One of his ideas was to cover the sphinx with a plastic folding top. (Page 198). The great sphinx is a limestone statue that features the head of Pharaoh Khafre with the body of a lion. It was built in the Giza dessert approximately around 2500 B.C. (Page 198) Dario Camuffo concludes that the Sphinx had been severely damaged mostly by wind erosion over the past 4600 years. This explains the reasoning behind the plan to conserve the Sphinx because it loose about 3mm of its body a year. (Page 198). He also concludes that the face of the sphinx still have traces of color in which had not severely suffered from erosion so there would not be a need for much protection on the…
Not are they only made out of different material, but one has greater detail than the other. The design of both overlap within each other since their both face portraits. The Head of an Akkadian ruler is three dimensional all around and much more cleaned up, while the three dimensional of the funerary mask gives a three dimensional view on only one side and not that abstract. The texture and color of each artwork is moderately far from each other as well, the Head of an Akkadian Ruler is a medium dark bronze color and seems to be a rough texture. The Funerary Mask has a radiant color since it is made out of gold, it’s seem smoother and silky.…
After viewing the statue of Memi and Sabu and the seated statue of Gudea, some similarities can definitely be found but digging deeper, other meanings are there as well. It was common in the fourth Dynasty for sculptures and statues to be made to honor the dead or to ensure that they are well known and remembered for future generations. Many different areas of the world practiced this and hence there are quite a few styles and materials used, as well as the overall meaning and purpose of its creation.…
The fact that there is a statue of him indicates some importance and respect even if it is made of limestone (which was much easier to obtain when compared to diorite). Overall, the level of realism, materials used, and absence of certain symbols suggest that this figure was at a smaller scale in terms of authority in Ancient Egyptian…
similar examples of such adaptations – transformations, like the one of the carved Diocletian’s head with the cross engraved in its forehead. The ureus on the head of the sphinx on Gotovac House was recarved into the cross, which was, by no means, inadvertent. The ureus was the symbol of a ruler, and its destruction meant also, however symbolically, the destruction of a ruler’ very essence: his power, honour, status, and, for some, his divinity.…
To estimate the extent of weathering one must first determine how the Sphinx was made and how it originally looked. Instead of being set above ground the Sphinx sits in a hole in the ground created…
After going through the chapters of the textbook I have come across two sculptures that has both similarities and differences. In chapter three I came across the Seated Scribe, it originated in ancient Egypt and was carved in limestone. The seated scribe stood out the most because majority of the sculptures in Egypt were kings or queens standing straight up with their hands placed firmly against their sided. Instead, the seated scribe was very relax with his legs crossed underneath each other.…
The Sphinx actually has names from different cultures, different time periods, and different religions. Some of the other names include Abū al-Hol (Father of Terror) is what the Arabs called it (www.ancient.eu). In the 4th century AD it was called Bel-hit (The Guardian) by Christians. The name Bel-hit is still used today by the Egyptians. Egyptians today only refer to the statue as the Sphinx when discussing it with tourist (www.ancient.eu). The Egyptians of the New Kingdom of Egypt called it Horemakhet (Horus of the Horizon) (www.ancient.eu). The name Sphinx actually comes from Greek mythology. The myth it comes from is about a mythical creature with a head of a human and a body of a lion and the name Sphinx means to “strangle” because the Greek Sphinx would strangle anybody who answered her riddle incorrectly (www.ancientegyptonline.co.uk).…
Statues come in many different forms, sizes, styles, and reasons. After watching our online video and I saw a statue from “The New Kingdom” of the infamous Pharaoh Akhenaten. I was intrigued by the unusual features of this statue. They were unlike the traditional features on a statue I am accustomed to. My research was to find out a little more about this Pharaoh and why he was featured so radically different from the typical statues I was accustomed seeing from ancient times including that of ancient Egyptian tradition. I took a look at some historical facts to see if they may help put the pieces of the puzzle together.…
The comparison between the Head of Senusret III and Khafre is that they both ruled Egypt. Both sculptures where found in temple where their tombs were located. Also, their sculptures were use as The differences between the Head of Senusret III and Khafre is that they were made in different time periods. The first phot which is the Head of Senusret III was made during the Middle Kingdom and the photo, Khafre was made in the Old Kingdom. Even though Senusret III and Khafre were both pharaohs of Egypt, both on them ruled different years. Khafre ruled in approximately from 2529-2494 BCE and Senusret III ruled from 1836-1818 BCE. Based on looking at the photos can see a lot of differences between the two sculptures. Senusret III is much smaller in size than Khafre. Senusret…
Before I watch the documentary, I did not know why the Sphinx’s head was built as a human’s figure and the body as an animal’s figure. Because, usually god’s figures in Egyptians look the opposite. Those figures have animal heads and human bodies. Therefore, I wandered why the Sphinx made look differently from other figures…
1. Egyptians portrayed the human body in a way which was to show each part from its clearest angle. The chest was portrayed frontally so as to demonstrate its “v” shape while the face is shown from a profile view, although the eyes look straight on. Legs and feet are also shown sideways. The style lasted 3000 years and hasn't changed because of the grid system found on an unfinished wall of the tomb of a priest named Ramose which served as a template for each work. There, the figure was 19 squares tall, the feet 2.5 squares long and the pupils are one square off the center line. This grid was applied to other pieces all over Egypt and was found that they all fit the grid. Clearly, Egyptian societies did not want the portrayed image to change as they were about preservation.…
Mesopotamian and Egyptian architectural monumental structures were different. Mesopotamia had monumental structures called Ziggurats. These ziggurats were used to worship their gods. Ziggurats were shaped like squares. The height of the structure meant that you were closer to god. These structures were in every city state. The ziggurats were open to all of the different social classes. The Egyptians had Pyramids. Pyramids were used as tombs for their pharaohs. These were shaped like…
There are many fascinating facets from the way Egyptians lived from the building of the pyramids to the burial of their leaders. It amazes me to know a society can build such structures without the modern day machinery that we have today. The passion they had for life and displaying that in the way they lived as written on the walls of their pyramids. One of the inaccuracies of these images is they are exactly the same. All the figures have the same body structure and build. Male and female resemble each other in such a way that the only way to tell them apart is by their facial hair. All of the images are depicted facing to the right or left and having the same size. This is still a mystery as to why their depiction of their people is of this nature.…
The Sphinx is one of the major features in Khafre's funerary complex. Sphinxes often lined avenues leading to temples. (Encyclopedia, Sphinx, 780). The Sphinx is said to be an imagery creature of ancient myths. The sphinx seems to guard Khafre's funerary complex as it looks toward the rising sun. (Rossi, 95). Most Sphinxes were constructed to honor a king or a queen.…