NARRATIVE AND NARRATION
Narrative and narration in films are the way in which the audience follows the plot. The difference between narrative and narration is only really clear when both are understood properly.
Narrative is basically the way we see all the events in a film unfold. E.g. 'Blair Witch Project'. A group of film students go into the woods to film a documentary about the myth of the Blair Witch. What we see is the people film everything that they do. We see (in a nutshell) them get lost, get scared and then looking at a wall.
Narration is the process through which a film conveys or withholds narrative information, the way the story is told. Narration concerns the actual arrangement and presentation of the story in the film, the way the film distributes story information in order to achieve specific effects. E.g. in the 'Blair Witch Project' the story conveys the idea that there is 'something' out there, but it withholds all the information on the thing by never showing anything out of the ordinary.
Once these two are understood we have to look into the two other effects to do with narration. These two are omniscient and restricted narration. Omniscient narration is where the audience is subjected to information from many sources such as 'Lock Stock and two Smoking Barrels'. The film switches from one character to the next all the time, thus we never get to know one character more that any other. Plus it gives the audience more information than any of the characters, so we have an advantage over them all, which creates a feeling of suspense because the viewer is on the edge of their seat wondering if a certain character will find out a specific piece of information. Restricted narrative is where the film conveys the narrative to the viewer via one character. E.g. 'Get Carter'. In this film we get almost all of the information from Jack Carter. He is in almost every scene. The advantage of this is that you know everything Jack knows, also everything that he doesn't know. This is used in the British gangster genre film because is ads mystery to the question what will happen to our man (Jack Carter) next.
Tzvetan Todorov's theory of narrative structure is a very simple way of explaining filmic narrative. The following is a point from the theory followed by an example of this from the film 'Armageddon'. "A state of equilibrium". Everything in the world is fine. People getting on with their run of the mill lives. The main star is seen grafting on an oil rig. "A disturbance of that order by an event". NASA discover a big ass rock coming to earth at an enormous speed. We also see New York get hit by a meteor storm which emphasises the enormity of this event because the rock was able to squash such big and strong city like New York. "A recognition that the disorder has occurred". NASA devises a plot to stop the rock ending all life on Earth, by sending a bunch of drillers to land on it, dig a hole, set of a nuclear bomb and come home heroes. "A return or restoration of a NEW equilibrium". The rock is blown to shreds and the world is saved, so that now everyone can continue grafting for pittance just like before. The new equilibrium is emphasised by the shot of the wedding at the end with the photo of the people who died during this event, so there is less characters so its different from the original equilibrium. This new equilibrium is necessary or otherwise there would be no difference between the start and the end of the film so it would be pointless to watch it if nothing interesting has happened in the main event. So when a film is viewed in this way we get a better understanding of the plot because we realise that its not a straight linear concept, but a circular one. Otherwise how do we get back to the equilibrium if it goes straight. But it can also be argued that it is not a circular process because its not going back to a equilibrium like before but back to a new equilibrium so effectively...
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