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Throughout all generations, women in society are constantly being misrepresented and depicted as fragile creatures who are undeserving of both attention and admiration. The degeneration of women can be seen in the Elizabethan Age, where all roles in various plays were played by men due to the distorted representation of women who were deemed to be unworthy to act on stage. Not only was sexism present in real life, but also in a number of Shakespearean tragedies where female characters endured the distress of gender inequality. In Shakespeare’s Hamlet, sexual discrimination is a recurring theme that focuses the negative portrayal of woman, emphasized by the only two existing female characters, Gertrude and Ophelia. These two women have no choice…
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When reading the play Hamlet, it sometimes seems that everything occurs because of a woman. However, there is a problem with that assumption: the women are a little too passive to cause anything. Certainly, the men’s feelings towards the women shape the events of the play, but that’s not exactly because of the women. Instead, it’s the basic relationships between the men and women, the relationships of husband and wife, of brother and sister, father and daughter, and especially mother and son, that are pivotal to the tragedies that occur.…
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The portrayal of the women characters in Hamlet by William Shakespeare, illustrated stereotypical women based on a feminist’s point of view.…
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As well as resenting women for the allegedly brittle nature of their character and intellect, Hamlet is also shown to criticize women for their sexuality. This idea is communicated by Hamlet’s repulsion at the way in which his mother responded to her husband’s death with ‘such dexterity to incestuous sheets.’ Hamlet is not only revolted by his mother’s sex drives, but is enraged by with whom she chooses to fulfil them with. Bellowing at his mother that “at your age the heyday in the blood is tame”, Hamlet sees the desires for women to have sex as being another way in which they express neediness and fragility- he believes they are reliant solely upon their sexuality. Hamlet further associates such instincts with moral corruption, advising…
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Gertrude is continuously selfish throughout the play but, her selfishness began with her marriage to Claudius "but two months dead"(I,ii,138), of her former husband King Hamlet. Because of Hamlet's reaction to his mother's quick marriage, it is obvious that Gertrude had not thought of his feelings but only of her own. He mentions often that Gertrude "married with my uncle,/ My father's brother," (I,ii,151-153) "Within a month,/ Ere yet the salt of most unrighteous tears/ Had left the flushing in her galled eye,/ She married," (I,ii,154-157). Her action hurt Hamlet deeply and more than any other character in the play. Each instance that Hamlet and Gertrude speak, Hamlet arouses the situation of Gertrude's hasty marriage. It emphasizes her selfishness to both her and Hamlet's lives. When speaking to Hamlet, curious to know if he has gone mad, Hamlet yells "Mother, you have my father much offended," (III,iv,11). Again, he brings up her marriage which shows his agony to the situation. Gertrude's selfish actions not only affect her life, but the lives of others as well.…
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Misogyny, by definition, is the hatred of women and girls. In Hamlet by William Shakespeare, misogyny affects women in negative ways that both impact how a woman is portrayed along with how these stereotypes and controls influence her actions and ultimately lead to her demise. Gertrude and Ophelia, the only major female characters of this play, are both women who must confront various factors and adverse effects of misogyny. Shakespeare uses the patriarchal system to suggest the effects of men's misogynistic behavior towards women.…
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Loyalty or betrayal, nobody can definitely point out what the truth is; but something that seems like the truth may not always be correct. Truth usually hides behind the stage and needs to be found by knowing what the characters are actually thinking. The Queen acts as a controversial character in the play “Hamlet” by William Shakespeare. She marries her husband’s brother just after her husband’s death. “Treachery”, “recreance”, “conscienceless” become the symbols of her character. As a queen of noble lineage, she has superior power, but no access to speak freely. Everything she does is to protect her son Hamlet. The pitiful queen becomes the scapegoat in a play filled with male characters. She loves only her true husband-King Hamlet. Her weakness and sin is just a foolish pretense for male chauvinism.…
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Gertrude had several opportunities to react as differently as she did, beginning with the hasty marriage between Claudius and herself, her support of Hamlet during his mourning period of his father Old Hamlet, and the murder of Polonius that had occurred in front of her during a confrontation with Hamlet. Hamlet does not approve of Gertrude’s marriage to Claudius, Old Hamlet’s brother, and is quick to mention the exceedingly short amount of time between his own father’s death and the marriage between Claudius and Gertrude, “My father’s brother; but no more like my father Thank I to Hercules: within a month”(1.2.154-155). Gertrude could have been more sensitive to Hamlet’s feelings upon the matter, unfortunately her attentions were directed to different matters. The marriage is what had initially set into place a series of chain events that would cause Hamlet to descend into his own madness. Gertrude had seemingly passed the death of her first husband, Old Hamlet, off as a passing fancy and encourages Hamlet to do the same, “Seek for thy noble father in the dust. Thou know’st tis common, - all that live must die, passing through nature to eternity.”(1.2.72-74). Gertrude does not approve in the manner that Hamlet is obsessing over his father’s death and makes a point to discuss the topic, no less in front of the new king, Claudius. Within the heated debate between Hamlet and Gertrude signs of an Oedipus complex are presented. The Oedipus complex is from well-known psychologist Sigmund Freud and states that boys develop a sexual attraction to their mothers, and jealousy of their fathers (Ciccarelli 414). Hamlet does talk to his mother Gertrude in a rather sexual manner, as well as trying to kill his own father. Hamlet’s does state that Claudius does deserve to die…
