Preview

Montage Editing In Millennium Actress

Good Essays
Open Document
Open Document
753 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Montage Editing In Millennium Actress
Montage Editing in Millennium Actress Satoshi Kon’s Millennium Actress takes the viewer on a visual journey that blends reality, fantasy and history as Chiyoko searches for her lost love. Her quest to find this man spans across decades and manifests itself not only in her everyday life but also in the films she has appeared in. Kon uses masterful editing to create both a visually stunning film and a feature that formally reinforces the themes that are presented. Specifically, the use of montage editing blurs the line between fantasy and reality and makes the viewer question Chiyoko’s own identity. In its simplest form, montage is an editing technique in which objects and figures are linked to create particular ideas or effects. The term …show more content…
Chiyoko’s personal history is intertwined with Japan’s history, this is tonal montage. Because this sequence contains metric, rhythmic and tonal montage, we would call it an overtonal montage. Intellectual montage works much differently from Eisenstein’s first four categories. Individual shots in intellectual montage do not contain meaning by themselves. However, when combined with other shots in the montage the juxtaposition of these unrelated shots creates meaning (82-83). In the scene where Chiyoko races to find her love after receiving the note, she appears racing in scenes from films she starred in. The effect of this combination suggests Chiyoko’s search for her love is just another tragic love story commonly seen in film. However, it also suggests that Chiyoko is not one person, but many. In Eisenstein’s Film Form he writes, “Montage describes conflicts between an object and its dimension, and conflicts between an event and its duration” (77). This definition describes Kon’s storytelling style very accurately. Chiyoko defies both time and space as she embodies characters who make up the core of her very being, despite when, where, and how they appear. Chiyoko is both the formal and narrative element in the film that unites reality, fantasy, and history in the same

You May Also Find These Documents Helpful

  • Good Essays

    Montage In Goodfellas

    • 677 Words
    • 3 Pages

    Eisenstein defines montage as a conflict between the meanings of two subsequent images that creates an entirely new meaning when viewed consecutively. For example, in his The Battleship Potemkin, Eisenstein most famously meshes the shots of Russian soldiers gunning down revolutionary rioters, and a baby in a carriage falling down the steps of a building. These two images have their own entities, but viewed one after the other, their meaning is something greater: the cost of innocence – true goodness –during wartime or conflict. In this analysis, I will apply Eisenstein’s definition of montage to the Martin Scorsese film Goodfellas, and how Scorsese’s use of montage – the conflict of images – conveys new or ironic meaning, and how this use redefines the context in which the conflicting images are viewed.…

    • 677 Words
    • 3 Pages
    Good Essays
  • Good Essays

    There is then a montage of fast-paced, edgy video sequences of the main characters in order to introduce them to the audience. Jump cuts have been used in order to make the montage flow well and it is a good example of continuity as the fast-paced montage matches the edgy background music.…

    • 395 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Distinctively Visual Essay

    • 1056 Words
    • 5 Pages

    Time is conveyed almost constantly throughout the film and the audience is constantly aware that time is ticking. The image of the cuckoo clock in the opening sequence of the film foregrounds in the audiences mind the importance of time throughout the film. We are manipulated by the director to read images of time in a certain way; Lola must race against time to save Manni. The movie is structured into three scenarios to create a fast-paced movie full of images which involve us in the characters experience. This technique is an effective way to create a movie which is full of action in which the images are an integral part in engaging the audience…

    • 1056 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The Soviet Montage cinema developed their own style of editing in which a series of unrelated images were pieced together to connect the message and story. An example of a well-known Montage film is The Man with the Movie Camera (1929) directed by Dziga Vertov. This film featured a startling amount of different shots of nearly anything that is to be found in the city, accompanied by a rather modern-sounding soundtrack. As it is experimental, there is no clear storyline, and Vertov’s intention seemed to be showing rather than telling. Classical Hollywood editing uses continuity editing, a technique…

    • 599 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Bran Nue Dae Notes

    • 1532 Words
    • 7 Pages

    1. Describe in your own words the events, actions and characters depicted in the animated sequence, the use of both on-screen and camera movement, and the general colour scheme. What might these elements be suggesting to us about the content, mood and themes for the rest of the film?…

    • 1532 Words
    • 7 Pages
    Powerful Essays
  • Best Essays

    The Manchurian Candidate was noted for its breakthrough in cinematography, as the scenes were shot in a creative manner that was new and different in that era. It also made use of different editing techniques to seamlessly piece the story together, along with the use of certain recurring Motifs to effectively deliver the story to the audience. This paper would examine how the groundbreaking use of cinematography, editing help to bring across the theme of surrealism, and delivers a thrilling effect while the motifs help bridge the Theme of The Manchurian Candidate with the use of visual elements.…

    • 2783 Words
    • 12 Pages
    Best Essays
  • Good Essays

    The two major pioneers of early cinema in both Soviet Russia and America, they were D.W Griffith who developed continuity editing through practice, he enhanced film as if it were theatre as if it was in real space and time, whereas Sergei Eisenstein who initially developed montage further through the theory, he did this by breaking the confines of time and space in order to communicate new abstract ideas. In 1918 Eisenstein wrote a manifesto, The Montage of Attractions, this developed Lev Kuleshov ideas and theories about the construction of meaning through editing. Throughout his career, Eisenstein would return to his concept of an ‘intellectual montage’ this is where the counterpoint and juxtaposition produced not just a visual reaction…

