the two main charecters is in the beginnig is when roger tryed to steal the old lady purse but the…
The film takes place in two timelines and involves two couples from different continents. The Australian couple, Walt and Ruth, lives in the present and are bickering on account of the husband’s obsession to catch flies that to his wife’s dismay, resulted to the neglect of his household chores. The Filipino couple lives in the memory of the husband, Jessie. He remembers his wife, Appollonia, as an activist writer who died during the height of martial law in the Philippines.…
For a person's character to be built or changed, there needs to be a significant experience to provoke them into taking the first steps. This can be seen through the entirety of The Story of Tom Brennan, in the first few lines of the novel Tom says ‘I wanted to be back home having a barbie. Having our normal Australia day. Our Brennan Australia Day, the way we always did.” The colloquialism of the statement and the three words ‘home’, ‘Brennan’, and ‘always’ all used together show that all Tom wants is to have the positive family environment and traditions of the past that because of his brother’s stupidity in causing the car accident he believes he will never be able to have again. Later in the novel Tom decides to visit his brother in gaol, Tom states ‘I took the books out carefully, page…
Naess was the developer of deep ecology during the twentieth century as well as the initiator to the deep ecology movement. He believed that every living being had inherent worth without their utility to man, taken into account. The older man in the Documentary, filmed in 1997, Arne Naess spoke about his beliefs and practices. He shared that as a child, he used to roam by the mountain he later built a hut on called Tvergastein. The mountain hut helped Naess write many of his philosophical books about ecology. This excerpt in the film, helps his audience realize that his connection with the large mountain and the Horizon, he says was “non-disturbing”, is curtail for man’s development. Naess claims the mountain itself is an entity and that it is alive to him, therefor without a doubt he believes it has intrinsic value to him.…
In the case of Alicia Huberman (Ingrid Bergman), her father’s prison sentence leaves her skeptical of others, yet longing for a new companion in her life. She has a reliance on alcohol to wash her troubles away. R. Devlin’s (Cary Grant) a stranger from the party, a very mystery man. The Party takes place at Miami, FL. The camera pans right across Cary Grant’s back and comes to rest behind his right shoulder. The camera is placed behind and to the right of Cary Grant who is sitting and facing away from the camera. In the immediate foreground masking out a small portion of the bottom left corner of the frame is the silhouette of Cary Grant’s right shoulder and part of his head. This establishes that it is a tacitly objective shot from the point of view of Cary Grant. As we move to the right though the frame in the foreground Ingrid Bergman is sitting facing towards Cary Grant and the camera at eye level. It is a medium shot from her navel up and she sits nearly in the center of the frame in front of Cary Grant. Their relation relative to each other is conclusive of a possible a romance and long lasting connection. In the background dividing the frame in half behind Ingrid Bergman is a couple dancing. Finally, in the foreground on the right side of the frame sits a man who is profiled and masks out about a third of the bottom half of the frame. The significance of the guests framed is they act as a sort of mask leading our eyes to Ingrid Bergman’s glances and expressions toward Cary Grant in the foreground of the frame. , the shot establishes Cary Grant’s role as a man of mystery and foreshadows an element of romance between Ingrid Bergman and Cary Grant.…
Everyone in this movie either steals, creates, or assumes double or false identities at some point in the movie. No initial character ends up being who they appear to be. One major character that carries this theme is Roger O. Thornhill, played by Cary Grant. He begins as himself, a Madison Avenue businessman who's only life excitement revolves around taking his mother to the play that evening. He then turns into the angry man who is wrongly accused of being George Kaplan. He then becomes a fugitive from justice, dodging the police like…
← Shot and Camera Proxemics: What Type of shot? How Far away is the camera from the action?…
This essay will take an in-depth look at the history of Hollywood during the late 60s and early 70s. This period of time is considered to have been a renaissance for American cinema, and was titled the ‘New Hollywood’ by cotemporary critics of the time. In order to understand the changes that Hollywood went through the late ‘60s, you first have to examine the preceding era of Hollywood filmmaking during the 30s and 40s. This was a period that is commonly referred to as Hollywood’s Golden Age; when the dream factories were in full swing and the audiences were in regular attendance. This period of time could be defined by a number of social, political or economic contexts, but it’s the filmmaking practices that were employed at the time which…
