Topics: Love, Character, Protagonist Pages: 7 (2235 words) Published: March 1, 2013
3 Types of Modern Drama
Romantic-  are love stories recorded in visual media for broadcast in theatres and on television that focus on passion, emotion, and the affectionate involvement of the main characters and the journey that their love takes through courtship or marriage. Romance films make the love story or the search for love the main plot focus. Occasionally, lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family that threaten to break their union of love. As in all romantic relationships, tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films.[1] Romantic films often explore the essential themes of love at first sight, young with older love, unrequited love, obsessive love, sentimental love, spiritual love, forbidden love, sexual and passionate love, sacrificial love explosive and destructive love, and tragic love. Romantic films serve as great escapes and fantasies for viewers, especially if the two people finally overcome their difficulties, declare their love, and experience life "happily ever after", implied by a reunion and final kiss. In romantic television series, the development of such relationships may play out over many episodes, and different characters may become intertwined in different romantic arcs.

Realistic- people move and talk in a manner similar to our everyday behaviour. * Tries to be as close to reality as possible.
* Style and drama refers to the manner a theatre piece is performed. * Method style acting with detailed stages.

Symbolic- The use of symbol in dramatic performance can be one of the simplest and also most complicated of all techniques. Essentially, symbolism implies a greater meaning than the literal suggestion. Props are the easiest to work with because objects in everyday life are symbols in society (for example a rose symbolises love; a cross symbolises Christianity). Symbols can also be found in the use of colour. We often symbolise purple with royalty, red with anger or desire, black with evil and darkness or white with purity and innocence. Colour association can be worthwhile symbols with costumes, sets and props. But the most sophisticated use of symbol occurs with the application of gesture and movement. A particular gesture performed by a character early in a performance can be repeated later under different circumstances (context) and have a very different meaning. Used only once, a gesture can also be a powerful symbol. Of course, all of the above examples can be combined for better effect. * A symbol implies a greater meaning than the literal suggestion and is usually used to represent something other than what it is at face value. Symbolism in the theatre can be achieved via characters, colour, movement, costume and props. * Symbolism in art implied a higher, more spiritual existence and aimed to express emotional experiences by visual means.

Essential Elements of a Short Story
Character- A character is a person, or sometimes even an animal, who takes part in the action of a short story or other literary work. Setting- The setting of a short story is the time and place in which it happens. Authors often use descriptions of landscape, scenery, buildings, seasons or weather to provide a strong sense of setting. Plot- A plot is a series of events and character actions that relate to the central conflict. Conflict- The conflict is a struggle between two people or things in a short story. The main character is usually on one side of the central conflict. On the other side, the main character may struggle against another important character, against the forces of nature, against society, or even against something inside him or herself (feelings, emotions, illness). Theme- The theme is the central idea or belief in a short story.

Annie Grace G. Tingson

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