    • 255 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Montage’s origins can be traced back to Lev Kuleshov’s (referred to by David Gillespie, author of Early Soviet Cinema: Innovation, Ideology and Propaganda as “...the father of Soviet cinema...” (2000:23)) experiments with editing. Heavily influenced by American filmmakers such as D. W. Griffith, his view was that previously filmed fragments must be assembled and “...linked...” to each other, comparing this process to how “...a child constructs a word or phrase from separate scattered blocks of letters” (Eisenstein, 1929:163). However, in his essay “The Dramaturgy of Film Form”, Eisenstein condemns Kuleshov’s methods as “...outmoded...”. Eisenstein believed that it was not adding shots to one another that created a successful montage effect, but by “...colliding...” two shots independent to each other. The analogy he adopts to express this method is the structure of Japanese hieroglyphics. He reeled in the notion that two separate graphical representations, for example that of an eye and that of water, could be placed together (ie. collided) and merged to create a whole new meaning, in the case of the eye and the water, our new meaning would be to cry. Two separate,…

    • 3485 Words
    • 14 Pages
    Powerful Essays
  • Good Essays

    Throughout the film I have decided to tell the story of different characters. I have done this with the use of camera work, following the characters as the story unravels. This subtle camera work allows the audience to experience each of the characters perceptions at the given time. A good example of this is when Samuel is wondering around the train station, showing the viewer his childlike innocence as everything Is new to him. It is particularly easy for the viewer to capture as I have positioned the camera at Samuel’s eye level. I have used this method to give the audience the notion that everything is seen as he sees it.…

    • 1035 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Director has chosen to unfold the perspectives in a linear timeline in contrast to SFOC with an emphasis placed on the lighting and change of tonal background…

    • 1043 Words
    • 5 Pages
    Good Essays
  • Best Essays

    Eisenstein Montage Lists

    • 3942 Words
    • 16 Pages

    In overtonal montage, the emotional resonance of the work is graphed in the tenor or rhythmic reverberations of landscape sequences. These mimic the calligraphic symbolism of Japanese and Chinese poetry in the creation of visual music. An essential feature in this visual fegue, is that of a repetition or chiming which creates a visual poetry and enunciates the rhythm that gradually builds up an emotionally infuse filmic line, which is also the specific image being sought by the…

    • 3942 Words
    • 16 Pages
    Best Essays
  • Good Essays

    Essay On A Separate Peace

    • 548 Words
    • 3 Pages

    To enhance and create a short movie previewing the novel, A Separate Peace, music, colors, pictures, and words were utilized. The colors and music relate to the characters and their feelings. On the other hand, the pictures make it more pleasing to watch and allow viewers to connect the words and ponder. Additionally, the phrases assist in understanding the pictures and allow for a smoother transition. Together the factors build upon one another to compose the short film.…

    • 548 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In my representation, I have decided to pick particular scenes and shots from the movie to give the viewer an idea of what the movie can be about and the symbolism it holds. I have decided to use five scenes with the images at the top of the page Muriel at the beginning of the movie struggling to fit in or belong in any way as seen by the drink thrown in her face and her four “friends” all with the emotion of anger and disgust on their faces. Also to top it all off the quote “you’ve got no dignity, Muriel” in the second box with Muriel sad and unhappy can give much indication of what Muriel suffers at the beginning of the movie. With third image in the middle is Muriel in her room sad and miserable. This can also enhance the meaning and emotion of Muriel not fitting in, with the sad look on her face, slouching, make up and clothes. This can give indication of Muriel thinking and wondering. This particular shot is very important as it symbolizes and enhances the emotion of the main character. This can be due to the angle at which the camera is placed. With the bottom two pictures, there is indication that change occurs. This is shown by the images of Muriel smiling and laughing also by the clothes she wearing such as the wedding dress and ABBA outfit giving indication that she is being true to herself and finding her way. Particular in the last photo with Rhonda, both them getting in the car to leave smiling which symbolizes joy in both of them, this shot truly shows that Muriel has found her way, made a true friend and now fully knows what she wants.…

    • 374 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Editing is a post production process that compiles different shots of different lengths taken during production into the sequential thematic continuum that viewers know as the motion picture film. The coordination between two consecutive shots is a dimension by itself used to give indirect hints and communicate a smoother transition of ideas. The transition of the shots could be as simple as a cut and could be more complex as in a graphical match of colors and shapes between the two shots. Film makers typically have four areas of choice when it comes to editing:…

    • 355 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Dream Girls

    • 598 Words
    • 3 Pages

    The mise-en-scene of a film manipulates the set and the actors in a way that will convey a certain message. Dreamgirls partakes in a detailed use of mise-en-scene. The analysis of acting style and lighting emphasizes the emotion of Effie's welfare scene.…

    • 598 Words
    • 3 Pages
    Good Essays