Preview

Leonard Bernstein

Powerful Essays
Open Document
Open Document
2025 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Leonard Bernstein
Leonard Bernstein was a very extraordinary person. He was among the first conductors to be born and educated in America. A truly inspirational man, who accomplished an astonishing amount during his career. His achievements in conducting, composing and teaching helped establish American artists in a largely dominated European field. A true creator, Bernstein was able to achieve great success in many areas of music. His compositions varied throughout his life from; symphonies, musical theatre, ballet, chorales, solo pieces and song cycles. He was a gifted teacher, using his talent to educate many millions of people through his television career, which was aided by his charismatic persona, charm, and his infectious love of all things musical. The first American born and raised conductor of the New York Philharmonic, Bernstein was an international star, guest conducting for the Vienna Phil., London SO and Bavarian RSO to name a few. His contribution to American music is a colossal achievement, and he has left behind him a catalogue of work that will be loved, listened, studied and inspire others for generations to come.

Born in Lawrence, Massachusetts, USA, on August 25th 1918. Bernstein was a celebrity in post world war II New York, and around the world. Conductor, composer, pianist, author, educator, Bernstein was truly an all round musical talent. Bernstein did not come from a musical family, his father was a successful business man, supplying beauty and barber shop supplies. He first developed an interest in music when his aunt’s piano was brought into the Bernstein family home. Bernstein played the piano by ear before his first noted piano teacher and later assistant Helen Coates began to teach him after Bernstein approached her then boss which she was assistant to, Heinrich Gebhard who was one of Boston’s most influential teachers and pianists. His family accepted there sons flare for music and embraced it even though it was looked on as an uncertain



Bibliography: Alan Conrad, Jon, "West Side Story." (The New Grove Dictionary of Opera. Ed. Stanley Sadie. Grove Music Online. Oxford Music Online. Oxford University Press). Web. 28 Mar. 2013. Austin, William W., Music in the 20th Century (W.W. Norton and Company, 1966) Blunnie, Roisin, Lecture Notes Gutmann, Peter, Leonard Bernstein, A total embrace of music, (Classic Notes, 1995.) Laird, Paul R Larkin, Colin "Bernstein, Leonard." Encyclopedia of Popular Music, 4th ed. (Oxford Music Online. Oxford University Press). Web. 26 Mar. 2013. Lebrecht, Norman, The Companion to the 20th Century Music,( Simon & Schuster LTD 1992) p. 36. [ 2 ]. Larkin, Colin "Bernstein, Leonard." Encyclopedia of Popular Music, 4th ed. (Oxford Music Online. Oxford University Press). Web. 26 Mar. 2013. [ 3 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 4 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 5 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 6 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 7 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 8 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 9 ]. Rozen, Brian D. Leonard Bernstein’s Educational Legacy,( Music Educators Journal , Vol. 78, No. 1, Special Focus: School Restructuring and Music Education Sep., 1991), pp. 43-46 [ 10 ] [ 11 ]. Rozen, Brian D. Leonard Bernstein’s Educational Legacy,( Music Educators Journal , Vol. 78, No. 1, Special Focus: School Restructuring and Music Education Sep., 1991), pp. 43-46 [ 12 ] [ 13 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 14 ]. Gutmann, Peter, Leonard Bernstein, A total embrace of music, (Classic Notes, 1995.) http://www.classicalnotes.net/features/bernstein.html [ 15 ] [ 16 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 17 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 20 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013. [ 21 ]. Alan Conrad, Jon,  "West Side Story." (The New Grove Dictionary of Opera. Ed. Stanley Sadie.Grove Music Online. Oxford Music Online. Oxford University Press). Web. 28 Mar. 2013. [ 22 ]. Alan Conrad, Jon "West Side Story." (The New Grove Dictionary of Opera. Ed. Stanley Sadie.Grove Music Online. Oxford Music Online. Oxford University Press.) Web. 28 Mar. 2013. [ 23 ]. Alan Conrad, Jon, "West Side Story." (The New Grove Dictionary of Opera. Ed. Stanley Sadie.Grove Music Online. Oxford Music Online. Oxford University Press.) Web. 28 Mar. 2013. [ 24 ]. Lebrecht, Norman, The Companion to the 20th Century Music,( Simon & Schuster LTD 1992) p. 36. [ 25 ]. Laird, Paul R. and Schiff, David. "Bernstein, Leonard." (Grove Music Online. Oxford Music Online.Oxford University Press). Web. 26 Mar. 2013.

You May Also Find These Documents Helpful

  • Better Essays

    Unit 4 Assignment

    • 894 Words
    • 4 Pages

    | Unit 4 Assignment | Music | | HU300-18: Arts and HumanitiesProfessor Elder | Brittney Hirschauer…

    • 894 Words
    • 4 Pages
    Better Essays
  • Satisfactory Essays

    Homework Questions 2 2

    • 389 Words
    • 2 Pages

    - 2. What famous literary works became the basis for Romantic operas? Chapter 35, p. 299…

