Preview

Jack Kerouac, Allen Ginsberg And The Beat Movement

Good Essays
Open Document
Open Document
561 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Jack Kerouac, Allen Ginsberg And The Beat Movement
In 1944 Jack Kerouac, Allen Ginsberg and William Burroughs diverging paths led them to connect with each other in New York City, in order to begin what is called The Beat movement. The unexpected ingredient of each personality assisted in the precarious movement of the 1960s. Jack Kerouac originated as a skilled jock from a working class family in Massachusetts; if he had not injured his leg he may chosen to employ his scholarship to enter college as a star football player. However, that scenario was no longer viable due to his injury; lucky for Kerouac his curiosity in writing became beneficial towards his future. Allen Ginsberg originated from New Jersey raised with a father who taught high school children. William Burroughs were a great mind who journeyed through Times Square, living a free life, mainly because he was a homeless man. …show more content…
Since, they possessed an insatiable thirst for knowledge of those who culture was pegged as weird because of their skin tone, sexual preference, homeless, chronic drug use or anyone that was marginalized by society because they did not into the ideal of the American way of life, they unknowingly created movement were these marginalized people could be theirselves. Some characteristics of the Beats and their followers, were their writings tend to reek of purity, because the words spilt from their experiences, heart and mind unto a blank sheet of paper. They were overall mainly young college students, who were social outcasts, that participated in drug and alcohol use, at one point of time struggled to achieve perfection and extremely misunderstood by

You May Also Find These Documents Helpful

  • Satisfactory Essays

    • The significance of “Machito and His Afro-Cubans” was that this was the first time Africa was acknowledged publicly. The band also defined Afro-Cuban Jazz and its height to popularity.…

    • 472 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    2. Machito and the Afro-Cubans gave Africa the credit it deserved and when it became popular it even further integrated the audience. In New York there was an abundance of people to be apart of the band and to be the audience. The people who came to see Machito and the Afro-Cubans were of all races and had varied audiences. They had whites and Cubans and people of all races, but only people who understood would get their “hidden messages”. Machito and the Afro-Cubans provided a cultural bridge.…

    • 488 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    2. The mood of the “Beat Generation’ is best reflected in which Jack Kerouac’s On the Road.…

    • 1332 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    It is exceedingly interesting the way American culture is unoriginal in every way. Just about every aspect of American culture is in some way based on and/or influenced by people of another nationality as well as people of much different ethnicities than that of the typical white-protestant American. This is proven true through what Americans eat, the way they dance, and even the music they listen. Although America is the birthplace of both jazz and hip-hop, neither was really started by the average white American. But rather, both jazz’s and hip-hop’s beginnings were similarly within the underground world of Black America. The similarities between the paths of these two genres of music are uncanny, especially the way they both began as strictly for African-Americans and then slowly but surely, within the next three decades, emerged in the American mainstream via white artists to eventually be heard around the world.…

    • 811 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Kitwana states that the growing sense of alienation from mainstream America drew the first wave of white kids to Hip-Hop in 1980. Life in 1980s became hard for young whites, blacks, and Latino Americans in the working class and middle class to obtain a job, due to economic and social hardships of declining wages and decling job options due to a need for skilled workers. The upper -middle-class lifestyle remained unattainable due to the raise in educational cost making it almost impossible for middle class to afford an education. Parents were now spending more time at work so they could make ends meet and less quality time with their children. The alienated generation with less privileged white Americans opened the door for different races facing the same struggles to take refuge in hip-hops response to hard times and allowed them to go against the status quo. The government form of assistance to troubled youth was offered in medication or…

    • 697 Words
    • 3 Pages
    Good Essays
  • Good Essays

    A recent documentary by Adam Sjöberg in collaboration with rapper Nasir “Nas” Jones , chronicles the influence of breakdancing, a subset of hip hop, on young people in the slums and ghettos of Uganda, Cambodia, Yemen, and Columbia. Breakdancing is an outlet for them, just like rap is for artists in poverty. Kids from these destitute slums often turn to crime to survive and support themselves, but breakdancing serves as a community that brings them together and a universal way for them to connect. Some subjects of the documentary said, "We know we can't dance our way out of poverty, but breakdancing fills our hearts with hope…I may not have what you have, but I can do what you can do…We speak many languages around the world, but for me the language of my heart, is hip hop" (Shake the Dust). Executive producer, Nasir Jones was excited after hearing about the idea for this documentary because, "what these kids are doing around the world reminds [him] why [he] fell in love with hip-hop and how important it is as a creative and constructive outlet……

    • 1410 Words
    • 6 Pages
    Good Essays
  • Good Essays

    The Beat Generation became extremely popular during the 1950s. The word beats came from a popular beat, Jack Kerouac, and it came to mean beaten down. However, Kerouac seen the Beat Generation as people who were, “down and out, but who had intense conviction”. The Beat Generation was tired of World War II and began to challenge American culture.…

