Mat Johnson's Incognegro Analysis
Ashley Tanner
EN101: Gateway to Literary and Cultural Studies
11/26/2009
The Portrayal Race Roles and Cultural Ideologies: The Jim Crow South vs. Johnson’s, Incognegro Abraham Lincoln’s Emancipation Proclamation, and the passing of the Thirteenth Amendment of the United States Constitution were historical milestones in which the ever controversial topic of racial equality was first challenged. In theory, these two movements laid the groundwork for a racially equal United States of America. A country in which every member, regardless of skin color, or race were to be treated equally under the eyes of the law and to one day be treated as equals within all realms of society. As historic and powerful as these movements were, they did little to quell racism and unfair treatment of African Americans in the United States. Following these two movements and the ending of the civil war, African Americans continued to be harshly mistreated by members of white America, as numerous members of the African American race were threatened, falsely accused of crimes, beaten, raped and killed as a result of Jim Crow laws and the Southern tradition of lynching, or hanging African Americans. Mat Johnson’s graphic Novel, Incognegro, chronicling the trials and tribulations of Zane, an African American journalist who pretends to be white to expose the brutal reality of segregation against African Americans in the South, is a graphic manifestation of both the historical accuracy and cultural reality of segregation and brutal mistreatment of African Americans within the Jim Crow South. Johnson’s vivd dramatizations of African Americans being brutally murdered by lynching, African Americans, “passing,” as whites, and African Americans being unfairly tried under the eyes of the law, sheds historically accurate light on an important, yet swept under the rug tradition of a time when racial segregation against African Americans served as a cultural identity that came to define cultural
EN101: Gateway to Literary and Cultural Studies
11/26/2009
The Portrayal Race Roles and Cultural Ideologies: The Jim Crow South vs. Johnson’s, Incognegro Abraham Lincoln’s Emancipation Proclamation, and the passing of the Thirteenth Amendment of the United States Constitution were historical milestones in which the ever controversial topic of racial equality was first challenged. In theory, these two movements laid the groundwork for a racially equal United States of America. A country in which every member, regardless of skin color, or race were to be treated equally under the eyes of the law and to one day be treated as equals within all realms of society. As historic and powerful as these movements were, they did little to quell racism and unfair treatment of African Americans in the United States. Following these two movements and the ending of the civil war, African Americans continued to be harshly mistreated by members of white America, as numerous members of the African American race were threatened, falsely accused of crimes, beaten, raped and killed as a result of Jim Crow laws and the Southern tradition of lynching, or hanging African Americans. Mat Johnson’s graphic Novel, Incognegro, chronicling the trials and tribulations of Zane, an African American journalist who pretends to be white to expose the brutal reality of segregation against African Americans in the South, is a graphic manifestation of both the historical accuracy and cultural reality of segregation and brutal mistreatment of African Americans within the Jim Crow South. Johnson’s vivd dramatizations of African Americans being brutally murdered by lynching, African Americans, “passing,” as whites, and African Americans being unfairly tried under the eyes of the law, sheds historically accurate light on an important, yet swept under the rug tradition of a time when racial segregation against African Americans served as a cultural identity that came to define cultural
Cited: Johnson.Mat. Incognegro. New York, NY: DC Comics,2008. “The Legacy of Lynching and Southern Homicide.” Steven F. Messner, Robert D. Baller and.Matthew P. Zevenbergen. American Sociological Review , Vol. 70, No. 4 (Aug., 2005), pp. 633-655.American Sociological Association. www.jstor.org “Black versus Black: The Relationships among African, African American, and African Caribbean Persons.” Jennifer V. Jackson and Mary E. Cothran. Journal of Black Studies , Vol. 33, No. 5 (May, 2003), pp. 576-604. Sage Publications, Inc. “Changing America and the Changing Image of Scottsboro”. Hugh T. Murray, Jr. Phylon (1960-) , Vol. 38, No. 1 (1st Qtr., 1977), pp. 82-92. Clark Atlanta University. www.jstor.org