DATE \@ "d MMMM yyyy" 18 April 2014
Since the beginning of human existence love has earned a meaning of pure bliss and wild passion between two people that cannot be broken. Through out time the meaning of love has had its slight shifts but for the most part, maintains a positive value. In the poem “Love Should Grow Up Like a Wild Iris in the Fields,” the author, Susan Griffin expresses that this long lost concept of love is often concealed by the madness of everyday life and reality. In the poem, Griffin uses many literary elements to help convey the importance of true love. The usage of imagery, symbolism, and other literary techniques really help communicate Griffins’ meaning that love is not joyous and blissful as its ‘s commonly portrayed but often broken by the problems in our everyday lives.
Through out the whole entire poem, Griffin uses a metaphor comparing a wild iris to love. Just like a wild iris, love can grow into something so beautiful and flourish so quickly with no limits on stopping. In the start of the poem Griffin says, “”Love should grow up like a wild iris in the fields, unexpected, after a terrible storm, opening a purple mouth to the rain, with not a thought to the future, ignorant of the grass and the graveyard of leaves around, forgetting its own beginning”, meaning that love should grow with no domestication and no boundaries just like a wild iris after a terrible storm (1-5). By using this metaphor the reader can really understand the value that love should flourish beautifully with no worries about its surroundings just as a wild iris does in an open field. This really gives the reader a mental image to help really grasp the emotional significance of how spontaneous and wild love should be.
In the second stanza Griffin introduces the reality of love. She uses symbolism and imagery to really portray how love is often neglected by the realities of everyday life. She starts the stanza with, “Love more often is to be found in kitchens at the dinner hour, tired out and hungry,” which gives the reader a completely different feeling in comparison to the metaphor with the iris growing in the wild fields (8-9). Dinnertime is often portrayed as “time with family”, but Griffin follows that line with, “tired out and hungry” giving the reader gets a negative connotation (9). Griffin is suggesting that love is “more often” to be portrayed to be this feeling of bliss but is really over powered by the problems of everyday life such as exhaustion and hunger to name the simplest. Love is not just represented by a marriage; you must fall in love with one another and continue that feeling but often times that is forgotten due to the common roadblocks in life. In the second stanza, Griffin portrays love as “houses where the walls record movements”, while in comparison to the wild iris whose love blossoms uncontrollably which cannot even be kept in a place with confined space without overgrowing (9-10). This could symbolize that love cannot be suffocated or have boundaries and like an iris you must let love takes its course. The author continues to compare love to a house “while the cook is probably angry, and the ingredients of the meal are budgeted, while a child cries feed me now and her mother not quite hysterical says over and over, wait just a bit”, which really gives of a sense of turmoil after reading through it (11-13). Every situation the author talks about above is everyday stressor that couples in love commonly fight about whether it’s from budget to infants. For example, normally a happy wife enjoys cooking for the family and feeding the kids. Happy and joyous feelings are usually associated with this event. Griffin explains the cook as “angry…while the child cries feed me now”, giving off a very undesirable tone which can relate to how the burn for your partners love is often overpowered by the pandemonium of peoples...
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