Harlem, Communal Affect, and The Great Migration Narrative in James Baldwin’s ‘Sonny’s Blues’”, John Claborn argues that "Baldwin’s vision of Harlem in the 1950’s shows a time of great personal trauma in a place that is encapsulating and inescapable" (89). The narrator describes the life of black kids in Harlem, "they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities" (Baldwin 564). As per my opinion, racism limited the potential for boys to succeed in life and to escape from the harsh conditions in their ghetto neighborhood. Sonny takes a totally extraordinary course in life. Taking a way that is more well known in Black culture, self-expression for his situation, through music, enduring because of bigotry, and attempting to figure out how to manage with the pressure of life, he becomes involved with the heroin trade. In difference to his older brother, he fails the misrepresentation of respectability and the security it would manage the cost of him from mistreatment and inconvenience. Rather, he seems to plunge himself into the very activities that precipitate more suffering. The one reprieve he has from everything is his music, particularly Jazz and the blues. These sorts are tense, not increased in value by the conservative world his brother the narrator lives in. Being a reader I feel, the narrator essentially maintains a strategic distance from Sonny, because Sonny's lifestyle and music are alien to the culture he himself has been assimilated into. He fears that Sonny's interests will cause him harm, and he experiences difficulty confronting him or connecting with him due to this. Most importantly, there is the feeling that Sonny is sufficiently bad, not satisfactory to fit into the respectable way of life that the brother embraces. This gives a clear picture of racism at his heart. The narrator, like supremacist whites, therefore neglects to comprehend
Harlem, Communal Affect, and The Great Migration Narrative in James Baldwin’s ‘Sonny’s Blues’”, John Claborn argues that "Baldwin’s vision of Harlem in the 1950’s shows a time of great personal trauma in a place that is encapsulating and inescapable" (89). The narrator describes the life of black kids in Harlem, "they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities" (Baldwin 564). As per my opinion, racism limited the potential for boys to succeed in life and to escape from the harsh conditions in their ghetto neighborhood. Sonny takes a totally extraordinary course in life. Taking a way that is more well known in Black culture, self-expression for his situation, through music, enduring because of bigotry, and attempting to figure out how to manage with the pressure of life, he becomes involved with the heroin trade. In difference to his older brother, he fails the misrepresentation of respectability and the security it would manage the cost of him from mistreatment and inconvenience. Rather, he seems to plunge himself into the very activities that precipitate more suffering. The one reprieve he has from everything is his music, particularly Jazz and the blues. These sorts are tense, not increased in value by the conservative world his brother the narrator lives in. Being a reader I feel, the narrator essentially maintains a strategic distance from Sonny, because Sonny's lifestyle and music are alien to the culture he himself has been assimilated into. He fears that Sonny's interests will cause him harm, and he experiences difficulty confronting him or connecting with him due to this. Most importantly, there is the feeling that Sonny is sufficiently bad, not satisfactory to fit into the respectable way of life that the brother embraces. This gives a clear picture of racism at his heart. The narrator, like supremacist whites, therefore neglects to comprehend