Rhetorical Analysis Of Do Not Go Gentle Into That Good Night

KEY:
Assertion/Topic Sentence
Proof/Evidence
Explanation of evidence in context
Explanation of how rhetorical device supports thesis/author’s purpose

Rhetorical Analysis: “Do Not Go Gentle Into That Good Night”

To live, to breath, to feel is life. Waking, stretching, and interacting, moving through the day is a feeling which to lose would be unbearable. Death steals these moments; it removes the opportunities to breathe, to be with loved ones, and it leaves family behind in pain and torture and within loss. Dylan Thomas in “Do Not Go Gentle Into That Good Night,” emphasizes that death should not be accepted; it should be fought with rage and anger through his incorporation of intense word choice, figurative language, and dark
Repeating words such as “rage,” “dying,” and “night,” the reader is emotionally drawn to the perils associated with death. Where each word appears, the plea is to not succumb or fall easily into death, do not move away from the light and fall into the night. Through these powerful and intense words, the reader completely understands that fighting death is not just an option but a necessity. He promotes this idea with the words “burn,” “grieve,” and “blind.” When a soul accepts death, he becomes blind, the soul will burn, and those left behind will grieve. Through these actions, the reader understands that not fighting death leads to peril for more than just the life which has been lost-the family is left to mourn and anguish over the validity of the life which just easily gives way to the
Through “wise men” and “good men” the emphasis is placed on the ideals that each comparison renders. The educators, philosophers, professors and educated represent the logic associated with dying. These men depict that death is unavoidable and an inevitable and logical occurrence. With death, one should understand that it will occur and that nothing more needs to be considered. No emotions should be unveiled in the midst of dying because it is simply what is supposed to happen. However, Thomas insists that even the mean of intelligence, in the grip and clutch of death, will react emotionally and will fight at will to overcome what they declare illustrating the hypocrisy behind their teachings and the logic behind not accepting death. In addition, the author’s use of the metaphor “good men” drives home his continual assertion of “rag[ing]” against the “night.” These men are the men of the cloth-the religious saviors whom preach that death is just a mere stepping stone into a better place, Heaven. One does not really die. The soul just moves onto where it should be, and with this ideology and promotion of faith, death should not be seen as the end, just the beginning. In contrast to what is preached, Thomas distinguishes that at the time of the impending peril and release of the soul to this sanctuary, the men of faith fight and cling onto breathing and remaining