Preview

L 'Apres-Midi D' Un Fawn By Claude Debussy

Good Essays
Open Document
Open Document
148 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
L 'Apres-Midi D' Un Fawn By Claude Debussy
According to the Humanistic Tradition book, Claude Debussy had engaged through a nuance in the art movement. In the music, he composed harmony and a tone that can be grasp people imaginary into forming painting and poetry. He made a great accomplishment and found inspiration in contemporary poetry and painting. According to the Humanistic Tradition book, it stated that his first orchestra prelude to “The afternoon of a Fawn”(1894) ‘ a very free illustration of Mallarme’s beautiful poem”. He produced a ten-minute orchestral prelude that attracts the quality, sense of dreamlike in the poem.

Mallarmé had written a poem, ‘L’Apres-midi d’un Faune’ inspired Debussy in music orchestra which turns out to be the most famous history orchestral

You May Also Find These Documents Helpful

  • Good Essays

    Francesco was the leader of the first school of fontainebleau. he was not the first artist to work on the project In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio . Rosso died in France in 1540. On the advice of Primaticcio, Niccolò dell'Abate was invited to France in 1552 by François's son Henri II. Although known for their work at Fontainebleau, these artists were also invited to create works of art for other noble families of the period and were much esteemed and well-paid.The works…

    • 180 Words
    • 1 Page
    Good Essays
  • Good Essays

    The investigation of Prélude a l'après midi d'un Faune and Salome reveals the surface similarities in which Strauss and Debussy treat extended tonality. However, on a fundamental level, the use of non-functional tonality is very different in both works. Debussy’s impressionistic style of using harmonies for colouristic purposes counteracts the Strauss’ use of consonance to contrast the dissonances within his work. These…

    • 1165 Words
    • 5 Pages
    Good Essays
  • Better Essays

    Debussy is one of the world’s most valued composers due to his play with extended tonality; his pieces can transport the listener from a winter-stricken forest to a far away land in Eastern Asia. Whether composing for piano or an entire orchestra, Debussy can bring to life any scene with his beautiful music. One such composition, Syrinx, was a major turning point in flute literature when written. Being the first major solo composition for flute since C.P.E. Bach, the piece greatly influenced how solo literature for flute was written in the 20th century. The piece, written as an incidental to an unfinished play by Mourey, is about the Greek God Pan’s pursuit in his love for Syrinx. When pursued by Pan, Syrinx pleads to the river nymphs for…

    • 1328 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Despereaux Theme

    • 307 Words
    • 2 Pages

    The Tale of Despereaux by Kate DiCamillo is a about a nonconformist small mouse named Despereaux who falls in love with a Princess in a French Castle during medieval times, and all of his problems stem from him being different from other mice, in the castle. This novel is for reader 9-12 and is a fantasy. This allows the author to have talking rodents that could communicate with humans. It allows the author to explore the theme of light and darkness and what these themes mean to each character.…

    • 307 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In August of 1563, Michel de Montaigne, the famous French essayist, was introduced to three Brazilian cannibals who were visiting Europe, at the invitation of King Charles the Ninth. The three men had never before left Brazil, had just been subjected to a long interrogation by the king. They have surely had a severe case of culture shock. However, they had enough energy to respond to the questions of Montaigne, about what they thought of their new surroundings. they looked on European society with such fresh eyes, their observations make the familiar seem ridiculous.…

    • 672 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Despite dance being the primary subject, it is necessary to note the orchestra’s performance of Tchaikovsky’s compositions. The orchestra consisted…

    • 802 Words
    • 4 Pages
    Good Essays
  • Good Essays

    This piece is based on a legend. The first chord of the piece is made up of sonorous Gs and Ds. It was published in 1910 as the tenth prelude in Debussy’s first of two volumes of twelve piano preludes each. I loved this piece only because it’s a piano, soft melody that I felt I could just fall asllep to.…

    • 418 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In Kate Chopin’s short story The Storm, the main character is Calixta. Calixta is the wife of Bobinot and the mother of Bibi. When the storm hits, Alcee, one of Calixta’s ex lovers, stops by to get out of the bad weather. As the story develops they reignite some of their old passion for one another but quickly realize after the storm is gone they must part ways. Calixta is a hard working wife and mother and she does her best to keep her house clean and her family happy.…

    • 624 Words
    • 3 Pages
    Good Essays
  • Good Essays

    This can be seen through his musical patterns, which feature prominent fragmentation as well as a feeling of disintegration. Although his worldview was flawed, his music is still beautiful in its own unique, original way. As an artist, Debussy was a product of the Symbolist movement, which was led by the writings of Edgar Allen Poe, the poetry of Voltaire, Baudelaire, and Stephen Mallarme. Their movement influenced Debussy to think of his music as hinting rather than stating, with vague, tonal colors taking the place of logical development. Debussy’s 1900Three Nocturnes were performed with great success. Specifically, the nocturnes Nuages (clouds), Fetes (festivals), and Sirenes (sirens) were related to the works and ideals of Monet, Renoir, and Turner, respectively. Debussy’s first major orchestra, Prelude to the Afternoon of a Faun, helped to fully develop his style. It evokes a sense of summer warmth through its color, mood, and harmonic richness. The La Mer of 1905 is one of Debussy’s true masterpieces. It represents the three aspects of the sea; “The Sea from Dawn until Noon”, “Sport of the Waves, and “Dialogue of the Wind and the Sea.” The sound is transparent as well as…

