Preview

Pinturricchio's Pluto Rape

Good Essays
Open Document
Open Document
178 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Pinturricchio's Pluto Rape
Though questionable the popularity of rape/abduction imagery is undeniable as for three centuries (1475-1775) within the sphere of European culture heroic rape/abduction imagery was a staple of European prose and art. So much so that even church officials of the highest order commissioned majestic imageries of mythological rape for secular areas. Such as Pope Pius II who commissioned Pinturricchio's Pluto Raping Persephone (Fig. 1), for a library in the Siena Duomo for a larger set of Christian parables; or the two life-size sculptures (Apollo and Daphne and Rape of Proserpina)commissioned by Cardinal Borghese from from Bernini for Villa Borghese (Fig. 2 and 3). As previously mentioned however, pictorial representation of mythological rape/abduction
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Pollaiuolo's Hercules And The Hydron
    • 151 Words
    • 1 Page

    Pollaiuolo's Hercules And The Hydron

    Pollaiuolo’s Hercules and the Hydra was commissioned for Lorenzo de ’Medici, a private patron, and is an example of the interest in Greek mythology but still keeping within some religious context. By this point in time, Florence was well into its Renaissance. Private patrons would pay artist to paint subject matter that would depict more about man’s mortality. But Christianity was very much alive, so usually within these classically inspired pieces, religious context was still prevalent.…

    • 151 Words
    • 1 Page
    Good Essays
    Read More
  • Satisfactory Essays

    Art Analysis - Harrison Crawford
    • 794 Words
    • 4 Pages

    Art Analysis - Harrison Crawford

    The two images I chose for the analysis paper are Martini, Simone and Lippo Memmi, Annunciation with Saints Ansanus and Margherita (1333) and Brunelleschi, Filippo, Dome of Florence Cathedral (1420-36). The reason I chose these are because they relate to the Catholic religion in different ways. The Annunciation with Saints Ansanus and Margherita was the beginning of the Catholic art during the Gothic time period while the Dome of Florence Cathedral was not only a masterpiece of artwork it was also a breakthrough for the construction during that time and for the rest of history.…

    • 794 Words
    • 4 Pages
    Satisfactory Essays
    Read More
  • Good Essays

    Giovanni Bellini's Half-Length Madonnas Analysis
    • 805 Words
    • 4 Pages

    Giovanni Bellini's Half-Length Madonnas Analysis

    Rona Goffen’s “Icon and Vision: Giovanni Bellini’s Half-Length Madonnas” shows how Bellini, and most noticeably his Madonnas, represent the ways that Eastern, Byzantine and Greek, styles effected the western Italian style. Goffen explains the long history of connection with Byzantium which made eastern art not unusual, but a popular style. Bellini used the popular motifs of this style to incorporate into his work; such motifs included Greek letters, a solemn Mary, and his use of half-length which all directly quoted Byzantine and Greek models. These details revealed the Madonnas to be icon paintings and for use in religious worship, not just for aesthetic pleasure, particularly his use of the half-length. This half-length style has a long and ancient history of referencing icons and other figures that were meant to be eternal, just as an icon is the vehicle for an eternal religious presence. This half-length style was not as popular as the full length and enthroned Mary in Venice, a style that Bellini also used and Lymberopoulou points to as an influence on Cretan art. Goffen argues that even though Bellini used some different styles and motifs in comparison to the Byzantine style of making icons, which depended on repetition for its authenticity and spirituality, Bellini still…

    • 805 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    FAS 201 Introduction To Humanities: Investigative Essay
    • 572 Words
    • 3 Pages

    FAS 201 Introduction To Humanities: Investigative Essay

    This investigative essay is a draft copy of the two selection of visual arts from the Classical and the Renaissance period. The two art works are: (1) the Cathedral of Reims an architectural work and (2) The Sculpture of Slavery in Zanzibar. Both selection represents fine art work from two different time periods.…

    • 572 Words
    • 3 Pages
    Good Essays
    Read More
  • Powerful Essays

    Fra Carnevale’s Presentation of the Virgin in the Temple
    • 1824 Words
    • 8 Pages

