At first glance, the dominant images in this poem are the oranges and the sardines; but more than that, it is not just the sardines and oranges themselves as the animal/food, but what they stand for. Mike Goldberg's painting does not include any sign or allusion to sardines, it is simply the title of the piece. Much like "ORANGES" is the title of O'Hara's collection of poems which can have nothing to do with oranges whatsoever. When we look deeper into the history of the New York School of Poets we are given clues as to what these two images--sardines and oranges--truly mean. …show more content…
Mike Goldberg, the painter in this poem, was an abstract expressionist. It is well known that there was a certain kind of tension between the poets and the painters of the New York School movement that in some cases could have been described as jealousy. This tension stems from the battle between the philosophical expression in poetry, and the visual expression in paintings. From this poem alone there is no proof that this was the case between Goldberg and O'Hara, but knowing that history can help with an analytical