Preview

Persuasive Language Act 3 Scene 3 Othello

Good Essays
Open Document
Open Document
1507 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Persuasive Language Act 3 Scene 3 Othello
How is language used to persuade the viewer in Act 3 Scene 3 of Othello?

This scene is the most important within Shakespeare’s “Othello,” as it Iago’s plan finally becomes fully known, and the effect that it has upon Othello himself begins to suggest that he is not the “noble savage,” that has been thus far portrayed. Language is used to both hint at further developments within the plot and also to expand upon characters’ personalities. This essay shall examine in turn how both of these aspects are conveyed through the use of language.

Prophetically persuasive language is employed extensively throughout the entire scene, by all of the characters. Cassio exclaims at the opening of the scene “Whatever shall become of Michael Cassio?,” a phrase which suggests that some fate shall before him, as even he himself is unsure of his destiny or future. The ambiguity of the question allows the audience to consider him as a character, and is thus persuaded to consider his role within the play, and how he shall shape the plot. Only a few lines later, Desdemona similarly provokes the audience into questioning her fate, as she emphatically exclaims that “thy (Cassio’s) suitor shall rather die than give they cause away.” Such a bold statement immediately exposes her as vulnerable and sets her up for a fall, as rarely within Shakespeare’s plays is arrogance or certainty remained unchecked, for example Tybalt or King Lear. The audience’s suspicions are later confirmed by Iago’s disconcerting statement of “Long live she so; and long live you to think so,” when he is questioned upon his views of Desdemona’s honesty. Such a statement can only lead the audience to think that some mishap shall befall both Othello and Desdemona, and an idea such as this planted so early on re-enforces the tragic theme of the play as a whole. Perhaps the most significant example of persuasive language being used to hint at future occurrences within the play is when Emilia discovers Desdemona’s

You May Also Find These Documents Helpful

  • Good Essays

    Iago continually uses rhetorical strategies to manipulate others. He uses many devices to put false accusations into Othello’s head. In lines 330-447 in act 3 scene 3, Iago uses rhetorical questions, imagery, and sarcasm to make Othello believe that Cassio is having an affair with Desdemona.…

    • 803 Words
    • 4 Pages
    Good Essays
  • Better Essays

    One of the reasons this excerpt from Shakespeare’s “Othello” stands above the rest is that within these lines, Shakespeare inadvertently, or perhaps not, draws the blueprint for the great archetypal schemers that can still be found in all forms of media and art today. The antagonists monologue declaring what they will do has even reached the point of cliche as evidenced in Disney’s The Incredibles, when Frozone jokes, “He starts monologuing! He starts like, this prepared speech about how *feeble* I am compared to him, how *inevitable* my defeat is, how *the world* *will soon* *be his*, yadda yadda yadda.” (imdb.com)…

    • 1669 Words
    • 7 Pages
    Better Essays
  • Good Essays

    In Shakespeare’s “Othello,” Othello is highly respected and looked up to but later is influenced by the antagonist, Iago, resulting in a jealous insecurity ultimately leading to his murdering of his own wife and the plotting of murdering of his ex-lieutenant, Cassio. The reader first notices Othello’s shift in character…

    • 749 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    is an epic tragedy. Shakespeare’s character Othello is a tragic figure as he is one who is relatively respected in society, but not by everyone as Iago does not have respect for him. Othello is let down by his own weakness, which is strong love and being too trusting.This essay will explore Shakespeare’s representation of Othello and different interpretations of his character.…

    • 1165 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    Iago, in his soliloquies, informs the audience of his plans to deceive Othello and bring about his fall from grace. It is his use of language, rhythm, length and delivery that cause the greatest impact, instilling fear into the audience and creating a sense of tragic inevitability as Iago’s plans will come to fruition, with no one to stop them. The dangerous thing about Iago is that he not only brings down Othello, but he also wrecks anyone else that he can along the way.…

    • 1532 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Further chapter 2 discloses Othello’s state of mind, mental tranquility and personality traits before Iago’s insinuation, in short, Othello’s character analysis with regards to Act 1 and Act 2 of the play “Othello”…

    • 392 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In the play Othello written by Shakespeare, Iago is characterized as an individual who is both manipulative, egoistic and troubled. He had previously suspected that Othello, otherwise known as Moor had slept with his wife Emilia. Leaving Iago with a strong desire for revenge. Shakespeare successfully uses diction and symbolism throughout the passage. These devices are used to provide the reader insights regarding Iago’s character and motivation.…

    • 451 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Grst 209

    • 705 Words
    • 3 Pages

    With these final words, Othello stabs himself in the chest. In this farewell speech, Othello reaffirms his position as a figure who is simultaneously a part of and excluded from Venetian society. The smooth eloquence of the speech and its references to “Arabian trees,” “Aleppo,” and a “malignant and a turbaned Turk” remind us of Othello’s long speech in Act I, scene iii, lines127–168, and of the tales of adventure and war with which he wooed Desdemona. No longer inarticulate with grief as he was when he cried, “O fool! fool! fool!,” Othello seems to have calmed himself and regained his dignity and, consequently, our respect (V.ii.332). He reminds us once again of his martial prowess, the quality that made him famous in Venice. At the same time,…

