Bibliography: Grant McCracken, 1990 ‘Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities’, 1st edition, Indiana University Press 1990…
unique, special, one-of-a-kind) and so withdrawn from the market. A marriage ceremony that transforms a purchased ring into an irreplaceable family heirloom is one example; the heirloom, in turn, makes a perfect gift. Singularization is the reverse of the seemingly irresistible process of commodification. They thus show how all economies are a constant flow of material objects that enter and leave specific exchange spheres. A similar approach is taken by Nicholas Thomas, who examines the same range of cultures and the anthropologists who write on them, and redirects attention to the "entangled objects" and their roles as both gifts and commodities.[34]…
In the chapter named, The Evocative Power of Things by anthropologist and prolific blogger Grant McCracken in his book called Culture and Consumption, McCracken is concerned with the development of hopes and ideals that manifest themselves into displaced meanings which can take the form of consumer goods or actual locations in time and space (Pg. 104). A culture creates displaced meaning for its hopes and ideals in order to keep them safe from the harsh truths of reality as a way to lessen the gap between the “ideal” and “reality”. He looks at the power of these inanimate objects as physical manifestations or “bridges” to our hopes and ideals and what they can communicate in regard to our individual or cultural values…
Culture frames what has become widespread among a group of people. Within a culture you can find the symbols, codes, characters, and artifacts that together have designed a bigger picture- a way of life. An artifact in a cultural context is anything created by a human that reflects his or her personal culture. In order to exemplify this essay’s point I will focus on a living cultural artifact that I think depicts present day American Culture most fully: the discount superstore. The American superstore Walmart is currently the most profitable business in the world. Walmart's bargain prices promote the vicious cycle of overconsumption that now defines American Culture. America's largest company may be doing more harm than good, and the debate continues over whether or not the convenience is really worth the social and environmental consequences.…
After the examination of the many facets of capitalism and consumerism, it became apparent that the modernistic capitalistic system is just another form of social control. Consumers, unintentionally are conditioned to reproduce their social standings. By purchasing a product's symbolic value, they signal their wealth and class. Advertisers and marketeers combine the subconscious meaning behind products with tactics to trap consumers into the buy, use, discard cycle of planned obsolescence. These tactics distract the public with constantly changing styles and models that break down, or they tire of, just in time for the next fleeting trend. Consequently, this system creates a wasteful, disposable culture. Since products are only designed…
Commodity fetishism is the process of ascribing unrealistic qualities to an object, whereby the human labour required making that object is lost once the object is associated with a monetary value for exchange. The object’s value appears to come from the commodity, rather than the human labour that produced it. Under capitalism, once the object emerges as a commodity that has been assigned a monetary value for equivalent universal exchange, it is fetishized, meaning that consumers come to believe that the object has intrinsic value in and of itself.…
Margolin, Victor. “The Experience of Products.” The Politics of the Artificial. Chicago: Chicago University Press, 2002.…
There is an economy of cultural goods, but it has a specific logic. Sociology endeavours to establish the conditions in which the consumers of cultural goods, and their taste for them, are produced, and at the same time to describe the different ways of appropriating such of these objects as are regarded at a particular moment as works of art, and the social conditions of the constitution of the mode of appropriation that is considered legitimate. But one cannot fully understand cultural practices unless ‘culture’, in the restricted, normative sense of ordinary usage, is brought back into ‘culture’ in the anthropological sense, and the elaborated taste for the most refined objects is reconnected with the elementary taste for the flavours of food. Whereas the ideology of charisma regards taste in legitimate culture as a gift of nature, scientific observation shows that cultural needs are the product of upbringing and education: surveys establish that all cultural practices (museum visits, concert-going, reading etc.), and preferences in literature, painting or music, are closely linked to educational level (measured by qualifications or length of schooling) and secondarily to social origin.1 The relative weight of home background and of formal education (the effectiveness and duration of which are closely dependent on social origin) varies according to the extent to which the different…
