping coins with little concern about the possible implications of their pattern of landing heads up. Rosencrantz spends a great deal of the play confused by both what is happening around him and Guildenstern’s reactions to their situation, but he rarely engages in the overt despair that is characteristic of Guildenstern. Rosencrantz is pragmatic and seeks simple and efficient solutions to the pair’s problems rather than philosophical explanations of them, a trait that leads Guildenstern to believe that his friend is complacent and unwilling or unable to think seriously and deeply.

Rosencrantz reveals himself to be more complicated than Guildenstern believes, however, and his apparently straightforward attitude of pragmatism and breezy bewilderment peels back to reveal deeper feelings, both positive and negative. Despite their continued frustrations and problems, Rosencrantz does not lose sight of Guildenstern’s feelings, and he awkwardly tries to cheer his friend up by offering him the opportunity to win several easy bets. Rosencrantz also tries to help Guildenstern in a more serious and sophisticated way by encouraging him to find personal happiness and to soldier on in the face of apparent chaos. Rosencrantz’s positive attitude is not the limit of his feelings, and twice he feels terror at the realization of his own mortality. First, he gets afraid during his discussion of what it would be like to be in a coffin. Later, at the end of the play, he feels fear as he realizes that he is about to die. Rosencrantz may not be an actively philosophical man like his friend Guildenstern, but he is nevertheless capable of sensitive thought. Guildenstern

On the surface, Guildenstern seems to be the polar opposite of his friend Rosencrantz. Guildenstern is markedly more anxious than Rosencrantz about the strange circumstances in which they find themselves, beginning with his deep concern about the coin-flipping episode. Unlike Rosencrantz, Guildenstern wants desperately to understand their situation, and he tries to reason his way through the incidents that plague them. Guildenstern’s belief that there is a rational explanation for their predicament leads him to sudden bursts of strong emotion as he grows increasingly frustrated by his inability to make sense of the world around him. Guildenstern’s frustration is heightened by what he sees as Rosencrantz’s jovial indifference, and he lashes out at his friend on several occasions. Guildenstern’s angry despair reaches its peak near the end of the play. His realization that he and Rosencrantz are about to die without having understood anything leads him to attack the Player in a fit of fury and hopelessness. Guildenstern is not simply a blend of rationality and passion. Subtle gestures within the play show him to be capable of compassion and sympathetic understanding. Although Guildenstern is certainly angry at Rosencrantz at numerous points, he quickly consoles and comforts his friend when the need arises. After arriving at Elsinore and becoming even more confused by Claudius’s reception of the pair, Guildenstern soothes a tongue-tied Rosencrantz and promises him that they will be able to return home soon. Similarly, after belittling Rosencrantz for failing to say anything original when they are onboard the ship to England, Guildenstern recognizes his friend’s suffering and promises him that everything will turn out okay. Though he often acts as if he would rather be alone than be with Rosencrantz, Guildenstern’s final speech in the play has him alone onstage, turning to look for his...
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