marc quinn

Topics: 1918, Contemporary art, 1916 Pages: 21 (6449 words) Published: November 8, 2013


Born: January 8, 1964 (age 49)
Nationality: British
Field: contemporary artist
Marc Quinn is a contemporary artist who is best known for using incredibly weird props such as his own blood, ice and faeces.in his early career he studied history and the history of art at Robinson College, Cambridge, he also worked as an assistant to the sculptor Barry Flanagan. Quinn has exhibited exhibitions including Sonsbeek ’93, Arnhem (1993), Give and Take, Victoria and Albert Museum, London (2001), Statements 7, 50th Venice Biennale (2003) and Gwangju Biennale (2004). Solo exhibitions include Tate Gallery, London (1995), Kunstverein Hannover (1999), Fondazione Prada, Milan (2000), Tate Liverpool (2002), Irish Museum of Modern Art, Dublin (2004), Groninger Museum, Groningen (2006) and MACRO, Rome (2006), DHC/ART Fondation pour l’art contemporain, Montréal (2007) and Fondation Beyeler, Basel (2009). Marc’s sculpture, paintings and drawings often deal with the distanced relationship we have with our bodies, highlighting how the conflict between the ‘natural’ and ‘cultural’ has a grip on the contemporary psyche. In 1999, Marc began a series of marble sculptures of amputees as a way of re-reading the aspirations of Greek and Roman statuary and their depictions of an idealised whole. jhsvdjvh jvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv- vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv- vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv- vvvvvvvvvvvvvvvvv

Born: January 8, 1964 (age 49)
Nationality: British
Field: contemporary artist
Marc Quinn is a contemporary artist who is best known for using incredibly weird props such as his own blood, ice and faeces.in his early career he studied history and the history of art at Robinson College, Cambridge, he also worked as an assistant to the sculptor Barry Flanagan. Quinn has exhibited exhibitions including Sonsbeek ’93, Arnhem (1993), Give and Take, Victoria and Albert Museum, London (2001), Statements 7, 50th Venice Biennale (2003) and Gwangju Biennale (2004). Solo exhibitions include Tate Gallery, London (1995), Kunstverein Hannover (1999), Fondazione Prada, Milan (2000), Tate Liverpool (2002), Irish Museum of Modern Art, Dublin (2004), Groninger Museum, Groningen (2006) and MACRO, Rome (2006), DHC/ART Fondation pour l’art contemporain, Montréal (2007) and Fondation Beyeler, Basel (2009). Marc’s sculpture, paintings and drawings often deal with the distanced relationship we have with our bodies, highlighting how the conflict between the ‘natural’ and ‘cultural’ has a grip on the contemporary psyche. In 1999, Marc began a series of marble sculptures of amputees as a way of re-reading the aspirations of Greek and Roman statuary and their depictions of an idealised whole.

Born: January 8, 1964 (age 49)
Nationality: British
Field: contemporary artist
Marc Quinn is a contemporary artist who is best known for using incredibly weird props such as his own blood, ice and faeces.in his early career he studied history and the history of art at Robinson College, Cambridge, he also worked as an assistant to the sculptor Barry Flanagan. Quinn has exhibited exhibitions including Sonsbeek ’93, Arnhem (1993), Give and Take, Victoria and Albert Museum, London (2001), Statements 7, 50th Venice Biennale (2003) and Gwangju Biennale (2004). Solo exhibitions include Tate Gallery, London (1995), Kunstverein Hannover (1999), Fondazione Prada, Milan (2000), Tate Liverpool (2002), Irish Museum of Modern Art, Dublin (2004), Groninger Museum, Groningen (2006) and MACRO, Rome (2006), DHC/ART Fondation pour l’art contemporain, Montréal (2007) and Fondation Beyeler, Basel (2009). Marc’s sculpture, paintings and drawings often deal with the distanced relationship we have with our bodies, highlighting how the conflict between the ‘natural’ and ‘cultural’ has a grip on the contemporary psyche. In 1999, Marc began a series of marble sculptures of amputees as a...
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