    Fra Carnevale’s Presentation of the Virgin in the Temple

    The Museum of Fine Arts in Boston contains some of the greatest treasures of the Italian Renaissance, and not least among these is Presentation of the Virgin in the Temple, painted in 1467 by Bartolomeo d. Giovanni Corradini, better known as Fra Carnevale. This Urbinian painter and architect produced some of the greatest architectural paintings of the early Renaissance, and his techniques expressed an interest in the progression of the Italian Renaissance style of classical idealism. The Presentation, measuring 57 5/8 x 38 in., depicts the apocryphal story of the Virgin Mary’s Presentation in the Temple of Jerusalem by her parents at the age of three. Executed in oil and tempera on panel, the work frames a young Virgin in purple by the grand, classical architecture of the Temple. The entire work confers an atmosphere of contrast: the softness of Mary’s companions with the sharply defined, half-nude beggars, the religious with the classical reliefs, the tiny Virgin with the enormous architecture, and the brightly lit interior with the cloudy sky. Fra Carnevale creates a mysterious, yet orderly, scene of subtle emotion and veiled heterogeneity.…

    • 1824 Words
    • 8 Pages
    Powerful Essays
    Read More
  • Good Essays

    Alexander The Great: Hellenistic Artwork Analysis
    • 862 Words
    • 4 Pages

    Alexander The Great: Hellenistic Artwork Analysis

    The death of Alexander the Great inspired the beginning of the Hellenistic era of the fourth century. The characteristics of this period marked a separation and divide from earlier Greek’s works. Hellenistic artist’s begun expressing their sculptures with such high degree of naturalism contrasting with the earlier religious sculptures that used the idea of realism. Another essential idea that Hellenistic artists used to convey their message on sculptures was the use of emotion, drama, lighting and dynamics poses. The foundation of the Hellenistic era supported many of the works created during the Italian Renaissance. Many of the sculptures created during the Italian Renaissance comprised of religious beings such as Mary or JesuThis paper will…

    • 862 Words
    • 4 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Paper 1
    • 372 Words
    • 2 Pages

    Paper 1

    Dionysiac mystery frieze, Second Style wall paintings in Room 5 of the Villa of the Mysteries, Pompeii, Italy, ca. 60–50 BCE.…

    • 372 Words
    • 2 Pages
    Satisfactory Essays
    Read More
  • Good Essays

    Herakles Nereus And Trion Analysis
    • 571 Words
    • 3 Pages

    Herakles Nereus And Trion Analysis

    In this article, Ruth Glynn sets out to explore the mysterious and oft misunderstood iconography of a select group of images. Specifically those depicting the hero Herakles as he grapples with the sea god Nereus who was later replaced with images of Triton. Her goal, is to explain why this change took place as well as the significance. This she does though a study of the iconographical significance of the figures and their attributes. She then moves on the a detailed study of Attic era vases, marking out three different groups based on the imagery.…

    • 571 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Artemisia Gentileschi Essay
    • 515 Words
    • 3 Pages

    Artemisia Gentileschi Essay

    Another source of Artemisia’s representation may be a lost work by Rubens, which sheds light on the painting’s iconography as well as its gruesome nature (Chadwick 112). Rubens work also provides a possible source for the powerful female figure… but also is significantly different from the rendering in its attention to the graceful and revealing swirl of drapery around the female body (Chadwick 112). Even with her list of impressive influences, nothing can prepare the viewer for Artemisia’s expression of female physical power, captured in the composition in which the interlocking, thrusting arms meet Holofernes’s head. This, in combination with the women’s gazes, is what makes this painting unusual. The coy and averted gazes on Western female figures is missing, and in their place is a direct confrontation which disrupts the conventional relationship between an “active” mal spectator and a passive female recipient (Chadwick…

    • 515 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Argument Against Pluto Insane
    • 494 Words
    • 2 Pages

    Argument Against Pluto Insane

    Good morning ladies and gentlemen. Today you are here to decide whether the defendant presented is insane. This man was imprisoned for murdering his wife. This was after killing his first cat and aiming to kill his second. Why kill so many innocent lives? After hearing his significant story, many of you must be confused. You may believe he is indeed insane while others may think he pretending to be crazy in order to get out of his death penalty. My job here is to prove that he is faking it all. Therefore, he deserves to die for his horrible actions.…

    • 494 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    El Greco's Assumption Of The Virgin
    • 436 Words
    • 2 Pages

