5) What was the outcome of the revolt on Native-Spanish relations? In what ways does this source clarify “the middle ground”?…
Proceeding the 335 pages that make up Junot Diaz’s The Brief Wondrous Life of Oscar Wao is an excerpt from a poem by Derek Walcott entitled “The Schooner Fight” that ends on the line “either I’m nobody, or I’m a nation.” Diaz’s novel follows the character of Oscar, as well as the entire Leon-Cabral family, and their relation to diaspora from the Dominican Republic. Through the eyes of narrator Yunior, readers come to understand the complications of preserving one’s own national-identity within a foreign population. The character’s within the novel, much like the speaker of Walcott’s poem, feel the immense responsibility of representing their entire nation as singular individuals.…
The Victors and Vanquished is a book that was edited by Stuart B. Schwartz in the year 2000. From reading the acknowledgements I gathered that Schwartz preparation with the book involved the help of his colleagues too. He even attended Yale University as a Professor and gave a seminar of the conquest of Mexico. However, Schwartz is not a researcher in Mexican ethnohistory, but a man whose goal is to spread new discoveries to people who enjoy culture’s past. The document that Schwartz presented the perspective of the Spaniards and Nahua during the conquest of Mexico.…
The notorious drug war and wanton violence is taking over Mexico. The government and police seem to have no control over the situation as the drug cartels have the most power out of anyone in the country. However, there are a few who attempt to denounce the violence of the drug cartels that spreads across the country like a bloody wildfire through poetry, music, and painting. Javier Sicilia, a poet, denounces the drug violence that killed his son through his last poem and Marcos Castro painted a picture of the destruction of the Mexican culture and people, influenced by the lyrics from singer Lila Downs, who sang about death because of the drug trade in Mexico. Marcos Castro’s “La Reyna del Inframundo”, taken directly from Lila Downs’s lyrics, illustrates the control of violence over Mexico and its culture through the contrast between light and dark, referencing the battle between destruction and hope, shape, the spiral in the middle of the painting suggests a tornado of extermination, and scale and position of objects, namely the gun which exemplifies the emphasis on violence and death.…
Mirkin’s article, “Aurora Reyes: ataque a la maestra rural,” was about one of the most iconic women in Mexican history. She was a very inspiring woman, she still found time to create her murals and fight for what she believed in all while being a single mother of two and having a job. Reyes was someone who fought for things that were dear to her such as education, children, and equality for women. I found it interesting but not surprising that her murals reflected her beliefs and illustrated the essence of their importance. Unlike the other artists who depicted the revolution, Reyes’ murals showed the unfortunate but somewhat inevitable side of the revolution.…
When discussing the importance of Spanish alliances, it is important to discuss Matthew Restall’s interpretation of “the myth of the white conquistador”. A common myth in regards to the Spanish Conquest is that the Aztecs were conquered by a small group of white Spanish men. Within Restall’s book titled “Seven Myths of the Spanish Conquest”, he debunks the myth of the white conquistadors. Restall’s argues that “there is no doubt that the Spanish were consistently outnumbered by native enemies on the battlefield. But what has so often been ignored or forgotten is the fact that Spaniards tended also to be outnumbered by their own native allies. Furthermore, the invisible warriors of this myth took an additional form, that of the Africans, free and enslave, who accompanied Spanish…
The question of how a small Spanish army was able to conquer one of the greatest ancient empires in history is one that has been raised countless times. Often there are no simple answers and frequently super natural omens and religious understandings are presented as the reason. The Spanish were also quick to present the answer that they were simply more intelligent, technically and morally and that they had a superior morale. Historians such as Prescott present the answer that Europeans will always triumph because they have superior mental and moral qualities.1 However historians like Clenninden, Fernandez-Armesto, Townsend and Toderov have argued against these explanations, considering them ‘Conquistador myth’. 2 This essay will discuss the traditional arguments and consider the flaws they present, aiming to challenge the idea of the ‘Conquistador myth’. The aim is in line with arguments by Toderov and Clenninden to prove that the Europeans did not manage to conquer the Aztec empire because of their natural superiority but rather a range of factors that included using different cultural understandings to their advantage, including their weapons, their native allies and the delayed initial reaction of the Aztecs.…
