The Women’s Fancy Shawl dance is the most modern of the women’s dance. According to some Native American people it was called the blanket dance in the 1960s. The dance steps are close to the ground and smaller than what is performed now. This extremely athletic and strenuous dance involves kicks, twirls, and very fast motions. They say that the Men’s Fancy Bustle dance parallels in speed and style. The legacy of the Fancy Shawl dance color, rebellion, and energy often is mistakenly thought to be a dance that is a fairly recent innovation. One of the most prepared for competitions at powwows is the Women’s Fancy Shawl dance. Earlier generations and now have been controlled, imposing, and dignified but when men in the 1920s created what we now…
Hawaiian folk music is a traditional music in Hawaii which includes several varieties of chanting, called mele, and the music meant for highly-ritualized dance, called hula. It was functional, used to express praise, communicate genealogy and mythology and accompany games, festivals and other secular events. Language and text meaning are important determinants of Hawaiian music. Mele or chanting was the poetry that could be brought into existence only through music. It is simple in melody and rhythms but is complex and rich in poetry. Hawaiian music has had a big impact on the music of other Polynesian islands. One of the music authors, Peter Manuel, called the influence of Hawaiian music is a “unifying factor in the development of modern Pacific music” (Hawaiian music and musicians: an illustrated history. Honolulu, 1979 page 7)…
When the U.S. government formed Bureau of Indian Affairs, one of the bureau’s functions was to limit communication between the groups of native people. The reason was to prevent these nations from organizing greater resistance and attacks, but an indirect result was preventing “cross fertilization” of music between these nations. This means that the grass dance style spread across North America, but then began to evolve with tribes and nations in isolation. This resulted in different styles of grass dances, one of the main differences being the Northern and Southern styles, which were first, observed in the 1920s (Browner). Although grass dances began as war music, in modern times they are more functional as an important part to pow-wows (Gay).…
Other than the hula form, there is some other format of Hawaiian dances being followed up that are like the belly dancers, Latin dances and various others from distinctive backgrounds. These are the most recommended forms of dances that are presented in a polished format by some of the famous dancers across the country. They dance on the tunes of DJ’s and some of the best selected Hawaiian music that not just touches the heart but also the soul of the person.…
Coming to the end of our class, we have learned many dance styles of Indian dance. India is a country with long history. Indian dance styles have been developing with its cultural background as well. Bollywood is one of the biggest movie industries in the world. Bollywood cannot succeed without Indian traditional dance. South Asian Dancing is quite different than Western styles. Kathak is one of the most famous Indian dance styles. Tap Dance is also very famous in the world, which is originally from America. I have learned Tap Dance for a semester and I like it very much. I hope I can combine my own experience with the knowledge what I learned in this class. Comparing different dance styles: Kathak and Tap Dance.…
There are several different types of traditional Shona musics, including mbira, singing, and drumming. Very often, this music is accompanied by dancing and participation by the audience.[2] In Shona music, there is little distinction between the performer and the audience; both are actively involved in the music making, and both are important in the religious ceremonies where Shona Music is often heard.[3] In mbira music, “the performer of the kushaura (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon via improvisation. The performer of the kutsinira (second mbira part) plays a pattern which interlocks with the kushaura in a way that creates the repeated notes which identify mbira music. The kutsinira part is often the same part as the kushaura, but played a half a beat later. The mbira players are accompanied by another less active singer who plays the hosho (a rattle) and responds to the improvised lyrics of the singer, and most importantly embellishes and complements the lead vocal melody.”[4]…
Traditional dances that were presented in the film share similarities in a way in which they can all identify each other. Even though, many aspects of their cultures are different when it comes to dancing their clothing, rhythm, and beats all tend to be similar. For instance, the Apache Indian people wear their own traditional clothing but, just as the European dancers share a circular drum and their dances are done in a circle. Not to mention, many of these traditional dances are done to spiritually interact with nature, for religious purposes and so on.…
