Italian Baroque and English Neoclassicism
November 28, 2012
After visiting the Metropolitan Museum of Art, two rooms caught my attention. The dining room from Lansdowne House, London (dining room) reflecting the English Neoclassical style and the Bedroom from the Sagredo Palace, Venice (bedroom) illustrating the end of Italian Baroque and the beginning of the Rococo style. As this essay moves forward, a number of the characteristics of each room will be highlighted, starting off with the general space and scale of the room, moving into the ceiling, walls, floors, furniture, and art work, highlighting similar and contrasting features of each room.
Scale and Space When first entering the dining room, the space is large with a lot of room available for movement without the feeling of obstruction. It is a dining hall that allows the tenants of the Lansdowne House to host a number of public social events. This space feels like a more public space of hosted gatherings, bringing people together similar to the roman painting seen above the hearth and repeated in the plaster work on walls in the circular plaster work. However the bedroom, although is a semi-private space, where only men of great importance can enter the kings bedchambers, is rather cavernous and intimate. It is an alcove, honing in very important, intimate conversations. The dining room has a very structured and planned out feel to it, as it is more refined and less cluttered with overly frivolous design. As the Renaissance revisits the idea of math and science, moving away from a strictly religious perspective, Roman proportions were brought back and studied, applying that knowledge to rooms and architectural buildings. The plasterwork is more refined and in scale with the space as it is slightly raised, not overpowering the room yet still adding a touch of elegance. However the bedroom is overwhelming and massive with cherubs flanking the walls and ceiling as well as the oversized chair and headboard invade the negative space, leaving
After visiting the Metropolitan Museum of Art, two rooms caught my attention. The dining room from Lansdowne House, London (dining room) reflecting the English Neoclassical style and the Bedroom from the Sagredo Palace, Venice (bedroom) illustrating the end of Italian Baroque and the beginning of the Rococo style. As this essay moves forward, a number of the characteristics of each room will be highlighted, starting off with the general space and scale of the room, moving into the ceiling, walls, floors, furniture, and art work, highlighting similar and contrasting features of each room.
Scale and Space When first entering the dining room, the space is large with a lot of room available for movement without the feeling of obstruction. It is a dining hall that allows the tenants of the Lansdowne House to host a number of public social events. This space feels like a more public space of hosted gatherings, bringing people together similar to the roman painting seen above the hearth and repeated in the plaster work on walls in the circular plaster work. However the bedroom, although is a semi-private space, where only men of great importance can enter the kings bedchambers, is rather cavernous and intimate. It is an alcove, honing in very important, intimate conversations. The dining room has a very structured and planned out feel to it, as it is more refined and less cluttered with overly frivolous design. As the Renaissance revisits the idea of math and science, moving away from a strictly religious perspective, Roman proportions were brought back and studied, applying that knowledge to rooms and architectural buildings. The plasterwork is more refined and in scale with the space as it is slightly raised, not overpowering the room yet still adding a touch of elegance. However the bedroom is overwhelming and massive with cherubs flanking the walls and ceiling as well as the oversized chair and headboard invade the negative space, leaving