Jennifer Walshe

Topics: Music, Dublin, Musical notation Pages: 5 (1601 words) Published: December 3, 2013
Jennifer Walshe - Artist Examination

A Backround
Jennifer Walshe, a Dublin born girl in 1974, has made quite the name for herself as an artist. She dabbles in many many types of art form. She is a singer, a composer, a vocalist, an experimenter and much more. She studied composition with John Maxwell Geddes at the Royal Scottish Academy of Music and Drama, Kevin Volans in Dublin and graduated from Northwestern University, Chicago, with a doctoral degree in composition in June 2002. Her chief teachers at Northwestern were Amnon Wolman and Michael Pisaro. Jennifer has won many prizes including, the Kranichsteiner Musikpreis, Praetorius Music Prize and a grant from the Foundation for Contemporary Arts, New York. She has also completed many residencies in places such as: In Context 3, Fondazione, DAAD Berliner Künstlerprogramm. Jennifer’s work has been performed and broadcast all over the world by ensembles such as Alter Ego, ensemble récherche, the National Symphony Orchestra of Ireland, Orchestra Sinfonica del Teatro La Fenice, Solistenensemble Kaleidoskop, Ensemble Resonanz, Apartment House, ensemble Intégrales, Neue Vocalsolisten Stuttgart, Stuttgarter Kammerorchester, Schlagquartett Köln, Crash Ensemble, Con Tempo Quartet, ensemble ascolta, Champ d’Action, ensemble laboratorium, ensemble ]h[iatus, ensemble surplus, trio nexus, the Rilke Ensemble, the Irish Chamber Orchestra, the Irish Youth Wind Ensemble, Bozzini Quartet, Callino Quartet, Ensemble 2000, Concorde, Kaleidoscop, Black Hair, Continuum, Ensemble Musica Nova, ensemble chronophonie, the Scottish Chamber Orchestra Wind Quintet, the Hebrides Ensemble, Psappha, and Q-02 among others.

As a composer, and as a vocalist Jennifer also specialises in extended techniques within the two. Many of Jennifers recent compositions were commissioned for her voice in juxtaposition with other instruments, and her works have been performed by her and others all over the world at festivals such as 'RTÉ Living Music (Dublin), Båstad Kammarmusik Festival (Sweden), Maerzmuzik (Berlin), Ultraschall (Berlin), Transit (Leuven), Ars Musica (Brussels), Ultima (Norway), Borealis (Norway), Experimental Intermedia (New York), November Music (Holland), All Tomorrow’s Parties (UK), Steirischer Herbst, Wien Modern, Wittener Tage für neue Kammermusik, Donaueschinger Musiktagen, the Huddersfield Contemporary Music Festival, Late Music Festival (York), Hamburger Klangwerktage, Gaida (Lithuania), BMIC Cutting Edge, Composer’s Choice (Dublin), SoundField (Chicago) the Internationale Ferienkurse für Neue Musik Darmstadt, Stockholm New Music, BELEF (Belgrade), Traiettorie (Parma), Cut & Splice (London), Lucerne Festival (Switzerland), SPOR (Denmark), Frau Musica Nova (Cologne), Performa (New York), Electric Eclectics (Canada), Dresdener Tage der zeitgenössischen Musik, Reihe 0 (Austria), Stimme+ (ZKM, Karlsruhe) and Music at the Anthology (New York)' - [http://www.milker.org/personnel/per_dir.html. 2008. personnel. [ONLINE] Available at:http://www.milker.org/personnel/per_dir.html. [Accessed 28 October 13 .

Graphic Scores
I have chosen to focus on her graphic score work. A graphic score, quite like a traditional music score, is a way of notating music. But a graphic score has quite a considerable difference. Anything and everything can be used, to the content of the composer. Below is an example:

A graphic score can be written for any number and any sort of instrument but Jennifer, as a vocalist, focuses on compositions for the voice. A compositon on a graphic score is represented visually on a page. It can be represented using any combination of shapes or markings (this includes text). With vocal compositions, what is usually considered before beginning is the voice, throat, teeth, muscles, tongue and breath. Voice is more than ‘La la la’. A composer, can be abstract, can be strict or can be both these things. There is no either/or. The piece can be as complicated as they...

References: [http://www.milker.org/personnel/per_dir.html. 2008. personnel. [ONLINE] Available at:http://www.milker.org/personnel/per_dir.html. [Accessed 28 October 13 .
{Walshe, J. (unknown). My Extensive Relationship with Mr. Stephen Patrick M. Available: http://www.milker.org/notation/ext_rel.html. Last accessed 29th October.}
{Walshe, J. (unknown).Various external notations. Available: http://www.milker.org/notation/tyroneguthrie/tyroneguthrie.html. Last accessed 29th October.}
[http://www.milker.org/personnel/per_dir.html. 2008. personnel. [ONLINE] Available at:http://www.milker.org/personnel/per_dir.html. [Accessed 28 October 13 .
(-2009). Grupát by Jennifer Walshe. Available: http://www.southdublin.ie/artsworks/viewwork.aspx?id=22. Last accessed 29th October 2013.}
(-2009). Grupát by Jennifer Walshe. Available: http://www.southdublin.ie/artsworks/viewwork.aspx?id=22. Last accessed 29th October 2013.}
{Jennifer Walshe}
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