Preview

Renoir Large Bathers

Powerful Essays
Open Document
Open Document
1135 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Renoir Large Bathers
Renoir’s Large Bathers

As a student in a suburb of Philadelphia, I have had the opportunity to visit the Philadelphia Museum of Art on multiple occasions over the last two and a half years. On some visits, I spend my time staring at Van Gogh’s Sunflowers while other times I dedicate my time to admiring the Sculpture Garden; but one thing that stays the same through every visit is my shameless staring, dare I say gawking, at Pierre-Auguste Renoir’s Large Bathers. This 1887 oil on canvas is the epitome of late 19th century European art, combining aspects of mid-19th century Impressionism, the frivolity of 18th century Rococo, and Classical nudes. Though I cannot quite place my finger on what draws me to this piece, I do know that the cheerful pastels, sensual lines, and lighthearted subject make Large Bathers one of the top paintings I have had the pleasure of viewing.
The paintings of Renoir (1841-1919) are commonly known for their strong lines and bold color palette. He created his own genre of art, mixing his trademark bright and cheerful disposition with daring and distinct lines, showing movement of the focus element. He was passionate about painting people, especially female figures. Renoir’s paintings, throughout his career, often evoke sensuality with clothed and nude figures alike. When Renoir was a young porcelain painter, he was granted permission to observe work at the Louvre; he was exposed to the works of Rococo masters such as Boucher, Fragonard, and Watteau. This inspired him to create a classic form while retaining the luminous palette that was central to Impressionism. In 1881, a trip to Italy further inspired Renoirs work after he studied the paintings of masters of the Renaissance. After that, his work became more acute in style as he attempted to regress to the style of classicism, focusing on drawing and emphasizing figure outlines.
As a leader in the 19th century Impressionist movement, it is no surprise that Large Bathers



Cited: Harris, Beth & Zucker, Steven. "Renoir 's The Large Bathers." 2012.Web. <http://smarthistory.khanacademy.org/renoir-the-large-bathers.html>. “ Pierre-Auguste Renoir.” 2011. Web. <http://www.artble.com/artists/pierre-auguste_renoir>.

You May Also Find These Documents Helpful

  • Good Essays

    My recent visit to the Norton Simon Museum was very different than any previous experience I have had with modern art. With only a semester's worth of knowledge under my belt, I was most definitely in awe, and thoroughly entertained, to say the least. Although inspired by many, I chose to analyze two works with very similar subject matter, by two German Expressionist artists. I compared a piece entitled, "Bathing Girls", painted by Franz Marc, to the similarly titled "Bathers Beneath Trees"; a work by Ernst Ludwig Kirchner.…

    • 878 Words
    • 4 Pages
    Good Essays
  • Good Essays

    La Moulin Galette

    • 1147 Words
    • 5 Pages

    The year was 1876 when Pierre Augustus Renoir painted his Le Moulin De La Galette this piece of art was in the style of impressionism. This was a fairly new art style during these years thus making it very popular at the time. Renoir’s works has endured the test of time with the popularity of his art and is still one of history’s more prominent artists.…

    • 1147 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Also he used objects that are to commonly seen that it is usually overlooked and he enhances the elements with encaustic textures. In his painting he also used abstract expressionism which is characterised by gentle brush-strokes or mark-making, and the impression of spontaneity. Than in 1954 he was introduced to Robert Rauschenberg and they became friends. Jasper Johns was intrigued and Robert was considered a influence for Jasper, so they set up studios amd supported each other by doing collages and artworks that were used for display by luxury store like Tiffany. Because of this it led him to support his own artwork and he realized that he was going to be an artist forever.…

    • 644 Words
    • 3 Pages
    Good Essays
  • Better Essays

    In what ways does Fran?ois Clouet's Lady in Her Bath painting reflect the ideology and culture of the Renaissance Era?…

