Non Fiction
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Writing in Your Major
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* Overview * General Tips * Non-Fiction * Fiction * Poetry * Fire Starters
Creative Non-Fiction
If representing and exploring the “real” by writing in the genre of creative non-fiction is your goal, we hope these tips about what creative non-fiction is, as well as some pointers on a few genres that are considered creative non-fiction (memoir and the personal essay) can help you. We have also included some links to some well-known examples of creative non-fiction to give you a sense of what is out there.
An Introduction to Creative Non-Fiction
What “is” creative non-fiction? * Creative nonfiction merges the boundaries between literary art (fiction, poetry) and research nonfiction (statistical, fact-filled, run of the mill journalism). It is writing composed of the real, or of facts, that employs the same literary devices as fiction such as setting, voice/tone, character development, etc. This makes if different (more “creative”) than standard nonfiction writing. * Sometimes called literary journalism or the literature of fact, creative nonfiction merges the boundaries between literary art (fiction, poetry) and research nonfiction (statistical, fact-filled, run of the mill journalism). It is writing composed of the real, or of facts, that employs the same literary devices as fiction, such as setting, voice/tone, character development, etc. * Creative nonfiction should (1) include accurate and well-researched information, (2) hold the interest of the reader, and (3) potentially blur the realms of fact and fiction in a pleasing, literary style (while remaining grounded in fact). * In the end, creative nonfiction can be as experimental as fiction—it just needs to be based in the real.
Content of creative nonfiction: * It 's important to clarify that the content of creative nonfiction does not necessarily
Writing in Your Major
Tips From Tutors * Home * Humanities * Creative Writing
* Overview * General Tips * Non-Fiction * Fiction * Poetry * Fire Starters
Creative Non-Fiction
If representing and exploring the “real” by writing in the genre of creative non-fiction is your goal, we hope these tips about what creative non-fiction is, as well as some pointers on a few genres that are considered creative non-fiction (memoir and the personal essay) can help you. We have also included some links to some well-known examples of creative non-fiction to give you a sense of what is out there.
An Introduction to Creative Non-Fiction
What “is” creative non-fiction? * Creative nonfiction merges the boundaries between literary art (fiction, poetry) and research nonfiction (statistical, fact-filled, run of the mill journalism). It is writing composed of the real, or of facts, that employs the same literary devices as fiction such as setting, voice/tone, character development, etc. This makes if different (more “creative”) than standard nonfiction writing. * Sometimes called literary journalism or the literature of fact, creative nonfiction merges the boundaries between literary art (fiction, poetry) and research nonfiction (statistical, fact-filled, run of the mill journalism). It is writing composed of the real, or of facts, that employs the same literary devices as fiction, such as setting, voice/tone, character development, etc. * Creative nonfiction should (1) include accurate and well-researched information, (2) hold the interest of the reader, and (3) potentially blur the realms of fact and fiction in a pleasing, literary style (while remaining grounded in fact). * In the end, creative nonfiction can be as experimental as fiction—it just needs to be based in the real.
Content of creative nonfiction: * It 's important to clarify that the content of creative nonfiction does not necessarily
References: 3. ^ a b Lounsberry, Barbara (1990). The art of fact: contemporary artists of nonfiction. Westport, Conn: Greenwood Press. xiii. ISBN 0-313-26893-2. 8. ^ Holman, Virginia (2003, February 25). Rescuing Patty Hearst: Memories From a Decade Gone Mad (1st ed.). Simon & Schuster. ISBN 978-0743222853. 10. ^ McGrath, Melanie (2009). Hopping. 4th Estate. pp. xiv–xv. ISBN 978-0-00-722365-7. 11. ^ Barrett and Calvi, Duncan and Nuala (2012). The Sugar Girls. Collins. pp. 337–338. ISBN 978-0-00-744847-0. 14. ^ Wyatt, Edward (2006-01-10). "Best-Selling Memoir Draws Scrutiny". The New York Times. Retrieved 2008-01-24. 15. ^ Gutkind, Lee (1997). The Art of Creative Nonfiction: Writing and Selling the Literature of Reality. New York: John Wiley & Sons, Inc. p. 8. ISBN 0-471-11356-5. * Gutkind, Lee (1997). The Art of Creative Nonfiction: Writing and Selling the Literature of Reality. New York: Wiley. ISBN 0-471-11356-5. * Associated Writing Programs; Forche, Carolyn; Gerard, Philip (2001). Writing Creative Nonfiction: Instruction and Insights from Teachers of the Associated Writing Programs. Cincinnati: Writer 's Digest Books. ISBN 1-884910-50-5. * Dillard, Annie; Gutkind, Lee (2005). In Fact: The Best of Creative Nonfiction. New York: W.W. Norton & Co. ISBN 0-393-32665-9. * Gutkind, Lee, ed. (2008). Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction. New York: W.W. Norton & Co. ISBN 978-0-393-06561-9.