Preview

Machaut's Felix Virgo/Inviolata

Satisfactory Essays
Open Document
Open Document
466 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Machaut's Felix Virgo/Inviolata
Machaut’s Felix Virgo/Inviolata/ Ad Te Suspiramus
The fourthteenth century saw tremendous development in music. All across Europe, composers were trying to find new ways to push the boundaries of music. This led to the creation of a rhythmic device known as isorhythm. Isorhythm can be defined as a repetition in a voice which contains the same rhythms. The leading composer during this period of time was Guillaume de Machaut, who composed works for many different genres. His motet Felix virgo / Inviolata / Ad Te Suspiramus is a perfect example of isorhythm.
Isorhythmic motets were longer and more complex than their predecessors. Felix virgo / Inviolata / Ad Te Suspiramus is a motet that contains four voices: motetus, triplum, tenor, contratenor.
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Stephen Michael Reich: America's Most Famous Composers
    • 150 Words
    • 1 Page

    Stephen Michael Reich: America's Most Famous Composers

    Stephen michael Reich born October 3, 1936, is an American composer who along with his friends pioneered minimal music in the 1960s , his style influenced many composers and musical groups, he used tape loops to create phasing patterns and the use of simple, audible processes ,marked by their use of repetitive figures, slow harmonic rhythm and canons 80 years his age and he still alive until this day, he was the creator of the phase and pulse musics as a child he started taking piano lessons at the age of 14 he started studying music in earnest…

    • 150 Words
    • 1 Page
    Satisfactory Essays
    Read More
  • Good Essays

    Midterm Study Guide Music 100
    • 542 Words
    • 3 Pages

    Midterm Study Guide Music 100

    ICtonal music, chant (plainsong, plainchant), organum, motet, Reformation, a cappella, word painting, counterpoint, chanson, madrigal, modulation, continuo, doctrine of affections, libretto, overture, recitative, aria, ensemble, chorus, cantata, oratorio, fugue, rondo, theme and variations, minuet and trio, metre, texture, suite, sonata, concerto, composers, instruments, historical periods, the Enlightenment, syllabic, melismatic, sonata-allegro form La peri fanfare Boulez Bird Chopin 3:1, Camptown Races 1:25, Structures 3:45] Rachmaninov Track 2, Terpsichore 8 (Shakespeare), Zappa 7, Duple: (ex. Handel Water Music CML #73) Triple: (ex. Mozart Minuet #74) Monophony - single voice (not necessarily one voice). . .…

    • 542 Words
    • 3 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Module Four: Music Appreciation Text Questions
    • 657 Words
    • 3 Pages

    Module Four: Music Appreciation Text Questions

    One of the early renaissance composers. He wrote music in almost every music form at the time, including chants, motets, chorales, and masses. His music influenced many of the composers that came after him.…

    • 657 Words
    • 3 Pages
    Satisfactory Essays
    Read More
  • Good Essays

    Machaunt's Mass
    • 327 Words
    • 2 Pages

    Machaunt's Mass

    Guillaume de Machaut’s Mass, Messe de Notre Dame (Kyrie), was written during the late Medieval Period. In 1337, Machaut became a Canon at Reims. It is believed that the The Mass was composed for this cathedral. The piece is a four-voice polyphonic Mass of the Ordinary.…

    • 327 Words
    • 2 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    test 3 listening test
    • 1043 Words
    • 20 Pages

    test 3 listening test

    an aria 2. a chorus 0% 3. madrigal 4. a recitative 5. motet Score: 0/1.92 6.…

    • 1043 Words
    • 20 Pages
    Satisfactory Essays
    Read More
  • Powerful Essays

    Medieval Era Chapter 1 Outline
    • 4678 Words
    • 19 Pages

    Medieval Era Chapter 1 Outline

    o 2. A popular technique was imitative polyphony (musical motives wandering from vocal line to vocal line within the texture imitating one another so that the same theme or motive was heard now in one voice, then in another, and so on throughout the piece.) 1:68…

    • 4678 Words
    • 19 Pages
    Powerful Essays
    Read More
  • Good Essays

    Krenek - Suite for Violoncello Solo
    • 587 Words
    • 3 Pages

    Krenek - Suite for Violoncello Solo

    at the State School for Music in Berlin; during this time, he also met Eduard Erdmann ,…

    • 587 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Isorhythmic Motet: Taleas A-I And B
    • 559 Words
    • 3 Pages

    Isorhythmic Motet: Taleas A-I And B

    There were a total of five separate talea consisting of three colores. The first three talea were in 3/2 time and the final two were in 6/8. Taleas A-I and B-I share the same color, while A-III and B-III also share the same color. A-II had the only unique color. While there are no actual repetitive talea in the upper voices, there are many cyclical repeated rhythms. For example, the triplum in measures eleven through eighteen match the exact rhythm for the eight bars at measures forty-five through fifty-two. There are many repeated rhythms throughout all the parts, yet I feel that likely, most of these rhythms are repeated only due to the lack of available rhythms in this meter. As for the relation of the triplum and motetus to the tenor, there is scarcely any, if any at all. The phrasing of these upper parts seems to be random, and the pitches, while they only cover a range of a ninth in the upper part, do not cycle…