    • 304 Words
    • 2 Pages
    Good Essays
  • Good Essays

    By 1950, the mass media found an audience in mostly white popular culture. In San Francisco, New York and LA, began the beat movement that expressed the social and literary nonconformity of poets and artists. The Beatniks were their followers, they cared little for material goods and lived nonconformist lives. They used the jazz musician vocabulary and dressed differently. Men wore sandals and beards, while women didn't wear lipstick and wore black…

    • 902 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Spawn of the Beats

    • 1399 Words
    • 6 Pages

    The Beat generation of the mid twentieth century produced a culture that had a lasting effect on generations to come. In the decades following the 1950s, the Beats successors, or ‘spawn’, ranged from authors to musicians. These artists were greatly influenced by the Beat’s writings and performances, as well as by spending time with the very Beats themselves. Bob Dylan, a spawn, credited much of his early work to his readings of the Beats and his relationship with Allen Ginsberg. From his appearance, to his very poetic lyrics, Dylan appears to be just like any of the other Beats. However, what separated Dylan was his concern for those suffering around him. Ultimately, although Bob Dylan was very similar to the Beats, it was his passionate, socially conscious lyrics distinguished him.…

    • 1399 Words
    • 6 Pages
    Better Essays
  • Good Essays

    “More than simply entertainment, hip hop is a major part of contemporary identity circuits –networks of philosophies and aesthetics based on blackness, poverty, violence, power, resistance, and capitalist accumulation” (Pardue 674). Music has been a potent technique for engendering convivial vigilance throughout American history. Music simultaneously reflects trends, ideals, conditions in society, and inspires attitudinal progression and convivial change.…

    • 635 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Beat Generation Impact

    • 1165 Words
    • 5 Pages

    In its formation the understanding was that it was made of people who had been beaten down, worn out and exhausted by society however by the mid-1950s, Kerouac had stated that they were the beatific; the blessed. Therefore there is a sense even in the literal meaning of the Beat Generation of evolution and influence through time. As the times change, so does the meaning of the Beat Generation. In 1959 the American College Dictionary sent Jack Kerouac their interpretation of the ‘Beat Generation’ to be “certain members of the generation that came of age after World War II who affect detachment from moral and social forms and responsibilities supposedly due to disillusionment. Coined by Jack Kerouac”. To Jack Kerouac this was “trash” and sent back his own definition to be “beat generation, members of the generation that came of age after World War II- Korean War who join in relaxation of social and sexual tensions and espouse anti-regimentation, mystic-disaffiliation and material simplicity values, supposedly as a result of Cold War disillusionment. Coined by JK”. Kerouac’s determination of who is part of the generation seems to be universal whereas the American College Dictionary begins their definition with “certain”. A potent differentiation when looking at that wrote what; the conservative traditionalists (as the Beat Generation would deem them to be) or one of the founding three of the movement concerned. William Burroughs (another founding member) stated that the Beat Generation meant whatever you want it to mean. The single fact that there was controversy over what the Beat Generation was to people at the time gives the idea that the movement was an evolving time – changing with the tides and having the capacity for interpretation. This fact alone makes it stand that the impact of the Beat Generation was vast after World War Two. Even the American College Dictionary was attempting to define the new,…

    • 1165 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Hip Hop America

    • 538 Words
    • 3 Pages

    George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, referring…

    • 538 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Hip Hop

    • 984 Words
    • 4 Pages

    Hip-hop music had very humble beginnings in the city of Bronx, New York. In an area where arson, government neglect, and violence ran rampant, the poor youth needed to find a safe place from this madness (Change 59). Through this, they found the culture of hip-hop. Young kids in the area would pass time by rapping in a Jamaican reggae style over the beats of funky Afro-Latin beats, dancing to wild percussive beats, and spray painting (Chang 61). These innocent ways of leisure for the youth were essentially what embodied the original form of hip-hop music. Shortly after, these elements were put into the mainstream where teenagers threw parties. Not only did hip-hop music become a popular thing for teens to do, but it was also a great way to vent out anger and energy in a positive way (Chang 6). One of the biggest pioneers of the hip-hop genre in the late 70s was Afrika Bambaattaa.…

    • 984 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Towards the end of the decade, Paris was the chosen venue in Europe for this essentially nomadic movement; between 1957 and 1963, William Burroughs, Gregory Corso, Allen Ginsberg, Peter Orlovsky, Brion Gysin, and other American artists and writers lived intermittently in the so-called “Beat Hotel”, at 9 Rue Gitle-Cœur. They made contact with French artists and poets Bernard Heidsieck, Gherasim Luca and Henri Michaux, and with Jean-Jacques Lebel (one of the most active proponents of Beat culture in France) acting as…

    • 530 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Dancehall Music

    • 1842 Words
    • 8 Pages

    The purpose of this project is to investigate and expose the effects of dancehall music towards the Jamaican youth population.…

    • 1842 Words
    • 8 Pages
    Powerful Essays