Othello may have been relevant to the Elizabethans but it has little to say to a contemporary audience'.
I believe Othello is still relevant to a contemporary audience, however modern individuals often view it on a different level to the people in Elizabethan times. Shakespeare wrote the play for an audience who accepted the racist stereotypes rampant in the play, oblivious to their own racism. Othello was a tragic hero, and Iago exploited his tragic flaw', in this case being insecurity and jealousy. This insecurity allowed Iago to manipulate Othello into believing his lies, and this lead to his downfall. Today, Othello's ideas resonate strongly, the mistrust of peoples differences is still a highly relevant topic in modern society. Racist stereotypes still exist in many different levels in society, particularly between indigenous and non indigenous peoples in different civilisations. Shakespeare presents a dichotomy between black and white, the black man Othello not fitting in the white Italian society. Iago is perceived by his own community as honourable, and he uses this to his advantage, to eventually promote his deep rooted racist views and in fact be the villain of the play. Brabantio also shows more hidden racial prejudice, which is very common in modern society.
The Elizabethans viewed Othello as the tragic hero, with jealousy bringing about his eventual downfall. Othello, at the beginning of the play, was portrayed as an astute, intelligent, patient and controlled man, and was able to clearly convey his ideas in a succinct manner. During one of his first confrontations with Iago, he is told that Brabantio is extremely unhappy with Othello's marriage to Desdemona, and will do all in his power to dissolve the marriage and punish Othello. His reply is My parts, my title, and my perfect soul shall manifest me rightly'. His confidence in himself, in his position as a moor and Desdemona's husband is clear, and he is showing no signs of insecurity. Previously, Iago had clearly stated his hate for Othello, after he had been rejected for the position of lieutenant, claiming that Othello chose Michael Cassio over Iago not because of his military ability (preferment goes by letter and affection, and not by old gradation, where each second stood heir to th' first). Iago speaks in prose to convey his ideas to the audience and Roderigo, who is often deemed to be the fool of the play. Brabantio is told of his daughters antics with Othello even now, now, very now, an old black ram is tupping your white ewe'. He is convinced quickly that Othello has stolen his daughter, (he already claimed he was suspicious), and upon meeting him, immediately shows his hatred towards him and his ethnicity, and claims he used witchcraft to bring Desdemona under his spell Would ever have, t' incur a general mock, run from her guardage to the sooty bosom'. Othello's character fits into the idea of the tragic hero, as he is a noble man, perhaps suffering from hubris. He comes across as striking and confident, however extremely trusting. This quality is easily open for exploitation by Iago. This fits in the Elizabethan context, people who were deeply influenced by Aristotle and a translation of Seneca. Othello changes during the play from a courageous hero of war, to a jealous, gullible murderer. He changes dramatically throughout the play as Iago continues to exploit his tragic flaw, and eventually it gets the better of him. He creates doubt in Othello's mind about Desdemona's chastity, that she is having an affair with Cassio. First, Iago ensures Cassio's character is weakened in Othello's eyes, by forcing him to drink excessive amounts of alcohol. If I can fasten but one cup upon him
he'll be as full of quarrel and offense as my young mistress' dog'. Othello arrives as Cassio is attacking Montano, and after hearing Iago's account of events, immediately demotes Cassio Cassio, I love thee but never more be officer of mine'....
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