Research Paper On Beethoven

Li learned about Beethoven while in Japan, and saw the composer as a moral perfect example for his struggling nation. During the mid-century between and Communists, Cai said, constant debates happened about the relationship between Western culture and Chinese culture - and Beethoven was a lightning rod. Among Beethoven in China's most stressful and terrible is the window it provides into the terrors of the Cultural Revolution. Many Chinese who had managed and did played or written about Beethoven were arrested, tortured or killed. Like many other Chinese of that time in history, Cai and his friend were willing to risk arrest - or worse - to hear their loved Beethoven. Drawing on old and secondary research, as well as interviews with Chinese and people, Cai and Melvin's shows that the process by which Beethoven became a Chinese symbol or picture was noisy and confusing. Cai led Stanford's orchestra on a tour starting in Bonn, Germany, where Beethoven
Beethoven addressed these Chinese amidst their relentless battle against hardship and enduring. Beethoven’s music developed well founded in China as one of the Chinese’s greatest passionately respected of Western culture.

In numerous Chinese heart today, Beethoven's music speaks to quality and diligence. They trusted that his identity, which is all around reflected in his works and the stories of his life merits the regards of all. They saw Beethoven as lord of music. Chinese families trusted that Beethoven and other established music help an approach to character improvement and make musical training a most elevated significance. In the 19th century Beethoven’s music was high culture and seemed to many to represent all the things that had given the West.
Western classical music has influenced to China so many ways like some Chinese listen to Beethoven when they paint so they can express their emotion in