Predictive Dream, by a World Famous Artist Aoki Katsuyo
In this paper I chose to visit the virtual museum of fine arts in Boston, MA. I chose, Predictive Dream, by a world famous artist by the name of Aoki Katsuyo. This piece of art is currently on display at Exhibition of Fine Arts Boston, New Blue and White. This happens to be a ceramic porcelain piece of work from a series the artist created named Predictive Dreams, where skulls decorated in an excessive asymmertrical ornamentation style from cast porcelain formulate the series, . This work is neo-ornamentalism from Japanese contemporary art. Katsuyo has had many numerous solo exhibitions along with many awards. Katsuyo graduated with a BFA in painting in 1998 from Tama Art University(Tokyo, Japan). He appears to use ceramics as a form and means of deep feeling and expression that is very define and meaningful. Katsuyo stated the following about his work,
"The decorative styles and forms I allude to and incorporate in my works each contain a story based on historical backgrounds and ideas, myths, and allegories. Their existence in my present age makes us feel many things,: adoration, some sort of romantic emotions, a sense of fruitfulness, and langour from their excessiveness and vulgarity. And on the other hand, they make us feel tranquility and awe that can almost be I am able to express an- atmosphere- that is a part of the complex world in this age. In fact, the several decorative styles and forms I cite simultaneously hold divine and vulgar meaning in the present age, having an irrational quality and contradict each other, which I feel express an important aspect in the contemporary age in which we live. My artwork may remind viewers of a narrative story such as a fairy tale, a myth or religious objects used in ceremonies. That is to say, as if I went deep inside myself and came to be face to face with my inner shadow. In other words, it is almost like mystic experience seeing fantasy, daydreams, and awe. It might be because more technology and civilization
"The decorative styles and forms I allude to and incorporate in my works each contain a story based on historical backgrounds and ideas, myths, and allegories. Their existence in my present age makes us feel many things,: adoration, some sort of romantic emotions, a sense of fruitfulness, and langour from their excessiveness and vulgarity. And on the other hand, they make us feel tranquility and awe that can almost be I am able to express an- atmosphere- that is a part of the complex world in this age. In fact, the several decorative styles and forms I cite simultaneously hold divine and vulgar meaning in the present age, having an irrational quality and contradict each other, which I feel express an important aspect in the contemporary age in which we live. My artwork may remind viewers of a narrative story such as a fairy tale, a myth or religious objects used in ceremonies. That is to say, as if I went deep inside myself and came to be face to face with my inner shadow. In other words, it is almost like mystic experience seeing fantasy, daydreams, and awe. It might be because more technology and civilization