    • 370 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Both, became very popular. The Predule to the Afternoon of the Faunt was completed in the 1894. This composition was considered as an example of the musical impressionism. Debussy, was the first to introduced the impressionism at the end of the 19th century. This style, became popular in the early of 20th century. The Predule to the Afternoon of the Faunt, was about a Faun that woke up to adore the nymphs. He thought, they were not real because they were so perfect to be a reality. The Faun, was feeling lonely and the nymphs were the only women that he felt in company with. Debussy, began the opera with a flute melody, that evokes a peaceful environment. Further, he added more sounds such as horns, clarinets, and harp. These instruments, complemented the purpose of the work. I must say that the flute was the main instrument because it contributed to a develop of a new style in the art of music. Debussy, also implemented different themes with rising and falling tones. This work, is considered as one of the most important work that Debussy have had done and also an influence in the 20th century because it contributed to the beginning of the modern…

    • 1116 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Concert Attendance Paper

    • 2373 Words
    • 10 Pages

    On Sunday, 14 October, Jeffrey Phelps, cello and Lee Jordan-Anders, piano, performed Ludwig van Beethoven’s Sonata in A Major, Opus 69 (1808) and Claude Debussy’s Sonata (1915) at Trinity Methodist Church in Smithfield Virginia. After the introduction of the performers we were asked to hold all applause until the end of each piece. The first Sonata by Beethoven bears the heading of Inter Lacrimas et Luctum, meaning “Amid Tears and Sorrow.”…

    • 2373 Words
    • 10 Pages
    Good Essays
  • Good Essays

    As social and political views changed throughout history, a revolution in the art world followed. Artists use their pieces to explain their point of view, this includes writers, painters, and especially musicians. The end of the French Revolution inspired hope and visions for the future, which musicians responded by entering the Romantic period. In order to compare musicians in the Romantic period and those in the modern era, we must look into the stylistic choices of individual composers.…

    • 1163 Words
    • 5 Pages
    Good Essays
  • Good Essays

    In the feminist bildungsroman The Awakening (1899), Kate Chopin highlights the internal struggles of a Victorian woman restricted from achieving artistic, financial, and sexual freedom due to conventional gender roles and expectations imposed upon her by society. The author explores the journey of Edna Pontellier, a dissatisfied Protestant wife living in the Creole society of late - nineteenth century New Orleans. The protagonist is on a quest to reclaim independence and unity with herself. Along this arduous spiritual trek, Edna is influenced by Adele Ratignolle, a loving and dedicated Creole wife representing the ideal traditional woman, and Mademoiselle Reisz, a recluse who follows her own desires and is often seen as rebellious to the image…

    • 1107 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Chopin's The Awakening

    • 647 Words
    • 3 Pages

    What started as a solitary leaf dancing in the wind quickly evolved, becoming a thunderous beast smashing against the entrance to the dank cellar I found myself in, deep in the rolling plains of Poland. The wind conveyed to me a sense of indignation, and at the same time, isolation. I could feel the wind stinging across my face, leaving me shivering and anxious. With a final, abrupt roar of the wind, I was ripped from my fictitious cellar, back into the closed confines of my room in Long Island. Chopin’s Etude Opus 25 No. 11, the “Winter Wind” Etude. Listening to it, imagining the environment that Chopin matured in becomes effortless. His numerous pieces can, like the “Winter Wind” Etude, instill a myriad of emotions in the listener; his “Revolutionary”…

    • 647 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Written 1887 by Camille Saint-Saëns, the work for solo horn and piano was written first, the edition for solo horn and orchestra was developed later. The style is classical with hints of Romanticism. The form of the first movement is theme and variation, there are two themes that Saint-Saëns introduces and then develops from an eighth note pattern into a triplet pattern, and then into a sixteenth-note pattern. This is a piece that I am playing for juries and my lesson teacher has encouraged me to come up with a storyline and characters to convey in a performance. I feel like the initial theme is very masculine and powerful because it is forte and heavily accented. The second theme is very feminine because it is a little softer dynamically; less articulated while graceful and fluid. The variations (both first and second variations) are separated by a recapitulation from the original theme by the accompaniment. The first variation is the first theme in a triplet rhythm, followed by the second theme in a triplet rhythm. The volume is softer in this section and the articulations are softer and more connected than the original theme. In this variation there are hints to the major key but it does not fully transition. For the second variation the dynamic returns to forte and the articulation is tonged, but not heavy. Key notes from the original theme have more value to indicate the first theme between the scale and arpeggio variations. The piece ends with a final recapitulation from the piano and then a coda that slows and transitions into the romantic second movement. Overall the piece contrasts the idea of power and grace in the first movement, love and romance in the second, and harmony and fanfare in the third.…

    • 468 Words
    • 2 Pages
    Good Essays