Impressionism vs Post - impressionism

Powerful Essays
Impressionism vs Post Impressionism

Modern culture is believed to be the brainchild of two versions of the Protestant worldview: the northern French positivism and irrationalism. If the first is trying to discern the signs of the afterlife in the image of reality (which is actually a reflection of the culture established meanings), the second doubts of the possibility to view anything except for one’s own feelings. Impressionists were trying to recreate their sensory impressions with scientific precision. Analytical approach to his own artistic activities allowed them to make a number of discoveries and formulate several principles. Impressionism is actually the direction in art of the last third of the 19th - early 20th centuries, whose members sought to capture the real world in its mobility and variability, truthfully convey moments of life. Impressionism (the term comes from the French word for ‘experience’) originated in the 1860s in France, where painters Manet, Renoir and Degas brought variety, dynamics and complexity of modern urban life, freshness and immediacy of perception of the world in their art works. Their works are mostly characterized by apparent imbalance, fragmentary compositions, unexpected angles, and glazed sections shapes.

Impressionism vs Post Impressionism
Another version of the picturesque romanticism preceding Impressionists is Barbizon (Corot, etc.) sought to capture the mood of the finest weather, atmosphere. Much attention was paid by them to writing sketches in nature, while Daubigny used to paint right ‘en plein air’. Such a principle became the rule for impressionists: the main ‘protagonist’ of their paintings was air (being the light environment). As a result, the actual objects in their paintings dissolve, at least their scenic properties have the



References: Galenson D. W., Weinberg. B. A. (Sep., 2001). Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism. The American Economic Review. Published by: American Economic Association. Vol. 91, No. 4, pp. 1063-1071. Retrieved from http://www.jstor.org/stable/2677826 Hauser, A. (2005). The Social History of Art: Naturalism, impressionism, the film age. Vol.4, London, New York. Roskill, M. W. (1970). Van Gogh, Gauguin and the Impressionist circle. Thames & Hudson (London). Book (ISBN 0500490015). Wadley, N. (1991). Impressionist and post-impressionist drawing. L. King (London). Book (ISBN 1856690083). Rewald, J. (1973). The history of impressionism. Museum of Modern Art (New York and Greenwich, Conn.). Book (ISBN 0870703606). 4th, rev. edition.

You May Also Find These Documents Helpful

  • Good Essays

    Impressionism and Post-Impressionism Introduction Impressionism and Post-impressionism are two of the most influential periods in art history. Originating in France in the late 19th century, both movements encompass some of the world’s most well-known, and beloved, artists and paintings, including Claude Monet, Edgar Degas, Auguste Renoir, and Paul Cezanne, Paul Gauguin, and Gustav Klimt, respectively. Impressionism Impressionists revolutionized art; some consider it be the start of the modern…

    • 1127 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Impressionism Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil…

    • 676 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Expressive Essay In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh. The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut…

    • 2221 Words
    • 9 Pages
    Powerful Essays
  • Good Essays

    During the late 19th century and early 20th centuries, Realism, Impressionism, and Post- Impressionism were forms of art that transpired. These techniques in art brought a sense of individualism to Europe; thus, people were inspired to make art that represented society. Realism, Impressionism and Post-Impressionism reflected European Society through their expressions of depicting life as it truly was, hastily capturing moments in time, and painting nature as the artist conceptualized them, not how…

    • 835 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The term Post-impressionism is used to describe late 19th century art that rejects the “capture-the-fleeting-moment” attitude of Impressionism and is characterized by bright colors and defined brushstrokes as opposed to the impasto approach of impressionists. Impasto is a technique in which paint is applied so thick onto the canvas that it stands out from the surface, creating a 3-D texture effect. The paint can be mixed on the canvas to achieve a desired color. One distinguishing factor of a post-impressionist…

    • 1035 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Impressionism

    • 465 Words
    • 2 Pages

    Analysis Competency – Impressionist Era Impressionism was a movement in predominately French Classical music spanning from 1875 – 1925 in which the music focused on suggestions and atmosphere. It was one of the last periods of Western Classical music before the Modern period. There were many composers who have some, or all of their music being influenced by the Impressionist era including Ernest Fanelli, Isaac Albeniz, and John Alden Carpenter. Musical Impressionism was a direct answer to the Romantic…

    • 465 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Impressionism

    • 1683 Words
    • 7 Pages

    traditional art and its strict rules. A group of painters who became known as the Impressionists decided to gain independence from the standards prescribed by the French Academy of Fine Arts and France's annual official art exhibition called The Salon. Impressionism covers approximately two decades, from the late 1860s through the 1880s. The term impressionist was first used by French art critic Louis Leroy in 1874 based on Monet's painting Impression, Sunrise. Leroy found the term fitting to describe the…

    • 1683 Words
    • 7 Pages
    Powerful Essays
  • Better Essays

    Impressionism

    • 1214 Words
    • 5 Pages

    Short Essay: Impressionism Word Count: 1,089 Impressionism or the Impressionist school of painting was one of the most popular genres of art practiced in the late 19th and early 20th centuries. The name derives from the unfinished look, which these paintings seem to project, are rather the creation of the impression, which they leave on the mind of the viewer. The Impressionist form of painting worked to capture the immediate moment, brimming with the vitality of the day and the…

    • 1214 Words
    • 5 Pages
    Better Essays
  • Good Essays

    POST IMPRESSIONISM - THE ROOTS OF MODERN ART VINCENT VAN GOGH (1853-1890)
 'View of Arles-Orchard in Bloom with Poplars ', 1890 (oil on canvas) Post Impressionism was not a formal movement or style. The Post Impressionists were a few independent artists at the end of the 19th century who rebelled against the limitations of Impressionism. They developed a range of personal styles that focused on the emotional, structural, symbolic and spiritual elements that they felt were missing from Impressionism…

    • 474 Words
    • 2 Pages
    Good Essays
  • Good Essays

    French Impressionism and Post Impressionism in the late 19th C. ©Werner Hammerstingl,1998,1999 Before the emergence of Impressionism we can see a major political and social transition in central Europe which has demonstrable artistic and literary consequences. The major aspects of this change include: The 19C industrial expansion which took away opportunities of individual farming and craft practice and replaced them with paid labour in factories. Governments across Europe are exploring…

    • 2901 Words
    • 11 Pages
    Good Essays