Identification With One's Heritage In Everyday Use By Alice Walker

The story Everyday Use tells of a girl who thinks she knows what her culture is, and a mother and sister who really know what their culture is but rarely ever stand up for themselves. One of the main conflicts Everyday Use by Alice Walker is conflict of identification with one’s own heritage. This is portrayed throughout the short story through the Mother and Wangero, who decides that in order to show her true, newly discovered ‘heritage’, she will take from her real heritage and use family-owned objects as decorations.
Throughout the story, Dee tries to deny her true heritage and family in favor of a more idealistic, fake heritage she’s made up for herself. When questioned by the mother as to why she changed her name from Dee to Wangero, she responds. “I couldn’t bear it any longer being named after the people who oppress me”(318). This is one of the first instances in where we see how Dee is out
She thinks to herself, “I didn’t want to bring up how I has offered Dee (Wangero) a quilt when she went away to college. Then she had told me they were old-fashioned, out of style”(320). The mother is in disbelief at Dee, who only wants to use her heritage as something for show and tell. Those same blankets she had once refused she now wanted because they fit her own aesthetic, and not at all for the value and meaning behind those quilts. The mother then decides to do something unheard of and, “hugged Maggie to me, then dragged her on into the room, snactched the quilts out of Miss Wangero’s hands and dumped them into Maggie’s lap”(321). The mom has chosen her true heritage over the false, glamorized one that her eldest daughter has decided to create. She gives the quilts to Maggie because in her heart she knows that Miss Wangero does not deserve them, that Maggie can truly appreciate them and know who she is and where she’s come