    El Greco's Assumption Of The Virgin

    El Greco’s Assumption of the Virgin is a masterful and imposing piece of art, spanning almost 7 feet in width and standing over 13 feet tall. The work was commissioned by the church of the Cistercian convent of Santo Domingo in Toledo to be the central panel of the church’s high altar, thus it should be imagined in its original form not as a single piece but one flanked by other religious artwork and alters including paintings of individual saints and the trinity. The painting depicts the Virgin Mary ascending into heaven while balancing on a crescent moon, a symbol of her purity. The work is characterized into two distinct parts and moods; the first is manifested in the earthly section of the painting, in which apostles gather around the Virgin’s…

    • 436 Words
    • 2 Pages
    Good Essays
    Read More
  • Powerful Essays

    Ancient Greek Art Analysis
    • 2376 Words
    • 10 Pages

    Ancient Greek Art Analysis

    However, the volume of vases similar in subject and tone suggests that they were popular among ancient Greek homes. From this, we can gather that the ancient Greeks were not only tolerant of this crass humor, but even had an appreciation for it that modern societies would not have. This idea is proven by Greek vase paintings showing mocking scenes of their own heroes and gods. In David Walsh’s book, “Distorted Ideals in Greek Vase-Painting: The World of Mythological Burlesque” , he examines vase painting scenes depicting the parodying of Gods and Heroes, attempting to understand the social and cultural significance of this trend. In a review of Walsh’s book for the journal Phoenix, Robert F. Sutton describes “the willingness of Greek vase painters to caricature and ridicule gods and heroes in ways that would seem unthinkably blasphemous today if applied to Christian or Moslem figures.” We can see this in a black figure amphora from c. 520-530 B.C. (Figure 3), which depicts the scene of Herakles’ task to capture the Erymanthian boar and return it to the king of Mycenae, Eurystheus. The scene shows Herakles hauling the boar over his shoulder, as is common for depictions of this scene. However, while the Eurystheus typically is shown standing with his arms waving, this painter makes one particular change to this scene. Instead,…

    • 2376 Words
    • 10 Pages
    Powerful Essays
    Read More
  • Good Essays

    THE IDEALISED BODY
    • 870 Words
    • 4 Pages

    THE IDEALISED BODY

    This research seeks to compare and contrast the following paintings by; Titian’s, Venus of Urbino. 1538, Edouard Manet’s, Olympia. 1863 and Lucian Freud’s Naked Portrait (Kate Moss). 2002 by looking at “The Idealised Body” in relation to the issues of “gaze, looked-at-ness, voyeurism, objectification as well as notion of the woman as an object of pleasure for a male viewer by the male artist. These works are all painted on different times, Titians painting was painted during Renaissance period as in the spring of 1538 titian was commissioned to paint a nude portrait for the duke of Urbino Guidobaldo della Rovere. , Manet’s Olympia was painted during the Realism period done 1863 and Naked Portrait of Freud is an Expressionism painting done in 2002.…

    • 870 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Madonna and Child
    • 712 Words
    • 3 Pages

    Madonna and Child

    During the Renaissance, religion was an integral factor in society; as a result, it was very much involved in the art and culture. Bellini’s famous Madonna and Child is originally a religious painting which is believed to depict the Virgin Mary and Jesus, causing popularity and appeal amongst the religious audience of the time. A compelling message behind this painting is the affection and serenity present; even though it is not overly emotional; the connection between the Virgin Mary and Jesus is evident. To a more modern and general audience, this painting could be considered from an extended perspective. Madonna and Child could possibly be a general depiction of a mother and her child. In light of the Renaissance, this painting could be decoded to show the relationship between women and children and how children were viewed as the sole concern or job of women. The position of the hands in a submissive manner could mean that women comprehend or surrender to their obligations of being mothers first and foremost. An underlying message is possibly to inform the masses regarding the nature of the relationship that binds women and children; a bond that is indispensable to society.…

    • 712 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Rococo Style
    • 701 Words
    • 3 Pages

    Rococo Style

    Watteau’s island in “Embarkation for Cythera” is inspired by a small island of the Ionian Islands, legendarily known as the origin for the Greek goddess of love, Aphrodite. Watteau uses a head on angle to draw his audience’s attention to the main subjects of the painting.2 Three couples are absorbed in private interaction, positioned next to a statue of a naked goddess adorned with bright flowers. It was typical for a rococo painting to be faintly erotic, which demonstrates the rococo style’s movement away from the church and state assimilation of baroque art.3 The couples, presumably aristocratic, are dressed in bright, attractive clothing that stand out dramatically against the lush natural background. The couple painted closest to the goddess…

    • 701 Words
    • 3 Pages
    Good Essays
    Read More

Related Topics