    • 389 Words
    • 2 Pages
    Satisfactory Essays
  • Best Essays

    Bibliography: Arnold Whittall (2003). Exploring Twentieth-Century Music. New York: Cambridge University press. 21-26. Ben Kettlewell (2001). Electronic Music Pioneers. Vallejo: Course Technology Inc. 54-57, 77-93. Ethan Haimo (2009). Schoenberg’s Transformation of Musical Language. New York: Cambridge University Press. 1-8. Hans-Joachim Braun (2002). Music and Technology in the Twentieth Century. 2nd ed. United States of America: The Johns Hopkins University Press. 47-55. Joan Peyser (1993). Twentieth Century Music The sense behind the sound. New York: Pro Am Music Resources. 21-34, 63-71. Karl H. Worner (1973). Stockhausen life and work. London: Faber and Faber Limited. 118-154. Paul Griffiths (1981). Modern Music The avant garde since 1945. London: J. M. Dent & Sons Ltd. 13-31, 34-51.…

    • 2634 Words
    • 11 Pages
    Best Essays
  • Good Essays

    American Composer Leonard Bernstein In this paper we will compare two compositions by composer, conductor, pianist, Leonard Bernstein (1918-1990). Bernstein was born in Massachusetts to a Russian Jewish family and began playing and taking music lessons at a young age. He went on to study music at Harvard and Curtis Institute of Music (Seldes Web).…

    • 651 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    the World of Music. Allegro Publishing Company, 1991. Magee, Bryan. Aspects of Wagner. New York: Oxford Paperbacks, 1988.…

    • 2057 Words
    • 9 Pages
    Powerful Essays
  • Better Essays

    Cited: Bernstein, Leonard. The Joy of Music. Pompton Plains: Amadeus Press, LLC, 1959. Print. Carnegie Hall Corporation. "The "Serious" Side of Music." 2001-2008. Carnegie Hall Corporation. Web. 10 June 2010.…

    • 2158 Words
    • 9 Pages
    Better Essays
  • Good Essays

    Brahms Research Paper

    • 896 Words
    • 4 Pages

    Bibliography: Bade, Dennis. Los Angeles Philharmonic Association. Last modified 10/2012. Accessed March 15, 2013. http://www.laphil.com/philpedia/music/symphony-no-1-johannes-brahms.…

    • 896 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Leonard Bernstein

    • 2184 Words
    • 9 Pages

    Leonard Bernstein June 18, 2011 Introduction to art, music and literature Professor Terry Hammons Final Exam…

    • 2184 Words
    • 9 Pages
    Better Essays
  • Powerful Essays

    Shostakovich

    • 3111 Words
    • 13 Pages

    Cited: Blokker, Roy, and Robert Dearling. The Music of Dmitri Shostakovich: The Symphonies. London: Associated University Press, 1979.…

    • 3111 Words
    • 13 Pages
    Powerful Essays
  • Better Essays

    John Corigliano

    • 1131 Words
    • 5 Pages

    Music Research Paper Music after 1900 [pic] Artwork by Remedios Varo Twentieth century music has been under lots of changes since its starting point. Inventions of electronic devices, using dissonance and silence, and creating new instruments have had a big impact on modern and postmodern music. In this essay, I will analyze two of the twentieth century musical pieces and highlight what I like or dislike about them.…

    • 1131 Words
    • 5 Pages
    Better Essays
  • Good Essays

    I got the opportunity to explore three different editions of this excerpt and hope to bring out the pros and cons while comparing them to the Edwin F.Kalmus bassoon part and score marked by Leonard Bernstein…

    • 579 Words
    • 3 Pages
    Good Essays
  • Good Essays

    20th century orchestral music encompasses orchestral works, concertos, ballets and symphonies that have been written and performed since 1900. This era had no particular dominant style and composers have created highly diverse kinds of music. One impressionist piece that demonstrates these characteristics is Igor Stravinsky’s Rite of Spring. Stravinsky’s Rite of Spring, The Kiss of The Earth (1913) is a pinnacle 20th century orchestral piece, which boldly rejected structured harmony and the comfort of a traditional orchestral composition (Toor, 2010). Furthermore, Stravinsky’s use of neo-classism along with complex rhythms helps to set the timbre of the piece as being both calm and chaotic. This essay will analyse and evaluate how Stravinsky’s Rite of Spring, Kiss of the Earth, experiments with the music elements duration, pitch, timbre, expressive techniques, and other compositional devices to compose a 20th century innovative work.…

    • 1110 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Exploring Music Analysis

    • 382 Words
    • 2 Pages

    Throughout the years of piano and cello practice, I never truly appreciated the musical style of the Romantic period. The dissonance created by contrasting melodies and key changes starkly contrasted the lyrical and cheerful melodies of the Baroque and Classical period. Often classical music as a genre sparks recognition of composers such as Bach, Mozart, and Beethoven – neglecting others like as Mendelssohn and Chopin. This semester, Exploring Music caused me to explore new methods of musical thought tied to the historical context of its day. In this way, I established a new appreciation for the Romantic period’s style and its less popular musicians.…

    • 382 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    The analysis is categorized in two distinct sections. The first section analyzes melodic vocabulary that is derived from the cycle of descending major thirds progressions found in the compositions of 1959 to 1960. The second section analyzes melodic vocabulary that is derived from Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns using the theoretical terminology incorporated in the treatise. Musical examples consist of patterns from the Thesaurus and excerpts from selected improvisations of John Coltrane as transcribed by Andrew White. Important scholarly contributions relevant to the subject by Carl Woideck, Lewis Porter, David Demsey, and Walt Weiskopf are…

    • 391 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    David Schulenberg, Music of the baroque (Oxford University Press 2008) -------------------------------------------- [ 1 ]. Malcolm Boyd, Oxford Composer Companions: J.S. Bach (Oxford university Press 1999) p.181…

    • 1942 Words
    • 6 Pages
    Powerful Essays