Pablo Picasso’s Life, Works and Contributions to Art

Topics: Pablo Picasso, Cubism, History of painting Pages: 6 (1818 words) Published: February 28, 2013
Art allows us to look at the world from a different and unique perspective; all of us interpret artwork differently. It is a great way for people to express feelings, ideas, concepts and ideologies, and for some, it helps us express whatever cannot simply be defined by words. Art gives you freedom to explore things in a different way, and preserve your thoughts on the canvas for everyone else to see. When we look at artwork that portrays a universal idea, we feel a sense of unity with others who perceive the artwork in the same way because it tells us we are not alone in the way we think. Great pieces of artwork are so brilliant that they can bring us to a new world, change our way of looking at things and distance us from the commonalities of everyday life. It makes us feel rejuvenated and you can even lose yourself in its beauty! Studying and admiring artwork also develops our critical thinking skills.

One of the greatest artists who ever lived is Pablo Picasso. He had contributed so much in the name of art. He had demonstrated extraordinary artistic talent in his early years while painting in a realistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renowned and immense fortune, making him one of the best figures in 20th century art. Let us then venture into the astonishing life, works and contributions to arts of Pablo Picasso.

Biography, Works, and Art Contributions of Pablo Picasso
Picasso was born in October 25, 1881 in the city of Málaga, Spain. He was baptized Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Crispiniano de la Santísima Trinidad by his parents, Don José Ruiz y Blasco and María Picasso y López. Picasso showed a passion and a skill for drawing from an early age. From the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Even Picasso’s earliest drawings executed when he was about 10 years old, showed an exceptional technical facility. When the family moved to Barcelona in October 1895, Picasso attended La Lonja, the school of fine hearts there and the Royal Academy of Fine Arts of San Fernando in Madrid. In October 1900 he made the first of three visits to Paris, where he established himself finally in April 1904. During the intensely creative years 1899-1901, Picasso’s style varied considerably. At the start, he used strong colors in a Postimpressionist manner. Then he painted predominantly in blue, his so called Blue Period of late 1901-1904. Until Mid 1901 his principal subjects were lively scenes of popular and bourgeois life (cabarets, racecourses, dance halls, etc.) Toward the end of 1901, however, Picasso’s world became that of the suffering victims of society: prostitutes, beggars, drunkards, etc. In 1904, his gloom lifted and he looked freshly at humanity with tenderness and admiration and adopted warmer colors and a more harmonious, classical style of draftsmanship. During this Rose Period, his favorite subjects were dancers and acrobats.

Between the end of 1906 and the spring of 1907, while influenced by the painting of Paul Cezanne, Picasso produced a painting called “Les Demoiselles d’Avignon” that constitutes a violent break with tradition. This painting pointed the way toward Cubism, a new pictorial style that Picasso and his friend Braque began to develop side by side and in close friendship. They disregarded the conventional means used for creating illusions of reality such as one point perspective, chiaroscuro, and the definition of form and color by light, aiming instead to represent objects more conceptually by breaking them into geometrical units, or small cubes, and by depicting a single object on the same canvass from a multiplicity of angles. Picasso was to continue elaborating and...

Bibliography: Nill, R.M. (1987). A Visual Guide to Pablo Picasso’s Works. New York: B&H Publishers.
FitzGerald, M. C. (1996). Making modernism: Picasso and the creation of the market for twentieth-century art. Berkeley: University of California Press.
Goetz, P.W. (2007) Pablo Picasso. In The new encyclopedia Britannica 15th ed. (vol. 9, p. 421). USA: Encyclopedia Britannica, Inc.
Naturalism. (2012). In Encyclopædia Britannica. Retrieved July 7, 2012 from Britannica Website:
Amber, S
Caniete, R.R. (2012, February 20). Cubist master Sym Mendoza masters the heart’s desire. Philippine Daily Inquirer. pC3
July 12, 2012
Continue Reading

Please join StudyMode to read the full document

You May Also Find These Documents Helpful

  • Essay about Critical Review of Pablo Picasso's Guernica
  • Pablo Picasso's Effect on History Essay
  • Picasso's background, and life experiences. Essay
  • Pablo Picasso's Guernica Essay
  • Art Is Life Essay
  • Art work Essay
  • A Crtique of Stokstad and Cothren’s Coverage of Pablo Picasso’s “Guernica” Essay
  • work life balance Essay

Become a StudyMode Member

Sign Up - It's Free