For Aristotle, mimesis describes a process involving the use by different art forms of different means of representation, different manners of communicating that illustration to an audience, and different levels of moral and ethical behavior as objects of the artistic demonstration. Thus Aristotle distinguishes between tragedy and comedy essentially on the basis of the fact that tragedy represents "noble" or "morally good" agents, while comedy portrays "ignoble" or "morally defective" characters. All forms of mimesis, however, including tragedy and comedy, come into existence because of a primary intellectual impulse felt by all human beings. Art is an imitation of life, but it's not life, the better the verisimilitude and the possibility between art and life the better the quality derives beauty. Death Sentence is a crime-action-drama film based on the 1975 novel of the same name by Brian Garfield, the film is directed by James Wan. It tells the story of Nick Hume; a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever, when his son falls a victim to a vicious attack committed as a gang initiation ritual. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family, protecting what is his. Aristotle's main focus in the Poetics is on the genre of tragedy, but he also makes important comments on comedy and epic. His original theoretical stipulations about the essential nature of mimesis must apply to all genres of literature (tragedy, comedy, epic, etc.) and all other forms of mimesis (music, dance, painting, sculpture, etc.). These basic stipulations are that mimesis is fundamental to our nature as human beings, that human beings are the most imitative of all creatures, that first learning experiences take place through mimesis, and that all human beings take pleasure in mimesis because all find "learning and inference"...
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