POISONWOOD BIBLE & HEART OF DARKNESS ANALYSIS PAPER
Within every individual, there lies a unique set of innate, fundamental principles upon which further truth is built. However, from the moment a precious parcel of tissue sheltered in a mother’s womb tastes the sweet nectar of life, society’s truths immediately seize the opportunity to morph the child to their likeness. The characters within Barbara Kingsolver’s Poisonwood Bible and Joseph Conrad’s Heart of Darkness vividly illustrate various milestones in the internal struggle between conflicting truths, revealing through honest, uncensored commentary the precarious nature of deep-seated war. Through its depictions of the polar and intermediary phases within humanity’s internal battle between truths, Poisonwood Bible and Heart of Darkness reveal how truth is not a concrete concept but a continuum of constant reflection and redefinition.
The climactic rise and fall of Kurtz and Nathan Price typifies the destructive, insidious force of society’s truth upon the human soul. Signs of Kurtz’ troubled state litter Marlow’s initial days at the Central Station. While admiring an agent’s artifact collection, Marlow stumbles upon a small sketch “representing a woman, draped and blind-folded, carrying a lighted torch” (Conrad 122). Kurtz’ revelatory painting of the “sinister” looking woman engulfed in darkness clearly reflects his struggle with forging ahead on the continuum of truth (Conrad 122). Unfortunately, the constant praise of his peers, who regarded Kurtz as a “remarkable person” (Conrad 115), “exceptional man,” (Conrad 119), “a prodigy” (Conrad 122), coupled with the unbounded freedom of the Congo, creates a severe superiority complex within him, grinding his continuum to a halt. Once on his knees, the European imperialist mentality effectively crushes Kurtz’ inner principles: “it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own” (Conrad 147). In Poisonwood Bible, Nathan Price also falls
The climactic rise and fall of Kurtz and Nathan Price typifies the destructive, insidious force of society’s truth upon the human soul. Signs of Kurtz’ troubled state litter Marlow’s initial days at the Central Station. While admiring an agent’s artifact collection, Marlow stumbles upon a small sketch “representing a woman, draped and blind-folded, carrying a lighted torch” (Conrad 122). Kurtz’ revelatory painting of the “sinister” looking woman engulfed in darkness clearly reflects his struggle with forging ahead on the continuum of truth (Conrad 122). Unfortunately, the constant praise of his peers, who regarded Kurtz as a “remarkable person” (Conrad 115), “exceptional man,” (Conrad 119), “a prodigy” (Conrad 122), coupled with the unbounded freedom of the Congo, creates a severe superiority complex within him, grinding his continuum to a halt. Once on his knees, the European imperialist mentality effectively crushes Kurtz’ inner principles: “it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own” (Conrad 147). In Poisonwood Bible, Nathan Price also falls