    • 559 Words
    • 3 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Week 13 discuss
    • 222 Words
    • 1 Page

    Week 13 discuss

    With the introduction of the new age of music of his time came the “emancipation” of tonality and dissonance. Schoenberg developed the “twelve-tone” system to bring order to what was leading to be chaos. For Schoenberg, realized by most of the world later, the unity provided by serialism was the purpose and meaning of what romantics had so eagerly sought after.…

    • 222 Words
    • 1 Page
    Satisfactory Essays
    Read More
  • Good Essays

    The Analysis of Mozart's "Dies Irae"
    • 720 Words
    • 3 Pages

    The Analysis of Mozart's "Dies Irae"

    The final composition of Mozart, The Requiem mass in D Minor, containing “Dies Irae,” is known to be one of his most powerful and commended works. This piece was composed in 1791 while Mozart was, unfortunately, on his death bed. However, he was unable to complete it so it was then passed on to his assistant and later finished by this man. The choral work can be very dark, for it concerns the Day of Wrath, when God will return to this earth and pass judgment on all creatures that remain, either granting them salvation or perpetual damnation to hell. This theme alone provides one with fear, thus it can be assumed that even before one listens to the mass that it will be filled with elements that evoke fear, terror, worry, and an overall sense of emotion. Mozart does just this. He portrays the “Day of Wrath” as one that no one would want to be a part of, or witness.…

    • 720 Words
    • 3 Pages
    Good Essays
    Read More
  • Satisfactory Essays

    Timeline for Music Appreciation
    • 409 Words
    • 2 Pages

    Timeline for Music Appreciation

    Time Period: Many more instruments were introduced during this time period and added a new layer to the music of this period instead of being just vocal music or church music. The rhythm of music in this period flowed gently rather than having a sharply defined beat, the melodic lines had greater rhythm independence, and the melody usually moves along a scale with few large leaps.…

    • 409 Words
    • 2 Pages
    Satisfactory Essays
    Read More
  • Better Essays

    John Corigliano
    • 1131 Words
    • 5 Pages

    John Corigliano

    Although Corigliano tends to create beautiful tonal music, he utilizes many postmodern musical characteristics used in music after 1900 such as dissonant melody and harmony. One of these features that create an unusual but pleasing effect is his method in incorporating fragment variation in harmonizing his piece. By this method, he harmonizes the same phrase in a lower pitch and different key simultaneously with the melody. Despite of its dissonant harmonic sound, one can recognize the appealing motive behind its multilayered textured which repeats in this piece. Another noticeable aspect of Corigliano music is the leaps of thirds that adds another postmodern tonality gesture to its overall outcome. Moreover, the melodic phrase of each section repeats. He has composed it in peculiar yet remarkable way using large leaps followed by small steps. This combination creates an interesting melody dynamics as well as unresolved dissonant forms that help making an anxious mood. Moreover, Corigliano uses suspended chords to create a sad and touching atmosphere. He also uses unresolved cadences to add more sensitivity to this unhappy mood. In the beginning, the piece starts at a slow rhythm but its pace increases in second…

    • 1131 Words
    • 5 Pages
    Better Essays
    Read More
  • Powerful Essays

    Mozart Research Paper
    • 1952 Words
    • 8 Pages

    Mozart Research Paper

    Even in the Nineteenth century Mozart was one of the leading Classical composers and was a master at all genres of classical music, his music was often cheerful and disorderly, but yet he could write outstanding melodies that were simple and unpretentious, which contained an unforgettable, haunting beauty. His music was greatly influenced by ‘Franz Joseph Hayden' who was one of the main influences which transformed the classical genre from little more than a divertimento of strings to music with an almost chamber music style but which gave all parts of the orchestra an equal role. His ideas not only influenced Mozart they also went on to influence ‘Ludwig Van Beethoven' who's music is not only astonishing and remarkable but is still very popular. But for what ever influential reason these composers wrote, all their musical compositions often had significant similarities, as with all classical music they were written for an orchestra, mainly full and often symphony. Many composers of the classical genre wrote music with flexible rhythm, and the symphonies they wrote were full of complicated and complex key changes, modulations and…

    • 1952 Words
    • 8 Pages
    Powerful Essays
    Read More
  • Good Essays

    Music of the Middle Ages
    • 542 Words
    • 3 Pages

    Music of the Middle Ages

    Composers used rhythm in the Middle Ages based on poetic rhythm, word flow, and the significance on each individual word.…

    • 542 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Modern Music In The Romantic Era
    • 1163 Words
    • 5 Pages

    Modern Music In The Romantic Era

    As social and political views changed throughout history, a revolution in the art world followed. Artists use their pieces to explain their point of view, this includes writers, painters, and especially musicians. The end of the French Revolution inspired hope and visions for the future, which musicians responded by entering the Romantic period. In order to compare musicians in the Romantic period and those in the modern era, we must look into the stylistic choices of individual composers.…

    • 1163 Words
    • 5 Pages
    Good Essays
    Read More

Related Topics