Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.…
In the book Heart of Darkness there are several aspects to imperialism. As Marlow travels from the Outer Station to the Central Station and finally up the river to the Inner Station, he encounters scenes of torture, cruelty, and near-slavery. At the very least, the incidental scenery of the book offers a harsh picture of colonial enterprise. The impetus behind Marlow's adventures, too, has to do with the hypocrisy inherent in the rhetoric used to justify imperialism. The men who work for the Company describe what they do as "trade," and their treatment of native Africans is part of a benevolent project of "civilization." Kurtz, on the other hand, is open about the fact that he does not trade but rather takes ivory by force, and he describes his own treatment of the natives with the words "suppression" and "extermination": he does not hide the fact that he rules through violence and intimidation. His perverse honesty leads to his downfall, as his success threatens to expose the evil practices behind European activity in Africa. However, for Marlow as much as for Kurtz or for the Company, Africans in this book are mostly objects: Marlow refers to his helmsman as a piece of machinery, and Kurtz's African mistress is at best a piece of statuary. It can be argued that Heart of Darkness participates in an oppression of nonwhites that is much more sinister and much harder to remedy than the open abuses of Kurtz or the Company's men."Everything belonged…
The aim of this paper is to analyse the role of destiny in Conrad’s criticism of colonialism. We will avail ourselves of the two knitting women to explore the relationship between Marlow and destiny and, thus, discover the philosophical ideas through which Conrad achieves his purpose.…
In Joseph Conrad’s Heart of Darkness, the main character, Marlow travels through the Congo, witnessing scenes of torture, cruelty and near-slavery. The incidental scenery of the book offers a harsh picture of colonial enterprise. The book is regarded as an attack on imperialism and criticizes the immoral treatments of the European colonizers in Africa in the 19th century. However, the dehumanization of the Africans, and use of Africa as a backdrop setting for Marlow’s thought process, rather than an important focus has to do with hypocrisy inherent in the rhetoric used to justify imperialism.…
There are various motives for Imperialism attributed to the different characters in Joseph Conrad’s novel, The Heart of Darkness. Each and every character has their own opinions on the concept of imperialism. While some of them agree with one another, others disagree with one another. Just like Richard Meinertzhagen, Karl Pearson, Joseph Chamberlain, and Cecil Rhodes, they all had their own beliefs in Imperialism that may have contradicted another. In the novel the characters don’t all just complement each other there’s a bit of conflict in their view and opinions on motives for Imperialism.…
After setting foot on the land and beginning his journey to the Inner Station, Marlow observes a group of slaves, from which a particular one stands out in his decimated clothing and deprived appearance. Marlow, in vain, offers the slave a biscuit immediately before they die of hunger right before his eyes (28). This simple encounter echoes the irrefutable damages caused by imperialism and the idea that no matter what anyone does to try and reverse the effects, including Europeans themselves, the damage that has been done has been set in stone for centuries to come. As noted in Edward Said’s essay critiquing Heart of Darkness, “Conrad… could clearly see… imperialism was pure dominance, [but] he could not conclude that imperialism had to end so that natives could lead lives free of European domination” (Said par. 18). This quote unequivocally supports the notion that Europe became a necessary crutch for Africa, and provides evidence for the transformation of darkness to convey the idea of the long-lasting effects of…
For instance, when the pilot is struck by a spear from the natives and Marlow is about to remove it, Conrad states that “ he looked at me anxiously, gripping the spear like something precious, with an air of being afraid I would try to take it away from him. I had to make an effort to free my eyes from his gaze…” (122). This piece from the text is metaphor to Africa and how people do not want see or know what they are doing to Africa. Marlow has seen the first-hand effects of imperialism in the Congo but does not come out and show his dissatisfaction but goes along with the violence and cruelty surrounding him station to station. Conrad is showing how people know that others are being slaughtered along with destruction of nature but pretend to turn away from these facts by “ closing their eyes” like Marlow. The reasoning for this is that people know that the reason this is occurring is because of their materialistic needs but they attempt to the hide from the truth. Conrad uses this technique of metaphors to allow the reader to judge right from wrong by giving an understanding and view of what imperialism does. Moreover, Conrad sums the entire purpose of imperialism into a phrase. Conrade practically defines imperialism by stating that it is the “ the vilest scramble for loot that ever disfigured the history of human conscience and…