168 Tuan, Yi-Fu (1978), Space and Place: The Perspective of Experience. Minneapolis, MN: University of Minnesota Press. (1980), "The Significance ofthe Artifact," Geographical Review, 70 (4), 462-472. -(1984), Dominance & Affection: The Making of Pets. New Haven, CT: Yale University Press. Turner, Bryan S. (1984), The Body and Society: Explorations in Social Theory. Oxford, England: Basil Blackwell. Unruh, David R. (1983), "Death and Personal History: Strategies of Identity Preservation," Social Problems, 30(3), 340-351. Veblen, Thorstein (1898), "The Beginnings ofOwnership, ' ' American Journal of Sociology, 4(3), 352-365. (1899), The Theory ofthe Leisure Class, New York, MacMillan. Veevers. Jean E. (1985), "The Social Meaning of Pets: Alternative Roles for Companion Animals," Pets and Family, ed. Marvin B. Sussman, New York: Haworth, 11-.30. Volkan, Vanik D. (1974), "The Linking Objects of Pathological Mourners," Normal and Pathological Responses to Bereavement, eds. John Ellard et al.. New York: MSS Information Corporation, 186-202. Wallendorf, Meianieand Eric Arnould (1988), "My Favorite Things: A Cross-Cultural Inquiry into Object Attachment, Possessiveness and Social Linkage," Journal of Consumer Research. 14 (March), 531-547. — and Russell Belk(1987), "Deep Meaning in Possessions," video, Cambridge, MA: Marketing Science Institute. Wasson, R. Gordon (1972), Soma and the Fly-Agaric, Cambaridge. MA: Botanical Museum of Harvard University, Weathers. Mary B. (1978), "Perceptions of Prestige Borrowing in Relationship to Occupational Aspiration and Career Commitment in College Senior Women," unpublished dissertation, University of Miami, Coral Gables, FL 33124. Weiland. J. Hyman {1955), "The Adolescent and the Automobile," Chicago Review, 9 (Fall), 61-64.…
Objects high in Cult Value are seen as Fascistic where objects high in Exhibition Value are seen as Democratic…
Having things, we all like having things. Media and popular culture is rank with the need and competition for the ownership of tangible things. By this bigger car! Get this special spoon-fork hybrid! It is a constant and dangerously consuming race and it is not surprising that because of it some philosophers, like Plato, have concluded that ownership is damaging to one’s morals. But then there are philosophers like Aristotle, who say that tangible ownership can help develop a person. And their opinion is not unfounded. Owning things that we feel we’ve earned brings a great amount of confidence. But it’s not just things, it’s also ideas, traits and skills, at least according to philosopher number three Jean-Paul Sarte. This is where thing step off the track of confidence and vanity and onto the winding way of self-awareness and identity. Ownership, on both existential planes, is incredibly important in shaping a character, but if we want the growth be positive then we must stay vigilant, for in the owning of both the tangible and intangible there is the constant threat of being consumed.…
This essay will firstly define what collecting is. Then it will look why people collect, looking into people’s individual views as well as the view of expert psychologist and palaeontologist. It will also examine if age and gender affects habits of collecting. Another area to be explored is the idea of part work magazines and the collections they create. Following this my case study will look at the phenomenon of Urban Vinyl Toys and how it has created a new era of collectors. How collectors are targeted and created in marketing will also be explored throughout. This subject was chosen because of my keen interest in collecting Urban Vinyl Toys and a future project designing my own designer toys, I believed it would be a good research method to understand why people collect, and use this information to help me aid putting my items into the consumer market and them being successful.…
Modern culture is a consumerist one. It is also known as ‘disposable culture’ or ‘use and throw’ culture. In this essay I shall deal with the causes and effects of this phenomenon.…
Ravasi, Davide, and Violina Rindova. "Creating Symbolic Value: A Cultural Perspective on Production and Exchange." (2004). PDF. 12 Feb 2012.…
Consumption is ‘the purchase of economic goods that directly satisfy human wants or desires, such as food, clothes and pictures.’[1] It is ever central to our lives, particularly in an increasingly post-modern society where the latest technology and the newest designer brands are at the hub of everyone’s yearning. But why do consumers crave these items so badly? Why is there such an appeal for the latest trends? Why do we insist on having the best items? Whether consumers realise it or not the answers to these questions contribute to the creation of their identity. In modern societies, self-identity becomes an inescapable issue[2]. The central notion of consumption is that modern identities are structured around their experience, and in this case our consumption of trends. When we consume there are two things we get, the material element (the actual cultural product) and a symbolic element (the values and status the product portrays and ensnares us with); one must consider the rhetoric of the image the product depicts, beyond the object denoted there is a complex web of cultural connotations.…