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Hamlet not only takes issue with his mother's quick remarriage after his father's death, he's also and accuses Gertrude of being guilty of "incest." The death of his father and marriage of his uncle were so close that the…
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Hamlet sees her as guilty for having moved on too quickly and, perhaps also, thinks she is not entirely innocent or oblivious concerning his father’s death. These are not, however, the only reasons for Hamlet to feel uncomfortable about his mother’s actions. According to Vernon E. Johnson’s Corruption in William Shakespeare’s Hamlet, “...although [Claudius’] marriage to the dead king’s widow has been sanctioned by the court, Elizabethans would see it as incest” (Johnson, 92). Johnson states that, not only is the marriage of Gertrude to Claudius hasty and suspicious, but also incestuous. Harold Bloom blames part of Hamlet’s state of mind on this incestuous…
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The play Hamlet by William Shakespeare, written in 1599 repeatedly brings up female sexuality. The emphasis on female sexuality has a lot to do with the time period and gender stereotypes in the time, some that are still vivid in the twenty first century. Some of the common disbeliefs are that all women are associated with corruption and temptation (Wilcox 45), this stereotype comes about from the story of Adam and Eve, which has been around since the creation of Christianity. Hamlet was written in the early modern English era, a time in which a female’s chastity was held as her “primary virtue” (Gibson 2).…
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Although Shakespeare's primary concern in his plays is not to portray women as victim's, to an outsider looking in this is what it may seem like as there are only two women in the play (Ophelia; Polonius' daughter, and Gertrude; Queen and Hamlet's mother) and both end up dying. Some people say that Shakespeare presents women throughout "Hamlet" as easy to convince and submissive to men and their demands. This is not too strange for a play of Shakespeare's time however as in the past, women were regularly portrayed as socially and mentally weaker than men. A prime example of the weakness shown in the women is in act three, scene four in which Hamlet confronts his mother for the first time about her "incestuous" marriage to his father's brother. From the very start of the scene, Hamlet ultimately has control over the conversation which already shows weakness on…
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Hamlet's questioning of Gertrude's sexual relationship with Hamlet's uncle could suggest a possible obsession that Hamlet has for Gertrude. Hamlet's belief that Claudius killed King Hamlet makes Hamlet think that Claudius is turning his mother, and Denmark, into a foul state. This can be seen as Hamlet says QUOTE. In this quote, Hamlet uses garden imagery (In which he also uses in Act 1 Scene 2 as well) to describe the disdain that Hamlet has for Claudius. Hamlet is also seen having guilt for Gertrude as he asks her to repent her wrongdoings and move on. It is here that it can be seen that Hamlet shows compassion for his mother, even though he previously expresses his anger for Gertrude's swift decision to marry so quickly after King Hamlet's…
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In Act I of William Shakespeare’s Tragedy of Hamlet, Prince of Denmark, Shakespeare uses the narrative as an opportunity to explore the attitudes toward women that were commonly held at the time, examining the widespread misogyny of the early 17th century. The presence of only two named female characters reveals how women were largely thought of as the subordinate sex and were expected to follow the will of the men surrounding their lives. Hamlet is greatly alarmed as to why his mother, Gertrude, would remarry so quickly after the death of her husband and why she would choose to…
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Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism Elaine Showalter Though she is neglected in criticism, Ophelia is probably the most frequently illustrated and cited of Shakespeare’s heroines. Her visibility as a subject in literature, popular culture, and painting, from Redon who paints her drowning, to Bob Dylan, who places her on Desolation Row, to Cannon Mills, which has named a flowery sheet pattern after her, is in inverse relation to her invisibility in Shakespearean critical texts. Why has she been such a potent and obsessive figure in our cultural mythology? Insofar as Hamlet names Ophelia as “woman” and “frailty,” substituting an ideological view of femininity for a personal one, is she indeed representative of Woman, and does her madness stand for the oppression of women in society as well as in tragedy? Furthermore, since Laertes calls Ophelia a “document in madness,” does she represent the textual archetype of woman as madness or madness as woman? And finally, how should feminist criticism represent Ophelia in its own discourse? What is our responsibility towards her as character and as woman? Feminist critics have offered a variety of responses to these questions. Some have maintained that we should represent Ophelia as a lawyer represents a client, that we should become her Horatio, in this harsh world reporting her and her cause aright to the unsatisfied. Carol Neely, for example, describes advocacy--speaking for Ophelia--as our proper role: “As a feminist critic,” she writes, “I must ‘tell’ Ophelia’s story.”But what can we mean by Ophelia’s story? The story of her life? The story of her betrayal at the hands of her father, brother, lover, court, society? The story of her rejection and marginalisation by male critics of Shakespeare? Shakespeare gives us very little information from which to imagine a past for Ophelia. She appears in only five of the play’s twenty scenes; the pre-play course of her love story with…
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