    • 705 Words
    • 3 Pages
    Good Essays
  • Better Essays

    by his rhetoric, which is in fact at work even during the speech in question, irrefutably suggests a certain kind of egotism. Also, his story’s evocation of pity, regardless of the extent to which such a reaction is genuine or partially a product of Othello’s self-deception, would naturally be essential to his self-idealization and the boosted self-esteem that would come along with that, as it would not present him as a racially “inferior” man who is not in a position to be feared and repulsed, but rather, to be worthy of one’s compassion and sympathy. It is also noteworthy that Othello’s capacity for poetic lyricism would of course also starkly countermand any preconceptions of him as being linguistically ignorant, of expressing himself with…

    • 940 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Another method that Iago uses to persuade Othello with is pathos, or passion. Iago uses this method to his advantage. Iago says to Othello, "I am sure it was your wife's - did I today see Cassio wipe his beard with" (3.3.435). Iago claims that he witnessed Cassio using Desdemona's handkerchief to wipe his beard. He is lying to Othello to make him think that Desdemona gave away the handkerchief, to Cassio. Othello says, "Within these three days let me hear that Cassio's not alive" (3.3.469). Othello falls into Iago's trap and now wants his friend Cassio dead. Othello should not put all of his trust in Iago, but should talk with Desdemona and Cassio first before taking such harsh actions. Iago is making Othello have a strong feeling of hate for both Cassio, and Desdemona.…

    • 532 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Cited: Shakespeare, William, and Roma Gill. Othello. New ed. Oxford: Oxford University Press, 2009. Print.…

    • 1919 Words
    • 8 Pages
    Powerful Essays
  • Better Essays

    The latter part of Act 3 Scene 3 is the climax of the play. It is here where Iago finally convinces Othello of his wifes dishonesty with Cassio and after which Iagos just needs to let nature run its course. This is shown by the large amounts of natural imagery used by Iago, particularly when Othello is present. This is made clear when Othello enters for the final time in the scene. Immediately before Othello enters, Iago is using his by now almost trademark imagery of poison, hell and death burn like the mines of sulphur. However, as soon as Othello reappears, Iagos language turns to talk of nature and flowers, in particular those with sleep-inducing qualities. This shows how Iago and his cunning nature know that he does not yet have the complete trust of Othello and has yet to convince him of Desdemonas affair with Cassio. The use of this natural imagery also shows how Iago has now planted the seeds of jealousy in Othellos mind and must now let nature run its course.…

    • 1075 Words
    • 3 Pages
    Better Essays
  • Good Essays

    Othello Identity Essay

    • 1152 Words
    • 5 Pages

    Shakespeare's 'Othello' is the study of how a seemingly successful Venetian general, is skilfully manipulated by the cunning Iago, who by exploiting Othello’s insecurities transforms his identity into a jealous murderer. At the beginning of the play, Othello’s identity is that of an assiduous black general who fought exceptionally hard to gain respect in a white dominated society. In marrying Desdemona, Othello adds to his identity by being a lover and husband and his identity is portrayed to be interconnected to his love for Desdemona. Iago is jealous of Othello’s high standing and greatly respected identity and therefore undermines Othello’s confidence in his wives faithfulness and turns his identity into an irrational jealously. Shakespeare utilises a number of key techniques in ‘Othello,’ to indicate the extent of Othello’s identity changes. These changes are effectively conveyed to the audience through the contrast of Othello’s outward appearance with his affable interior. They are further…

    • 1152 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Iago’s hatred for Othello goes above and beyond, the hatred consumes him the peculiar part of this play are Iago’s motives are not as significant as the results of his manipulation. In once scene of the play, Iago exposes his true self to Rodrigo and the readers as a dangerous and evil individual who will do everything he can do to achieve his “peculiar end”(I.i.62). Iago is more than determined and willing to destroy Othello. It requires motivation that is more captivating than just being denied a military advancement. Racial attitudes in conversation and references lie in the deeper and more captivating…

    • 1154 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    Deception In Othello

    • 1166 Words
    • 5 Pages

    Othello demands from Iago 'ocular proof' (III,iii,366) of his wife's infidelity, but his vision, corrupted by the 'green-ey'd monster' (III,iii,170), is satisfied by mere 'imputation and strong circumstance'(III,iii,412). Iago's trickery in convincing Othello that his conversation with Cassio (followed by the fortuitous arrival of Bianca) in IV, i, 97-157 concerns the seduction of Desdemona, illustrates the extent to which Othello's senses have been deluded and corrupted. Othello eavesdrops over the conversation between Iago and Cassio, but interprets the words to suit the state of his diseased mind: 'Do you triumph, Roman? Do you triumph?' (IV,i,118). He cannot see or hear for himself, and must rely on the false information 'fed' to him. And this occurs shortly after his body has been reduced to the fit (IV,i,43) in which all his senses are confused and jangled. Indeed, his greatest fear has been physically realised: 'perdition catch my soul/But I do love thee, and when I love thee not/Chaos is come again.' (III,iii,91-93) When Emilia vouches steadfastly for her mistress' chastity, the poison in Othello's ears dismisses her evidence as the ignorance of a ' simple bawd' (IV,ii,20). The ultimate deception takes place in the soft, slow death scene of Desdemona. Othello is instinctively drawn towards Desdemona's beauty, but in a perverse self-delusion, comes to see himself as a…

    • 1166 Words
    • 5 Pages
    Good Essays