According to Black Arts literary critic Addison Gayle, Jr., Black Art has always been based on the anger felt by African Americans. Thus, he draws a connection between the Black Arts Movement of the ‘60s and hip hop culture. Hip-hop culture absorbed many of the convictions and aesthetic criteria that evolved out of the Black Arts Movement, including calls for social relevance, originality, and an effort to challenge American mainstream artistic culture (Gladney 291). Graffiti, rap music, and break dancing were all forms of artistic expression within the hip-hop culture. As writer Marvin J. Gladney asserts, “Those who pioneered hip-hop were offering artistic expression designed to cope with urban frustrations and conditions” (Gladney 292). Scholar Cornell West believes that hip-hop is more than just feelings of frustration, but also an outward protest of the poor living conditions in the black ghetto which is intended to reach its listener on a personal level. He felt that rap music is primarily the musical expression and the cry of desperation and celebration of the black underclass and poor working class, a cry that openly acknowledges and confronts the wave of personal cold-heartedness, criminal cruelty, and existential hopelessness in the black ghettos of Afro-American. (West 26) Thus, rap developed as a form of artistic expression articulating the urban impoverished …show more content…
As hip-hop culture evolved and entered mainstream American culture its focus shifted greatly; however, regardless of the general trends of the genre, hip-hop – specifically the rap music component - continued to express the concerns of an otherwise overlooked portion of America. Today, rap music stands in the forefront of popular music, and the effect of hip-hop culture on the American public is blaringly evident. Yet, despite its commercialization, hip-hop has maintained its status as a highly valid method of