: "Don Lazaro, you've got five boys in Comitan teaching the campesinos how to read. That's subversive. That's communist. So tonight, you have to kill them." Don Lazaro, the mayor of the war torn village, San Martin Comitan, seems to have no choice but to carry out this heartless command. His response is indicative of a desperate man searching for answers, yet already resigned to carrying out the task at hand. "What can I say? --you tell me!" cries an anguished Don Lazaro to the villagers. Is he pleading for their understanding, or asking for a miraculous solution that would alter the path that lay before him? It is this uncertainty that, when coupled with melancholy foreshadowing, leaves the reader at a suspenseful crossroad; suspecting that events are transpiring, but doubtful as to the outcome.…
modern day Don Quixote. Writers like Kathy Acker, Paul Auster, and Daniel Venegas have used Cervantes’ work to not only express themselves, but also the times they lived in. These writers along with many others have adopted Cervantes’s notion of quixotism (book-inspired idealism) and applied it to their own individual works. In his novel, The Adventures of Don Chipote or When Parrots Breastfeed, (1928) Daniel Venegas used the quixotic notion as a vessel to showcase the idealism and disillusionment of a Mexican immigrant in the early twentieth century. Towards this end Vengenas draws upon the picaresque aspect of the original Don Quixote, focusing on Chipote’s misadventures in a 1920s America that exploits Mexican immigrants and is indifferent to their plight.…
In El Laberinto del Fauno, Guillermo del Toro uses the theme of obedience to illustrate and condemn two repressive components of fascism: patriarchy and the coercion of free will. This essay will look at two examples of obedience in the film which reveal the abhorrent nature of these aspects of fascism and the importance of resisting them. These are, respectively, the relationship between Captain Vidal and Mercedes and Ofelia’s refusal to compromise her own integrity.…
Contrary to his belief or “version” of masculinity holding the key to his dreams, it was his genuine personality and gentle character that attracted his crush Blanca Saldivia. Blanca, a Pentecostal girl who was praised by all those who knew her due to the pureness and beauty she possessed, was captivated by Julio’s non-violent nature. It separated Chino from the rest of the young hooligans like his best friend or “pana” Sapo. His dream of…
Gutierrez first introduces the Spanish folktale of “La Constancia ” because it describes the core values of most Spanish colonists in New Mexico, which was honor. The story tells of seduction and intrigue, of malevolence, rivalries, and a pact with which, of how one man took the honor of another, and most importantly of how honor was won and lost honor avenged (176). Honor was “polysemic word embodying meaning…
In both conflicts, they constructed the elemental focuses of the causes for which many fought for. A clear example is the parties’ spokesmen and generals, like Patrick Henry, taking part in the American Revolution, and Emiliano Zapata, mainly regarded in the Mexican Revolution, built the principles and representations of their moral beliefs. Singling them out and analyzing their phrases can show just how much of they were willing to advocate in order to succeed with their cause. In the American’s case, Patrick Henry said, “Give me liberty or give me death.” announcing a very vivid take on his idea of freedom and challenging established principles. In the Mexican’s case Emiliano Zapata stood by his saying “I want die a slave of principles, not men.” which mostly coincides with the previous statement. Almost instantaneously signs of similarity can be identified, both statements contain the same basis and form of expression towards their situation and incite a certain type of behavior of the recipient. Plainly seen here, occasionally there is a point that is not totally devoted to the idea of difference, which not only shows ideal diversification, but also keeps intriguing thoughts on the subject…
Arenas writes this book through his imaginations and pastimes in Cuba as if it were his diaries. He analyzes his secrecy with artistic writing and sex. Reinaldo Arenas says, My sexual activity was all with animals. First there were the hens, then the goats and the sows, and after I had grown up some more, the mares (Arenas 149).” This shows the indifference towards women and the rest of the societies interests. In other words, Reinaldo was a homosexual and hid through his fear of the totalitarian government by taking his pain out with the animals. This book represents Reinaldo’s search for…
“Pierre Corneille’s Le Cid focuses on a legendary hero of eleventh-century Spain and his feats of heroism, chivalry and honour. But a more pervading element of this play, one that is acted out by not only the protagonist but many other characters is that of sacrifice” . Having been set in the Seventeenth Century it was “adapted to the heroic ethic that Corneille recognised in the French nobility of his own generation...where the pundonor (a punctilious concern with personal and family honour) provided one of the predominant themes of Golden Age drama” . In this essay I will look at a selection of characters who appear to have strong convictions; if they live up to said convictions, they are, as the comment describes, “extremists prepared, at whatever cost, to live up to their convictions”.…