Primitive Art The class discussions of primitive art by Franz Boas and the readings that we as a class have done was about an the artistic values of primitive people on how they do different art, baskets, rugs, totem poles , sculptures and other works of art that are primitive. The materials took symmetrical designs to its finest point and the work was done with a high degree of human equilibrium. Arts of primitive people have a close relationship between morals and sufficiency of artistic development. The California Indians produce and practice these examples of form and texture. The women are the most artistic and creative among the California Indians while the men have skills with wood work. The Pueblo Indians of southern United States have villages that have the most intricate works of artistic designs on their potteries. The women in these villages are the most productive artists among the Pueblos. The men in these villages are devoted mostly to ceremonies and don’t really have knowledge in artistic expressions. In some households, slovenly work are hard to find in there works of art. The control and technique are expressively correlated in rawhide boxes that are made and practiced by the Sauk and Fox Indians of Oklahoma. The raw hide boxes have perfect symmetrical designs and folded in places to make works of art precise. Other examples are the leggings made by natives of British Columbia which bears decorations and unit. The fringes have long pieces of curried skin cut in narrow strips and decorated in rhythmic order. Other cases are twilled weavings which have excellent form and are perfectly even on the surface. These objects are considered works of art and finished in some ways that their forms have artistic value. Some other characteristics of decorative art have distinctive fields which can also be compared to a pottery. Pouches of American Indians have flaps that are treated as separate units. In moccasins, the upper part form a field separate
