Preview

Persian Miniature Painting

Better Essays
Open Document
Open Document
2293 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Persian Miniature Painting
Persian Miniature Painting
Within the Potter’s House;
The Rubaiyat of Omar Khayyam
(Unknown)
Persian Miniature painting: Gouache on paper
Late 19th- Early 20th century
Bequest of Helene Brosseau Black (Class of 1931)
MH 1991.4.50

I. Discussion of the Image
This miniature is a beautiful example of later Persian book painting that displays adaptations of the classical style to suit a more global viewership in the late 19th- early 20th century, the era of British colonialism (see figure 2). This scene depicts the beginning of the Kuza Nama (verses 59 through 68) from the Rubaiyat of Omar Khayyam, initially written by Omar Khayyam, a famous 12th century Sufi poet. The painting is composed of a uniform border, enclosing a relatively broader field comprising a central medallion and two smaller medallions aligned along a longitudinal axis. The central medallion (see figure 4) portrays a male potter in his house or workshop, at his wheel accompanied by three male assistants, all engaged in activities related to creating earthen pottery. This scene is overlooked by a bearded male figure, presumably a depiction of the poet (Khayyam) himself. The background of the central medallion visually describes flat structural and architectural spaces with a textile aesthetic i.e. use of interwoven geometric shapes and saturated colors to dissolve the distinction between positive and negative space, and create a flat, two dimensional tapestry- like viewing experience. The center of this medallion contains images that might indicate the artist’s desire to create the illusion of depth by portraying a background setting. A back wall with a separated framed space is shown, which could be either another painting or a window showing a rocky landscape, with some sparse grasses and a large blossoming tree. The smaller medallions at the top and bottom contain the image of a snow leopard attacking a gazelle, very similar to the “preying lion” (see figure 3) motif that has been



Bibliography: 1. Mount Holyoke College Art Museum 2. Ellen Alvord ’89, Mount Holyoke College Art Museum 3. Holly Edwards, Curator, Williams College Art Museum 4. tehran.stanford.edu/literature/Poetry/Omar_Khayyam.html 5. Lecture Notes, ARTH 271: Arts of Islam; Michael Davis 6. Christie’s Auction house website- Image of Mughal Album Page

You May Also Find These Documents Helpful

  • Good Essays

    At times the artist just want to record an event, person or an object, sometimes to impartially describe it, or to appreciated it, or to criticize it, two of the most used forms of art for this purpose are, painting, and sculpture. In the painting “Jahangir in Darbar”, 1620, it shows the muslin ruler of India Jahangir seated in his court during and audience, is easy to deduce the diversity, and acceptance of Jahangir court, by the faces,…

    • 720 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    1. The Artwork: Collector is commissioning artist, Ruby Castro to paint a series of 4 oil paintings on panels that reflect world events revolving around ancient cultures and Islam. Appropriate locations must be reflected in the artwork based on ancient times and relevant to the Islamic Culture. Artwork is also left to the discretion of the painter who has an extensive historical background of the material being presented regarding the beauty of Islamic tiles, Mosaics and Medieval Christian Art.…

    • 403 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    The color palette of the painting is diverse, while red and warm earth tones dominate the painting. The light source seems to be in front of the left section of the picture while dispersing towards the right. The use of light gives the illusions of volume. The gradation of the sky is very exaggerated. The top is a dark blue and as it reaches the middle the sky is very light. The painting has a smooth finish and is very detailed. The flowers on the bottom are very intricate as well as the patterns of the people’s garments. Each face has a distinguished and unique appearance; no two faces are…

    • 350 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    His latest, traditional compositions of floral imagery applied the use of computerised machine embroidery, acrylic paint, wood, glass and collage, he studied the use of illusion of dimensions, using about two or three to create colourful, metrical, algebraic and holographic sensations, with the precise detail that morphs into optical illusions. Brennand-Wood’s sculptures are very abstract, and he tends to play with colour and rhythm that’s seems also hallucinogenic, that the pattern creates another appearance, “ stepping into another world’ as Michael quoted. However the meaning of the piece, is that it’s not just a magical piece of delusion it is something you think about and reflect upon. He is a renowned for his innovative and original ideas, and is one of the most inspiring and creative artists that works in textiles. He believes that his art offers traditionality, mixed ethnic influences, non mainstream work, and that the most inventive contemporary textiles derive from a certain understanding of both textiles and their history. What makes Michael Brennand-Woods masterpieces so intriguing is that the eccentric bright colours and patterns hold a much more philosophical and deeper meaning, pattern is important as they convey emotions and identity as it is an encoded visual language. When he creates his sculptures he always keeps in mind the sense of touch, as he like to convey the…

    • 2344 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    the colorful feathers & symbols on the side of the tale/desk are flat. symbols on the side of table represent something that only the indigenous people could understand…

