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How Did Ludwig Mies Position And Contribution To The Development Of Modern Architecture?

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How Did Ludwig Mies Position And Contribution To The Development Of Modern Architecture?
In this essay I plan on discussing works by Ludwig Mies van der Rohe. I will carry out a concise discussion of the position and views of Ludwig Mies van der Rohe, as well as addressing his understanding of architecture. I will also be doing a concise analysis of two exemplary works by Mies. Finally I plan on discussing Mies position in and contribution to the development of Modern movement. The two examples I will be analysing are the Barcelona Pavilion and the Seagram Building.

Ludwig Mies van der Rohe in my opinion redefined what was modern architecture in the 20th century. He revolutionised architectural building and design concepts. He was a German- American architect. Mies wanted to establish a new architectural style that would represent
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He saw a requirement for a building expression, generally as Gothic Architecture was for a time of mysticism. He connected a trained configuration procedure utilizing balanced thought to accomplish his objectives. He trusted that the design and plan of each structural component, especially the character of encased space, must add to a brought together expression. Restricted that Mies associated his structures with nature was by augmenting outside court tiles into the floor of an anteroom. This trademark is frequently found in his substantial building tasks, for example, the Seagram …show more content…
The Seagram Building, like virtually all large buildings of the time, was built of a steel frame, from which non structured glass walls were hung. Mies personally would have preferred the steel frame to be visible to all. However, American building codes required that all structural steel be covered in a fireproof material, usually concrete, because improperly protected steel columns or beams may soften and fail in confined fires. Concrete hid the structure of the building, something Mies wanted to avoid at all costs, so he used a non-structural bronze-toned, to suggest structure instead. These are visible from the outside of the building, and run

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