This dance has a lot of swinging arms and the fast movement of the feet. One first moves the right foot back one step and then kicks backwards with the left foot while the right arm moves forward Then both feet and arms are replaced to the start position and the right foot kicks forwards while the right arm moves backwards. This is done with a hop in between steps.…
This dance is performed on an outdoor stage with live music. The male dancers wear grass skirts just as the female dancers. The dance is very fast and upbeat. The female dancers move their hips while the male dancers move their legs in a scissor motion. Like the Cambodian dances, the facial expressions are not dramatic- they are very subtle.…
Kathak is the one of eight forms of Indian classical dances perform by men and women, originated from northern indian, known as kathakars or storytellers. The styles of dance have its unique character from the rhythmic footwork with rhythms that he or she stomps out barefoot on the floor, accented with many bells worn around the ankles ( and from seeing the guest artist I can say there were more than 100 bells around her ankles making lots of noise to go with the beats of the drum), spectacular spins, and also every dance piece has a story behind it. A traditional kathak performance features a solo dancer on a stage, surrounded on all sides by the audience. The repertoire includes amad ,the dramatic entrance of the dancer on stage. Male dancers perform in Persian costume of wide skirts and round caps, while female dancers wear a traditional Indian garment called a sari. Back in the day women are the one who preserved this traditional dance more than the men.…
The musicians are split into a solo singer and a chorus. During the choruses, the group sings together. The solo singer sings ‘Yiri’ and also creates the call and response. The chorus, much like the balafon, sing short falling phrases emphasising the tonic and dominant notes of the piece. The group sings in octaves.…
Three styles of tapping dance emerged at this time in the vaudeville. There were the kicking dances of chorus girls, namely, the Charleston, which created a clacking noise on the stage. The louder the beat during these dances, the more the audience cheered. There were the buck-and-wing styles of certain minstrel shows, featuring fast dancing in Dutch-style wooden-soled shoes, and a style known as the soft-show, or a light tapping created by semi-stiff leather soles on hard floor. When these three styles mingled, tap dance became a dance with a beat governed by noise, with a leather shoe and…
The dancing has already started when I arrived. I was told that they were doing the ‘Intertribal Dance’. In this particular dance, everyone is welcome to take part – even the spectators. The dancers moved in a circular clockwise motion a without any particular moves. They then invited the public to join them in the dance. I was hesitating to try it at first. But I told myself that won’t get the experience anywhere else. So, I decided to just do it. The basic step is the same step used by traditional dancers. First, one foot is tapped on one beat, placed down flatly. The action is then repeated with the opposite foot, without missing a beat. I enjoyed taking part in the dance as it was the only chance for me to experience the Native American culture closely.…
Since the first time that white men came across Native Cultures they have tried imprint their own values and view points on that culture. In Susan Power’s The Grass Dancer, dance is an important symbol of the Native American culture. Powwows, and the dances held at them, play a key part in the book and many of the major events in the book are somehow related to a ceremonial dance. Many times, though, the dances do not take place at powwows or ceremonies, they just occur as a representation of the meaning of the dance. Harley Wind Soldier, Charlene Thunder, and Pumpkin all help preserve their culture by “dancing a rebellion” against forces trying to change their ways.…
The name of groups, style of dancing, type of music and the clothes has changed since the time to technological advancement. In the United States the type of culture that is presented have diminished since the Indians had to be pushed out of their land, but the diversity of the culture in the United States has been dramatically increasing since there have been more immigrants coming into the United States. The time and place where tinkus is danced here in the United States was when they apply for an entrance into the parade or festival they are going to participate into. Most of these festivals or presentations are usually for the anniversary of the state. The music has also changed in the United States for the folk dance of Tinkus. The music that is used now for this traditional dance of Tinkus is the electro type, which was common in the 1980’s and 1990’s. The songs now are not the type of old bands with instruments that were man made. The type of clothes of the folk dance Tinkus is now still the same, just that the style on the jacket is different and has the logo of the groups name, like: Tiataco, Pachamama, Alma, Sangre Boliviana, and Cochabamba. There also has been a change in the types of moves or steps the dancers perform. These steps have been modified into a way to make the moves more dramatic and extravagant to the audience. There is more jumps,…