    • 753 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The art pieces I choose to analyze are two paired Star Tiles with Vegetal Motifs and Inscriptions. The evolution of the purpose of an artifact reveals the development of complexity within Islamic empires as time progresses. The first Islamic dynasties controlled large unified Islamic states and religious pieces served as the main type of art within their empires. The goal of the gallery layout is to display to an uninformed viewer the evolution of Islamic art over the course of a millennium, and to reveal the four unifying characteristics that emerged, figural representation, geometric patterns, vegetal patterns, and calligraphy (The Met). The first artifacts are the oldest and are only decorated with calligraphy. The pieces eventually progress to geometric and vegetal patterns. The last element to appear is figural representations, because they are the most complicated. The tiles contain three of these main characteristics; calligraphy, vegetal patterns, and geometric patterns.…

    • 582 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The first thing to note is the overall composition of the painting. First and foremost it is a landscape painting. The colors are very monochrome; the space is stretched to reveal a depth to the painting that the eye cannot capture; and there is stillness to the art that embraces nature and serenity of life. In the right-hand corner of the painting there is calligraphy. The calligraphy lacks the precision, but is very clear in its form, much like the depiction within the painting itself.…

    • 1032 Words
    • 5 Pages
    Good Essays
  • Good Essays

    In the painting, a bearded man, wearing a hat, covered with a blanket appears from an empty, dark background. An invisible light brightly illuminates his face. At his feet six oysters lay on a pile of hay.…

    • 309 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Barbara Haskell, pp 151-165. New York, NY: Whitney Museum of American Art and Harry N. Abrams, 1992.…

    • 2882 Words
    • 12 Pages
    Good Essays
  • Good Essays

    Safavid Essay

    • 485 Words
    • 2 Pages

    The design in the corner is a piece of the full design that includes many small floral designs and geometric patterns throughout. There are also floral designs included throughout. The signature Safavid blue on the tile is used throughout the piece. The Safavid style for tile making was developed in Iran from the 1500’s. It depicted human being and floral scrollwork, but human figures only became important after the empire was established. When the court moved from Isfahan, style changed because of Riza-i-Abbasi. Slim, standing figures were replaced with short, sitting figures. Floral work was most common in their time though because of the simplicity and beauty it could bring. I also included some red, yellow, and green in the art in the corner because throughout the empire, they added other colors that were influenced by their neighboring empires. Some of the flowers have actual petals and others are outlines of flowers because they weren’t as important in the design. Although the Safavids evolved their tile making, tiles in Persian architecture remained closer to traditional designs of flowers and floral patterns with geometric shapes. The persians had an infinite pattern which was a major element in tile making. It is thought to give an expression of profound belief in the eternity of all true being. They then used whole tiles as a faster method of decorating large public and religious buildings. Tile making was a very important art in Safavid culture and provided much…

    • 485 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Akhenaten Painting Style

    • 535 Words
    • 3 Pages

    Compare and contrast painting and sculpture from the Fourth Dynasty with that of the reign of Akhenaten.You must use the provided examples (your textbook) to support your essay.…

    • 535 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    allegory of california

    • 484 Words
    • 2 Pages

    When some people looked at the painting their observations were that it showcased different levels of the religion triarchy - lower, middle and upper level. The upper class (queen) is shown at the top of the painting middle class shown in the halfway (merchants, farmers) while the lower class is painted at the bottom (miners).…

    • 484 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Upon first glance, one can see that this piece of art has a religious significance. Holiness appears to be overlooking a tremendous event occurring below. The lower portion is split between normal people on the left and evil beings on the right. A split between the two is a crucifixion with a man kneeling beside. This gives an appearance of the struggle against evil. Beyond the mob, there are two cities on the right and left with a scenic landscape in the background. Many can achieve the same general observation, but a deeper analysis can give a more in depth look at the art itself.…

    • 1023 Words
    • 5 Pages
    Good Essays
  • Good Essays

    mastery. The first is the artist’s depiction of the rearing horse right below Darius which is seen…

    • 709 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The Sleeping Gypsy

    • 875 Words
    • 4 Pages

    The oil on canvas painting of “The Sleeping Gypsy” measures 51" x 6' 7” (approximate proportion of 1:1.5), and is said to be an icon in the 'Modern Art' forms. The horizontal painting is of a “wandering Negress” who seems to be a mandolin player because of the instrument beside her. She is lying on the desert beside a vase of what seems to be drinking water and seems to be in a deep sleep. She has a colorful dress which I assume to be traditional. There is a lion next to her that smells her but does not devour her. There is a moonlight effect in the dark blue sky and there is a beautiful landscape in background of mountains. Between the mountains and the main subjects there seems to be a body of water. Now the frame of this painting is pretty plain and harmonious which makes it appropriate to the subjects of the lion and gypsy woman. It does not cut the shape of the painting nor does it take attention away from the…

    • 875 Words
    • 4 Pages
    Good Essays

Related Topics