Inherit the wind
Written by Jerome Lawrence and Robert E. Lee, the play Inherit the Wind is a fictitious spin off of the historical Scopes Monkey Trial of 1925, which debated the concept of evolutionism vs. creationism and, in general, a person’s right to think. Brady and Drummond, two lawyers appointed to Bertram Cates’ trial are both powerful characters, different yet they portray many similarities through their behaviour. Demonstrated through various personal flaws, strengths, and their own particular relationships with religion, both contrasting characters function as an important mechanism by which the play’s predominate theme of the importance of freedom of thought are emphasized. The ability to think, or exercise free thought is, philosophically, the foundation of our existence. You can not become all that God created you to be until you embrace your identity — the unmistakably unique and flawed you that God intentionally made for a purpose. The high and almighty Brady was even flawed, he showed a great deal of love towards the public. Before the time of radio and television, if he controlled the media, he controlled the masses. He became who the community wanted to hear, dependant of the flock of followers he had created behind him. Lavished with all their praise and glory Brady built up an ample amount of confidence in himself. The power he had gained made him feel secure and he was always seeking for more, this becomes evident when he runs for president in three consecutive elections but never succeeded. Brady’s immeasurable sense of pride finally led him to his downfall. The town of Hillsboro named Brady as an Honorary Colonel in the State Militia, “‘Colonel Brady.’ I like the sound of that!” (page 22) While Brady seems to be a very principled man, we learn public adoration and high titles keep him going. Conjointly, Brady is familiar with communicating with the reporters. “The Reverend at my left, the Mayor at my right. (Stiffly, they face the...
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