Literature's Ancestral House: Another Look At 'The Yellow Wallpaper'

Haney‐Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at ‘The Yellow Wallpaper’." Women's Studies: An Interdisciplinary Journal 12.2 (fall 1986): 113-128. Print.
In Janice Haney-Peritz's " “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper", she tells that until 1973, Gilman's story was not seen with a women's activist standpoint. "The Yellow Wallpaper" was misjudged and overlooked when it was distributed. The patriarchal dispositions of men in this time frequently left ladies feeling they had no voice and were caught in their circumstances. Albeit initially translated as a frightfulness of madness, this underlying point of view misses the expansive, provocative women's activist development that Gilman upheld. With the adjustments in context, after some time this work has come to have a voice for ladies and the spouse wife relationship through the subject of woman's rights.
Johnson, Greg. "Gilman's Gothic Allegory: Rage and Redemption in ‘The Yellow Wallpaper’."
Studies in Short Fiction 26.4 (fall 1989): 521-530. Print.
Greg Johnson's work contends that the genuine topic of The Yellow Wallpaper is the quelled fierceness of a nineteenth century lady who is liable to the patriarchal society of her time, and the
The article by Conrad Shumaker states that the backdrop really speaks to the life and activities of the storyteller herself. This piece investigates "The Yellow Wallpaper" and discusses how every character has impact in the storyteller's ailment. It likewise talks about the parts of the male figure in the family and the female figure. John is the "sane specialist and [the narrator] the innovative spouse". This will help in the paper while talking about how the general population added to her going insane and how she made herself go insane