Both movies are a fantastic representation of the play written by Lorraine Hansberry. I enjoyed watching both movies but for me, the 1961 movie, directed by Daniel Petrie Sr. was a work well done. The apartment look in the movie serves as a reminder of its theatrical roots and depicts the lifestyle of the family as well. The characters were the visual representation of the ones in play. Walter Lee, played by Sidney Poitier, is shown to be full of dreams and passion about running his own liquor store. He is shown to be tired of working as a chauffeur and dreams big to get his family out of poverty and give his son a better lifestyle. He is different from all the other family members. His priority is to find a solution to their growing financial crisis while Beneatha, on the…
The development of film can be a process that is extensive and complex. Film analysis helps the viewer to understand what the director is trying to convey to the audience. To analyze a film successfully, it is important to understand how collaborative filmmaking really works. There are a number of elements that must work together not only to have a successful production but also to guide the audience through the story. Some such elements are the film’s narrative structure, colorization, director’s style, camera shot, and actor selection. While the actor is the most visible of the elements on screen; there are many craftsmen that perform behind the scene functions in order to get the finished product in front of a viewing audience. To really have a handle on how movies work, it is helpful to watch a number of films in different genres to understand the conventions of each. Knowing and understanding all of the technical elements of film can help the viewer to analyze the film more carefully. Furthermore, they may gain an emotional attachment to the film, and find some level of truth as they become more aware of what has taken place in order to bring it to life.…
When Roger first meets Mrs. Washington, it is out of hostility he does so, and this began his meet up with an unlikely hero. In the beginning, Mrs. Washington immediately knocked roger onto his…
In these instances, the viewer is given several views of Paris, however, this time through the window of the taxi. There appears to be an element of confinement – both Clèo and the viewer’s perspective is limited to a window frame. This implies that there is a subtractive element, lack of a bigger picture. Ironically, in the first taxi scene, the radio gives a report of the recent casualties in the Algerian war. The juxtaposition between what the viewer sees and what they hear indicates a certain extend of obliviousness, as it is overshadowed with the events taking place in Clèo’s…
The film Gattaca presents a world in the “not too distant future,” where human beings are judged and defined solely by their genetic make-up, a world in which the scientific determination of one’s existence is placed over faith, religion, and free-will. Parents have the ability to choose their children’s genes and can essentially create the “perfect” child through ensuring that their best hereditary traits are passed on. Those who are conceived naturally are referred to as “God-children”, children of “faith” or “invalids”, and are viewed as inferiors, doomed to second class society. Vincent Freeman and Jerome Morrow, Gattaca’s two main characters, defy this scientifically predestined world, and through one another are able to triumph over the limitations that society sets forth for them.…
When all of suddenly it all came back to Roger like a flash of lighting, he mumbled “Tony the bull”, and then he remembered all of the bullies of his seventh grade geography, and how many times he made fun of his big ears in front of the girls in the class. How many times this son of gun (as he described him) had laughed at him because he had no parents and had to live in orphanage. How many times this big bully slammed him up against the lockers in the hallway just to make Tony himself look like a big man to all the other students.…
The shots are rather long at this point, but he finally makes it to the relative safety of the shadows of the architecture. The screen is then filled with a close shot of the landing strip, with the lights blinking on and off. Paired with daunting music, a sense of urgency is felt by the viewer. This sense of urgency does not go away but gets more severe as the sequence progresses. As Roger attempts to get Eves attention by throwing coins, he also inadvertently arouses Leonard to the window. At this point the shots become shorter, switching between Leonard, as he shoots Vandamm with the blank cartridges that Eve used, and Roger, as he is watching this unfold in despair. A close-up of Vandamm is shown, as he says he will dispose of Eve from the airplane. As he says this, the camera is then panned to give an overhead view. This shot gives the viewer a sense of vertigo, which renders the viewer emotion of fearing heights or falling. Followed by a long shot of Roger climbing up to the Eve’s room, the audience is suffering, hoping that he can get to Eve before she gets on the airplane. Roger does not make it before Eve leaves the room and shuts off the lights. The audience fears that it may very well be “lights out” for her unless Roger can stop her from boarding the…