Works Cited
Lines, Patricia M. “Antigone’s Flaw” HUMANITAS, Volume
Cited: Lines, Patricia M. “Antigone’s Flaw” HUMANITAS, Volume XXII No. 1, 1999 Web. 15 October 2012 <http://www.nhinet.org/hum.htm>
Antigone’s tragic flaw is her uncompromising, unyielding passion for burying Polynieces. Her Hubris gets the best of her, as does Creon’s, and is due to be bured alive. Antigone’s arrogance and excessive pride eventually led to her downfall, but her arrogance towards Creon eventually led to her death.…
In the play Antigone by Sophocles, Antigone is to blame for her own death. She is to blame because of her obsessive hubris, non- apologetic behavior, and denial of nothing which ultimately lead to her own demise.…
The central conflict of Antigone is not a simple hero versus villain clash because both Antigone and Creon are driven by what they believe is morally right. Creon and Antigone simply have extremely different viewpoints on how to handle the same situation. Antigone believes that the laws of the Gods overpower any decrees of man, and she assumes that regardless of Creon’s decree and risk of her own death, she must bury her brother because it is a religious obligation. On the contrary, Creon believes in handling the death of Polynices in vastly different manner. The king is pro-government and prioritizes the jurisdiction of the state regardless of any emotional or religious ties.…
Throughout the play Antigone, Creon is portrayed as the king of discipline and pride. Creon’s pride is what makes him the tragic figure of Antigone. Though Antigone takes her life as the result of her sentence from Creon, it is not her pride that defines her fate but her unwillingness to accept her fate.…
Even though Antigone feels sorry for herself, she still thinks she did nothing wrong. As Antigone is being led to toward the vault, she is talking to the Chorus about her death. She complains that she will die “‘Unwept, friendless, with no marriage hymn, unfortunate, I am taken down the prepared road”’ (4.882-884). She keeps complaining throughout the whole walk with the Chorus. Antigone feels that she will die unlamented, but the Chorus thinks she will be remembered for her bravery. The Chorus thinks that her anger is what led her to her own demise, but thinks she did the right thing. When they approach Creon, he still doesn’t change his mind, but Antigone doesn’t care because Polyneices was the only family left, so she had to bury him. The…
From the beginning of the play until her unfortunate death, Antigone is shown as a very determined young woman. In Ancient Greek culture, women were not expected to be as powerful as men. Antigone breaks that stereotype, however, and it makes Creon paranoid and he is in disbelief that a woman could defy his power. Therefore, the fact that Antigone is a determined and powerful woman makes Creon paranoid and ultimately causes his downfall.…
In the story of Antigone, there are two main characters Creon, and Antigone. Many people think that Antigone is the tragic hero, but i think that Creon is the tragic hero. In the story of Antigone, king Creon was a tragic hero because, he was very stubborn, he is of noble greatness, and he made a bad mistake by not burying Polyneices.…
Although it is tragic that Antigone died for her brother's sake, it is predictable and rather painless in the end for her. Creon, on the other hand, has to keep living with the grief that he was the reason for the deaths in his family as well as the hatred that the common people will have for him. The amount of time Creon will have to live with this grief is unknown and that pain is far worse than anything Antigone had to deal with.…
Creon and Antigone both have a pretty tragic part in the play, “Antigone”, but who’s the more tragic character? I have an answer for you. With a little bit of evaluation, you’ll find that Antigone is indeed the more tragically doomed of the two, and here’s why.…
The conflicts that occur in Antigone are between Creon and various characters such as Haemon, Eurydice, and the protagonist herself, Antigone. All of which conflicts contribute to the demise of Creon’s family. The connection with each person is connected. Antigone kills herself after being banished by Creon, Haemon kills himself when he sees Antigone dead, and Eurydice kills herself after receiving the news of…
Just as one stone removed can break a bridge, one flaw can bring a man to ruins. The flaw of one man cannot bring down an entire kingdom, but rather one outlook of the king can lead to the demise of the whole. In Sophocles ' epic tragedy, Antigone, a strong gender bias is present throughout the tragedy, and is partially responsible for the downfall of the king.…
Antigone and Creon’s extremely conflicting motivations lead to the portrayal of Creon’s less desirable characteristics . Overall, this would lead to Creon unwillingness to compromise in the matter of Antigone and further develops the theme of how pride can be dangerous. Creon could have prevented the tragedy of the play had he been open to some type of compromise. If Creon had recognised in the beginning that he was going against his own gods, he might have seen the justification of Antigone’s actions. After all, Antigone was only following “the gods and their unwritten and unchanging laws,” (lines…
“Real tragedy is never resolved. It goes on hopelessly forever. Conventional tragedy is too easy. The hero dies and we dies and we feel a purging of the emotions. A real tragedy takes place in a corner in an untidy spot , to quote W.H Auden-Chinua Achebe. Antigone’s words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of anger, hate, and disappointment to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by putting his niece in a cave to die, caused other deaths. That particular mistake put a lot of people in the grave.…
Antigone contrasts Creon’s character throughout the play. Primarily, she shows contrast in her views about the gods. Although, their views are very contrasting, both characters are arrogant and selfish in their own ways. In the play when Antigone gets caught and is brought to Creon she states her thoughts about the gods “ ...you [Creon] proclaimed strong enough to let a mortal override the gods and their unwritten and unchanging laws”. Antigone believes that the gods have the highest power to any living thing on earth. Gods created the laws of what is right and nobody of mortal status can change that. Creon, however,thinks…
Antigone does not consider herself to be guilty. Antigone attempted to justify herself to Creon saying that, “There is no guilt in reverence for the dead” (II, 121). Haimon brought to the attention of Creon the whispers of the city, and even “they say no woman has ever, so unreasonably, died so shameful a death for a generous act” (III, 66). Antigone’s reminded Creon of the gods, and how his judgment and law is miniscule in contrast to that of the gods: “it was not god’s proclamation. That final justice that rules the world below makes no such laws” (II, 66). Nevertheless, Creon did not show mercy at this…