She doesn’t want to condemn Rochester to further misery, and a voice within her asks, “Who in the world cares for you?” Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves…
In the end it all resumes to the requirement that Mr. Rochester be “like” Jane, only then her fulfilment of passionate love will occure…
At Thornfield, Jane has finally found someone who loves and cherishes her fervently. Jane discovered that Mr. Rochester covered up his marital status and she felt betrayed and hurt by his deceit. After deciding unbendingly to leave Thornfield and Mr. Rochester behind, in this passage, Jane bids farewell to her master though Rochester continuously pleads for her to stay. From Rochester’s speech, he finally realizes that Jane is not going to yield to his wishes from her indomitable manner, but he still yearned for her to be by his side. Rochester passionately uses anaphora to emphasize that no matter how he implored Jane to stay, he vested no power over her. Besides Jane’s thirst for approval from others, another motif in the book is that she submits to no one and sacrifices her principles for nothing, such as her rejecting St. John’s proposal of marriage. Rochester juxtaposes the Jane that loved and treasured him to the Jane that repulsed and broke free of his love with an image of a “resolute, wild, free” and triumphant creature that refuses being controlled and held captive in its cage any longer. He also confessed that although he is the master of the house, he is not able to posses Jane’s self-willed soul. Jane’s character shines as she develops into a mature woman who dictates her own destiny. She would rather break free of Rochester’s…
Rochester shows is his concern with matters of justice over matters of legality. Mr. Rochester feels that the law is restrictive and unfair to him. It does not allow him to be happy, as he is unable to marry Jane: “I invite you all to come up to the house and visit … my wife! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human” (Ch. 26, 557). Rochester acknowledges his wrong doings in accordance to the law and justifies them by complaining about his miserable life. If not stopped he would have continued with the ceremony and broken the law. In all, Brontë characterizes Rochester as being concerned with justice instead of the law, as he puts what he believes to be correct…
While Rochester is purely motivated by passion, St. John is driven pure by practicality, seeing Jane as a potentially very strong missionary. Jane, on the other hand, is repulsed by the idea of a marriage with St. John, disliking both the idea of marrying someone she considers a brother and marrying a man of St. Johns character. Bronte’s use of St John’s proposal and Jane’s disagreement shows the conflict between the interests of St. John, a devout, spiritual man, and Jane.…
John does not have feelings for her, but instead wishes to bring her as an assistant on his missionary trip to India. He reasons that, to achieve her God-given mission, “[…] you [Jane] must have a coadjutor – not a brother, that is a loose tie, but a husband. I too, do not want a sister; a sister might any day be taken away from me. I want a wife; the sole help-meet I can influence efficiently in life, and retain absolutely till death” (Brontë 470). Another difference between Mr. Rochester and St. John is their appearance. Brontë writes that Rochester had “a massive head” and “great, dark eyes” (136-137), while St. John’s face was, “like a Greek face, very pure in outline; quite a straight, classic nose; quite like an Athenian mouth and chin” (400). St. John’s face is clearly defined, almost statue-like, and appears very cold and refined, just like the “ice” that he symbolizes in the story. Similarly to how John’s sophisticated features represent his iciness, Rochester’s unconventional features, such as his heavy brow and dark eyes, represent how primitive aspect of fire. Lastly, the way they react to being rejected by Jane also illustrates that they are opposites. When Jane refused to marry Rochester because he already had a wife, he blew up in…
In particular, Jane’s conflict manifests itself in a romantic relationship between Jane and Mr. Edward Rochester, and with their eventual marriage, Jane resolves…
She impedes Jane’s happiness and her union with Rochester, but she also catalyses the growth of Jane’s self-understanding (Jane’s double, her alter ego).…
One of the main things noticed when reading the novel, Jane Eyre, is how Jane puts men and woman on the same level; she sees them as equals. “Women are supposed to be calm generally: but women feel just as men feel…” (Bronte 111). Throughout the novel, Jane always strives for equality and was even willing to give up marriage to keep it so. As Jane builds a relationship with Mr. Rochester, she begins to fall for him and vice versa. But even when Mr. Rochester asks for her to become his dearly beloved, Jane refuses until she is certain that \he intends to marry her because his “equal is here, and [his] likeness”…
Rochester explains to Jane that he felt uncomfortable with his attachment to her partially due to her social inferiority, as marrying below one’s status was very uncommon and looked down upon in the Victorian…
Seeing Rochester among his high-class houseguests, Jane realizes that he has more in common with her than he does with them. Despite Jane’s and Rochester’s different class backgrounds, their master-servant relationship, and the strict gender roles of Victorian society, Jane…
In Jane Eyre by Charlotte Bronte, Bronte’s use of foils to reveal Jane’s true character enriches the reader’s interest when reading the novel. Characters in the novel such as Georgina Reed, Blanche Ingram, Helen Burns, Bertha Mason and Mr. Rochester show a meaningful contrast to Jane’s personality.…
Although at a high social status, amongst them Rochester is an outcast. Through a large portion of the novel, Rochester remains a mysterious figure to the reader. He conceals a great portion of his life to Jane, such as Bertha. Rochester has a great distaste for normal society and lifestyle. Rochester does not marry another wealthy and beautiful female such as Lady Ingram, but instead confesses his love toward the penniless plain Jane. Both he and Jane think differently than others during the era. Jane’s feminism and Rochester‘s indifference separate them from the rest of society. Rochester…
Jane expresses her desire to be with Rochester when she says, "I'll not leave you on my own accord" (Bronte 546). This is the first time in the novel that Jane expresses content with who she is with where she is living. Jane describes her marriage by saying, "I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am" (Bronte 554). It is evident that Jane feels a close connection with Rochester, and this is one of the first times in her life that she does not feel isolated from everyone she is with.…
Throughout the novel she constantly questions the norms of 19th century women. In the novel Jane and Rochester marry out of love instead of out of convenience, which was typically unheard of in this day and time. Most marriages were to help a family get ahead financially and on the social ladder. Bertha Mason’s marriage to Mr. Rochester is typical of this marriage of convenience. Rochester marries Bertha for her money and social status. This kind of marriage, as Jane implies, is not only a “well of mystery” but also a “Bridewell,” a prison, like “a corridor in some Bluebeard’s castle” (Bronte, 108). Bertha Mason is somewhat of a sacrifice to the marriage of convenience and hence Thornfield, symbolizing this institution of marriage of convenience, must be destroyed before Jane and Rochester get…