The Heart of Darkness by Joseph Conrad is regarded as one of the most superlative novels of English literature written in the twentieth century. However, the ideas and notions presented by Conrad in this story has generated quite a bit of controversy among academic scholars and literature experts who believe the novel creates a sense of racial animosity towards the African continent and its people. With further analyzation it can be inferred that this novel does indeed show signs of racial enmity and presents a rather deplorable situation in which one must evaluate if Conrad himself is a racist. Some would argue that his novel was…
In “Heart of Darkness” Conrad introduces his protagonist Marlow, his journey through the African Congo and the “enlightenment” of his soul. With the skilled use of symbols and Marlow’s experience he depicts the European colonialism in Africa, practice Conrad witnessed himself. Through Marlow’s observations he explicates the naiveness of the Europeans and the hypocritical purpose of their travelling into the “dark” continent.…
There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a sensation point of view of European expansion that was a sporadic subject of Conrad’s time.…
‘The Heart of Darkness’ is a psychological masterpiece, revealing the relationship between subconscious life and conscious motivations. In the text, Conrad through Marlow reviews the memories of his journey to the Congo: personal nightmare is mixed with his own psychological complexities. He is looking for self-understanding, and showing his own mental picture of the conflicts between savagery and civilization. Many critics have called it the best short novel written in English. The text involves the reader in dramatic and decisively difficult moral judgements, which are in parallel with the central characters: Marlow and Kurtz. It is a dramatic, layered, paradoxical and problematic novel: a mixture of autobiography, adventure story, religious drama and a symbolic text, thus making it an allegorical text.…
Throughout the imperial conquests of Africa, Europeans in general held very low opinions of those that they dominated. Instead viewing the native African people as sub-human, or tools if they were particularly fond of an individual. While Heart of Darkness presents itself as anti-imperial, Marlow, and by extension Conrad still display an astonishingly undesirable view of the tribes assisting himself and Kurtz. For example, there exists an International Society for the Suppression of Savage Customs that Kurtz writes a report for. To Marlow it is an elegant paper that he cannot help but praise for its elegance. The contents of this paper suggest that the Europeans, to, “exert a power for good,” must appear as gods, deities, and supernatural beings…
Conrad, in Heart of Darkness, challenges the values of colonialism, but at the same time he conforms to the constraints of popular culture of the time in which he wrote. In this way, the extent to which he challenges mainstream ideas is limited in regards to the angles of his criticism. Conrad’s detailed descriptions of the Europeans in Heart of Darkness implicate his discontent towards colonial practices whilst certain references to the “black fellows” who reside in Africa show his opinions are influenced by his time, and thusly impact his acquired knowledge of what is politically correct or incorrect. Conrad challenges stereotypical beliefs and values of colonisers in Heart of Darkness but falls victim to their jargon, in this way, Conrad himself is portraying some of the qualities of colonialist groups whom he aims to question throughout the novel. These qualities such as Euro-centrism are challenged through Conrad’s use of language, as his rich but obscure descriptions and his portrayals of the landscape and people of Africa contrast to the Europeans.…
It is human nature to search for the differences within each other rather than embrace our similarities. This can be seen through many common themes today such as sexism, classism, and especially racism. Individuals have excluded others with these differences, sometimes going as far as to say they were less than human. This detrimental belief leaves little room for understanding and acceptance between cultures. Joseph Conrad’s novel, Heart of Darkness, tells the story of African imperialism while portraying the natives as primitive beings. Critic Paul B. Armstrong writes, “Heart of Darkness is a calculated failure to depict achieved cross-cultural understanding”. By purposely dehumanizing others, Conrad works to justify hash imperialist methods.…
The value of imperial domination is explored in Conrad's Heart of Darkness through the character Marlow and Kurtz. The novel was written during the time of New Imperialism where European countries were in conflict with one another, trying to claim African territories known as the "Scramble for Africa." This context is reflected in the novel when the narrator, Marlow, thinks aloud in, “Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration... when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, When I grow up I will go there." This shows the innate want and need to dominate in European culture, expressed through accumulative listing. Furthermore, the use of high modality language in "I…