• Sandro Botticelli, Birth of Venus, c. 1484-1486, tempra and gold on canvas, 5’ 8 7/8” x 9’ 1 7/8”…
The Birth of Venus was inspired by Lorenzo. He had it set to verse by one of his favorite humanist poets, Angelo Poliziano. Botticelli's most famous paintings represents not a Christian legend, but a classical myth - the Birth of Venus. Roman mythology says Venus was the goddess of love, sex, beauty, and fertility. She was the Roman counterpart to the Greek Aphrodite.…
The visual artist that I have chosen to write about is a man named Leonardo da Vinci. During the Renaissance from the year of 1400-1600 AD Vinci was known for his visual art paintings that we know of today We know him for his painting but he also was a Writer, Inventor, and he was even a Mathematician. In this paper, I will be giving a brief description of Leonardo da Vinci. Why was his painting so important in historical elements during this time and do an assessment of at least one of his paintings?…
Second, “Venus of Urbino” was created at the Venetian Renaissance period in 1538 by Titian sized 47” x 65”. It was using the oil on canvas that was a new technique established by Giorgione. The painting was commissioned by Guidobaldo della Rovere, who was the Duke of Urbino. The pose of the subject was influenced by Giorgione's “Sleeping Venus.” The theme was reviving a tradition of the female nude that can be traced back to ancient Greek art. Also, this painting has a lot of hidden meaning with title. The main iconography of this painting - Venus - is an idealized nude woman lying on a bed, who identified as the Roman goddess of love. Titian‘s “Venus of Urbino” is a…
The works of Sandro Botticelli are among the most revered of renaissance painting. The sweeping curves of his women and the ethereal beauty of their gazes are recognized instantaneously: from a grandmother in a small town to the cognoscenti of New York or Paris, few can claim to be unmoved by his work. Patronized by the Vatican as well as one of the most rich and powerful Florentines of his time, Lorenzo di Pierfrancesco de' Medici, Botticelli was hugely popular in his own day. His most magnificent work, the Primavera, as well as The Birth of Venus, Camilla and the Centaur, and Mars and Venus contain entirely mythological figures whose significances have been debated by various art historians for centuries.…
Sandro Botticelli has created this Tempura on canvas painting , it measures 172.5 x 278.5cm and is located in the Galleria degli Uffizi in Florence .The Birth of Venus belongs to the renaissance period and is not a representation of a Christian legend but an interpretation of a classical Myth. This painting is one of a series which Botticelli was inspired to paint after the written descriptions by the 2nd century historian Lucian. It depicts the classical goddess Venus emerging from the water on a shell , she is being blown towards shore by the Zephyrs (symbols of spiritual passions) there is also an Ore waiting on shore to distribute her with a purple flowered cloak. Its function is to communicate of point of view , as to how the Greek goddess ,Venus, was created. Botticelli has used line and tone to create the effect of a 3-dimensional shell ,the shell appears to be gliding along the top of the water The Birth of Venus is a linear one, yet Venus is depicted with very soft lines, separating her from the rest of the figures. He has also used a repetitious form of brush-work to create the textured effect of choppy water. The central figure of Venus is slightly moved to the right of the centre line ,while the figures have magnificently drawn outlines and almost appear to be cut-outs placed on an ideal background .At a glance ,Venus is so beautiful that we fail to notice her imperfections; the unnatural length of her neck ,the steep fall of her shoulders and the unusual way her left arm is attached to her body remain unobtrusive. There seems to be a build up of water around the base of the shell suggesting movement and her location in relation to the shoreline. The focal point of the artwork is definitely the central figure of Venus; she appears to be emphasised more-so than the other figures. She appears to have a whiter skin tone and she also looks slightly larger than the three other characters. The naked goddess may not be a symbol for earthly love but perhaps a…
Time has arrived upon the year of 1482, the Early Renaissance, and a great artist, Botticelli, is in the stages of creating the largest Greek mythology painting, Primavera or also known as the Allegory of Spring. On the canvas characters such as Zephyr: the God of Wind, Flora/Chloris: the Goddess of Flowers and Blossoms as well as her former nymph counterpart, Venus: the Goddess of Love and Beauty, the Three Graces, Cupid: God of Love, and last but not least Mercury: the Messenger of Gods are coming together for “…Spring closing/The white doors of winter…” (Bolaños, Pg 396, Line 25-26). The painting is eventually going to be a gift for a bride that is going to become a part of the Medici family residing in Florence, Italy. In fact, the foundation of marriage and love are Sandro’s main inspiration for Primavera…
The painting I have selected for my second project is the Last Supper made between 1592 and 1594 by Jacopo Tintoretto. I picked this piece of art for many reasons. When I first saw this painting I was immediately attracted to it because of the detail that went into every person. Every person seems to have their own personality and emotion. Although you are immediately drawn to Jesus Christ in the middle of the painting because of the contrast between the light and dark, you are also drawn to the darkness in the back. The time and detail put into this painting is pretty amazing.…
Botticelli’s two most famous paintings were the Primavera, made in 1478, and The Birth of Venus, made in 1485. These paintings were painted specifically for the villa and both paintings…
Sandro Botticelli’s painting Primavera has been a subject of discussion and admiration for many centuries. The reason being, why exactly is that so? Botticelli’s Primavera was orinally painted for the intentions of giving it to a soon-to-be groom and bride for their wedding as a gift. The image depicts a few figures, mostly women, portrayed in a lush garden. Simple enough, but there lies a deeper meaning behind it. It is meant to portray and give the message of a soon-to-be bride to be submissive to her husband for whatever his desires and reserved in other aspects of life, meant only to exist for the sole purpose of her husband and to bear children.…
For this assignment I decided to compare two paintings of the same theme from XVI Century Renaissance of Italy both titled The Last Supper, one by Leonardo da Vinci and the other by Tintoretto. The paintings were created one hundred years apart and as such had noticeable differences in technique and style. Of these differences, the use of light and its effects on the works’ meaning is the theme of this paper.…
Da Vinci’ works of art display the attention to depth and weight which interpret much of Renaissance art, so do Michelangelo’s pieces of art. There…
Botticelli’s painting, Primavera or the Allegory of Spring, which he painted between 1477 and 1482, was one of his most well-known pieces of art. As many paintings and other works of art were at that time, Botticelli’s Primavera was commissioned by the well-known Medici family, to celebrate a wedding and marriage that was about to take place. Sandro Botticelli highlighted, not only different elements in his paintings, but he also allowed them to be associated with the idea of humanism, and he related much of his work to classical arts and its subjects. His painting, Primavera, was a key example of this.…
Botticelli 's Venus was the first large-scale canvas created in Renaissance Florence. He prepared his own tempera pigments. He covered them with a layer of pure egg white, in a process unusual for his time. His painting resembles a fresco in its freshness and brightness. Birth of Venus is dependent on the slenderness of Botticelli 's line. The proportions show their greatest exaggeration, yet the long neck and torrent of hair help to create the mystifying figure.…
* Boticelli implies time and motion have occurred with the way the figures are slightly angled towards each other. Venus’ hair is drawn so that it looks like it is blowing in the wind as she has emerged from the water, while the woman that is standing on land waiting for her is leaning towards her as to cover her with the cloth that she is holding and her feet are positioned so it shows that she is walking. The Angels are drawn to show that they are flying towards the goddess as if to welcome her.…