Area of Study Essay- Journeys
The Oxford Dictionary defines Journey as “an act of travelling from one place to another”; this could, of course, be taken literally. Instead, why not think of “places” as emotional or mental situations? So you take a journey between different emotional states. “The journey, not the arrival, matters.” This statement is correct for all four texts I will be discussing. The journey is more important than the arrival because it is the journey that makes people who they are. On a life journey there are tipping points that define who we become. On our life journey, what is the end, death or something beyond? What significance does death have to the person you have become? Nothing; in death we look back at who we’ve become, but we have become like that, not because of the situation that you are in at that moment in time, but the choices or paths that we took on our life journey. A life journey has bumps and dips that can sometimes feel like mountains or craters as deep as hell, but the journey will always continue. It could be argued that we never really have a specific arrival point in the journey, but have multiple points of arrival and departures. Does a life journey ever really end? The journeys that are shown in the texts are inner journeys (spiritual, mental and emotional) that revolve around certain significant points in the subject’s life journey. The four texts that will be compared are; “God’s Grandeur”-Gerald Manley Hopkins, “I wake and feel the fell and dark, not day”-Gerald Manley Hopkins, “Reign Over Me” written and directed by Mike Binder and a visual representation of journey.
“God’s Grandeur” contains a significant inner journey. In the first four lines of the octet Hopkins describes a natural world through which God’s presence runs like an electrical current. Alternatively in the last four lines of the octet he talks about how humans are robbed of their sensitivity to the beauty of what is left in nature, people have become unaware of the wonders of the world around them. The sestet shifts in argument again, even though humans do not realise it, nature continuously offers the potential of power and re-birth. Hopkins is in awe of the beauty of God’s presence all around him. Hopkins uses a metaphor of God’s grandeur as an electric force. This suggests an undercurrent that is not always seen, but which builds up as a tension or pressure that occasionally flashes out in ways that can be both brilliant and dangerous. In this moment Hopkins is amazed at how rich and full of life God can make him, Hopkins emotions peak at a high at this point in time. Hopkins uses repartition of the word “trod” and triple rhyming words; “... have trod, have trod, have trod, all is seared with trade bleared and smeared with toil” to emphasis the struggle of humans, continuous journey, they have been on a journey for so long that they can’t see God clearly anymore, and the use of the word “smeared” is to exaggerate the same thing again, the screen between God and humans is getting murky and dirty, not easy to see through, so they are losing contact. . Hopkins is disappointed that humans have destroyed the land by building factories. Seeing this makes Hopkins sad and sorrowful. Again Hopkins emotions drop wildly when he realizes that man does not recognize His power and the beauty of nature; “....the soil is bare now, nor foot can feel, being shod.” This may mean that because humans are wearing shoes we are disconnected to nature, and we cannot feel God’s presence because we have a barrier between us and the earth. Humans have been cutting down trees and ruining the Earth for centuries, we have made the soil bare. Once Hopkins realizes that humans have stopped being one with nature, it made him almost annoyed that we can just ignore God’s presence. Hopkins spirits are finally lifted again when he notices that there will always be the promise of re-birth, new life and “dearest freshness”. In the last...
Please join StudyMode to read the full document