How Old Is The Renaissance Art

Throughout history, humankind has witnessed multiple relevant chapters that have drastically changed the world to the currently known and admired. Such events have marked important periods in history and have been certainly influential in numerous ways, ideologically, socially, politically, and undoubtedly artistically. However, some eras have been the mere recreation or blend of other significant periods. The Renaissance, which began in the early 14th century in the city of Florence, Italy, is a clear example of the latter mentioned; the following question arises: What is the Renaissance? Jam-packed with overbearing innovative elements and personalities the Renaissance or re-birth in English is probably the most artistic, therefore resourceful
This simply adds up to the following question: Is architecture a form of art? Indeed it is. Renaissance architecture is the complete product of the mishmash of Greco-roman adaptation of lines, curves, geometrical shapes, angles, and ornaments. Such implementation is described by Nelson as “the revival of architecture that came about through the influence of classical antiquity.” Through this form of art of accentuated Romanesque columns, mythological ornaments, symmetric figures, among others, individuals would expose their grandiosity, economical stability, opulence, and of course cultural refinement. It was imperative for all citizens to posses some sort of Greco-roman or neoclassic piece of architecture on the outside of their houses to feel part of the movement and perhaps part of the society during that period. The styles and ornaments would vary significantly providing a sense of neoclassical jungle to cities like Florence (cradle of the Renaissance) and simultaneously would bestow a sense of elegance. Today, it is evident how Renaissance architecture appreciably powered current architecture and how its lines, adornment, between others are still the sheer representation of sophistication and
However, sculpture went beyond it and reached considerably further horizons. The human anatomical representation attained another level when it became an inspiration for sculptors to carve it into stone, marble, granite, and in some occurrences molded into bronze. Nudity, took it even to a higher level and for the first time in history artisans and the people in general were able to depict the immortalized human figure as it was once brought to Earth. Sculptors would implement their techniques in order to obtain difficult patterns and angles that would picture the flexibility and detailed muscular beauty of the human body (Nelson). Nevertheless, nudity was to the Catholic Church an immoral form of art and was strictly forbidden for quite a while. Contrary to such measure, it is sincerely curious how certain sacred temples manage to have frescoes and figures that resemble nudity to its utmost expression. It is important to mention bareness was primarily common, although later it was banned from the