    • 1217 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    The essay is greatly grateful to the above mentioned historiography associated with discursive regulation of female sexuality in Found and contemporary moral paintings, Pre-Raphaelite typologies of women4, and the implications of the sensuality of Rossetti’s stunners. This essay seeks to understand how Rossetti’s broader work prescribed to and participated in the Victorian discursive regulation of sex; how desire operated within the paintings of his paintings, and how paintings work to frame and control female…

    • 1369 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    This essay is comparing paintings of reclining female nudes thru the history of art. -…

    • 966 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Rewald, J. (1973). The history of impressionism. Museum of Modern Art (New York and Greenwich, Conn.). Book (ISBN 0870703606). 4th, rev. edition.…

    • 1880 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Reclining Nude

    • 1215 Words
    • 5 Pages

    The artwork is called Reclining Nude by Jean-Antoine Watteau and I found this artwork in the Norton Simon Museum. I was captivated by the sensuality and the delicacy in the painting. I first noticed in the painting was her robust ivory figure contrasting with the dark chocolate background because I felt that these contrasting colors evoked a sense of purity and light against the mysterious darkness. She seems to have turned around and noticed something. Perhaps someone just entered the room and surprised her or she could have been waiting for her lover. I also noticed that in this painting, that there are only three objects: the bed, the girl, and the dark background. This painting seemed so simple to me and yet I felt there was so much more to it. What was it about her that was so special? Why was she painted? These thoughts whirled in my head as I looked at this masterpiece. I studied this painting’s importance by researching the important formal elements that composed this artwork such as color and light, the historical context in which the artwork was made, and Watteau’s intent for this artwork. These factors have contributed in the Reclining Nude’s significance not only for me, but in art history.…

    • 1215 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    School of Athens

    • 1669 Words
    • 7 Pages

    Raphael Santi was born in Urbino of 1483, he was a painter and architect of the Florentine school in the Italian High Renaissance. He studied under Pietro Perugino; but after leaving Perugino and moving to Florence he soon adopted the styles of Leonardo da Vinci and Michelangelo (who were the artists who had established the High Renaissance style in Florence). During that time, Julius II requested decorations for the stanze (rooms) that Nicholas V had added to the building of the Vatican palace built 50 years earlier by Nicholas III. The pope no longer wished to live in the Borgia apartments decorated by Pinturcchio and once where Alexander VI lived, whom Julius despised. So he chose to have the upstairs rooms redone to his taste. Julius II summoned a number of well-known artists to decorate "his" rooms; Sodoma Bramantino, Lorenzo Litto, and Perugino. When Raphael was introduced to the papal court in 1508 by Bramante (the pope 's architect and trusted adviser in artistic matters) Julius II released all the other artists and gave Raphael individual responsibility for the stanze. The job of Raphael was to paint a number of frescos (painting on wet plaster wall) in the Stanza della Segnatura; Vatican, Rome. Among these was the School of Athens which I have selected to discuss in this paper. (Earls, pages 183-186) (Merlo, pages 98-99)…

    • 1669 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Pierre Auguste Renoir

    • 361 Words
    • 2 Pages

    Renoir has so many eye pleasing works of art!! It would definitely be considered impressionism since he was one of the leaders of the impressionism movement in 1841. Renoir uses a kind of paint that stands out and shows how the lighting is highlighting the people or the other images in the painting. I would say that his work is kind of in between. The paintings have a lot of meaning but they represent what he wanted to see not just what he saw. He used friends, family, and lovers as the focus of several of the paintings as well as using the rivers and other scenes of Paris. I was really impressed with the deep detail in the faces of the individuals in his paintings. They were very detailed and showed emotions. Then the flowers and other things in the background and foreground were also detailed but were not as detailed where they popped out like the faces.…

