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Murder: Aesthetics and Poe

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Murder: Aesthetics and Poe
Murder as a Fine Art: Basic Connections between Poe's Aesthetics, Psychology, and Moral Vision Author(s): Joseph J. Moldenhauer Source: PMLA, Vol. 83, No. 2 (May, 1968), pp. 284-297 Published by: Modern Language Association Stable URL: http://www.jstor.org/stable/1261183 . Accessed: 02/06/2011 19:35
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=mla. . Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.

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MURDER AS A FINE ART: BASIC CONNECTIONS BETWEEN POE'S AESTHETICS, PSYCHOLOGY, AND MORAL VISION
BY JOSEPHJ. MOLDENHAUER

ONLY in Eureka, his late cosmological treatise, but throughout his literary career, Edgar Allan Poe pursued a unitary theory of metaphysics, nature, art, and the human mind. He conducted his search with astounding vitality and persistence, and surely, by the time he had written Eureka, he believed he had arrived at the

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