There are many different definitions of feminism. Some people regard feminism as the idea that women deserve the same amount of respect that men deserve. There are the other schools of feminist thought that hold women superior to men. Yet another believes that the gender roles controlling women are artificially created and not innate knowledge, and thus men and women are equals with only history the determining factor and how gender equality is established. There are clear feminist overtones in Like Water for Chocolate by Laura Esquivel. Esquivel pointes to a more radical definition of feminism in Like Water for Chocolate. The story focuses on mostly female characters that assume the gender roles typically associated with men. Esquivel presents these strong female figures in such a way as to make the reader begin to question any preconceptions previously held about the capabilities of women. Feminism has been a concept long thought about. Generally dealing with the idea that men have historically been thought of as superior to women, the feminist philosophy contends that men and women are equal and thus deserve equal treatment. Esquivel makes it clear that all the women characters are not dependent in any way to any men. This independence of men that she creates is a key to understanding the feminist nature of the novel. Early on with Tita's father dying we see that now Mama Elena is charged with the care and protecting of her family. At this point Esquivel has already created the first independent strong female character. Mama Elena goes on, for better or worse, attempting the best she can to raise a family in the tumultuous time of the Mexican revolution. She struggles against her rebellious daughter in her own attempt to keep her family's heritage and traditions alive. Not only does she raise a family but she also runs the ranch on which the live and on derive their sustenance. Early on in the novel we see that Esquivel presents a character that deserves the...
Cited: Esquivel, Laura. Like Water for Chocolate. New York: Anchor Books, 1995.
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