    • 361 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Henri Matisse

    • 742 Words
    • 2 Pages

    Henri Matisse was born in 1869 in a small town near the northern border of France. Trained as a lawyer, while he was in his twenties he abandoned the law in order to paint. His vividly painted works, along with his paper cut-outs, have earned him a prominent place in art history. Matisse developed his own innovative techniques like: contrasting colours, simplifying forms, impasto and scraping. His method produced paintings of pure colours and the white of exposed canvas to create a light-filled atmosphere. Rather than using modelling or shading to lend volume and structure to his pictures, Matisse used contrasting areas of pure, unadjusted colour. He emerged as a Post-Impressionist, and was known as the leader of the French movement Fauvism. Although interested in Cubism, he rejected it, and instead decided to use colour as the foundation for expressive, decorative, and often monumental paintings. Henri Matisse was heavily influenced by art from other cultures and artists. Having seen several exhibitions of Asian art, and having travelled to North Africa, he incorporated some of the decorative qualities of Islamic art, the angularity of African sculpture, and the flatness of Japanese prints into his own style. He also was influenced by Gauguin, Cézanne, and van Gogh. Mentor Camille Pissarro.…

    • 742 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Manet 1

    • 1283 Words
    • 5 Pages

    The painting I have chosen is Luncheon on the grass, by Édouard Manet. It was painted in 1863. At the beginning this painting received the name The Bath, but it was changed four years later. It was rejected by the Salon Jury, so it was shown for the first time in the Salon des Refusés (Salon of the Rejected, created by Napoleon III due to the indignation of all those who admired Manet) the same year it was painted. At the moment it is exhibited in the Museum of Orsay in Paris. It is an oil painting on canvas and its dimensions are 208 cm x 264.5 cm. This painting was considered to be in poor taste due to the naked woman who is seating with dressed men and people didn’t like the female nude, because she wasn’t a mythological figure, she was only a normal woman. It received critics due to the modernity of the style.…

    • 1283 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    Peter Paul Rubens

    • 709 Words
    • 3 Pages

    It has been said that no artist has ever been as well educated as Rubens. After training with three minor artists in Antwerp. Rubens set off for Italy to complete his education; a position at the court of the Duke of Mantua was quickly accepted and he stayed in Italy for eight years. His job was to travel to all the major artistic collections, especially Rome and Venice painting copies of famous works of art, especially paintings of beautiful women, for the Duke's collection. He was also sent to Spain where he had an opportunity to study the enormous collection of Titian masterworks in the Royal Collection in Madrid. Copying the masterpieces of the Italian Renaissance especially and the recently unearthed sculptures of classical antiquity, Rubens sketched and painted and encompassed all that was best in Italian and Classical art. Rubens combined the lessons of Antique Sculpture with the vaunting ambition of the High Renaissance giants in an unprecedented way. He used the lessons of sculpture as a composition model but insisted that flesh should look like flesh in a painting thus developing his breakthrough approach to the naked body. In this he never forgot the earthy luminous realism of the old Netherlandish tradition of the fifteenth and sixteenth century used by Van Eyck, Van Weyden, and Breughel. You won't appreciate Rubens, the master of the female nude, until you consider that he was the greatest influence on French painting from the eighteenth to the twentieth century. The fact that Watteau, Fragonard, Delacroix, and Renoir were among Rubens’ loyal…

    • 709 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    DBQ 2: Renaissance

    • 460 Words
    • 2 Pages

    The two paintings show that, during the Renaissance, a man’s view of man was changing by painting more realistic and being more colorful.…

    • 460 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    As so often in the past, the center of artistic activity was Paris, where Édouard Manet (1832-1883) created a sensation in 1863 with his painting Le Dejeuner sur l’Herbe (Luncheon on the Grass). Public outcry was directed against the subject of the painting: a female nude among two fully clothed young men and another clothed female figure. Other artists had combined nude females and clothed males before in a single picture, but Manet’s scene has a particular air of reality; the way the unclad young woman stares out from the canvas and the two smartly dressed young men appear nonchalantly indifferent to her condition can still take the spectator by surprise. The true break with tradition, however, lay not in the picture’s subject but its style. The artist is much less interested in telling us what his characters are doing than in showing us how he sees them and their surroundings. Instead of representing them as rounded, three-dimensional forms, he has painted them as a series of broad, flat areas in which the brilliance of color is unmated. In creating this style, Manet laid the philosophical foundations that made Impressionism…

    • 3844 Words
    • 16 Pages
    Good Essays